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《曹植碑》書法研究

發(fā)布時間:2018-09-11 14:01
【摘要】:隋朝一統(tǒng)天下,南北書風隨之自然融合,漸趨中和,可謂上承魏晉南北朝的古雅蘊藉,下開唐一代的規(guī)整森嚴,隋《曹植廟碑》以篆隸楷雜糅的“破體”書法獨特面貌,在書法史上具有重要地位。本文通過淺述《曹植廟碑》的形制內容,書法成因等,《曹植廟碑》中雜楷、隸、篆三體的個案研究,,通過筆法,結構,章法等審美角度的比較結合所學專業(yè)知識,對《曹植碑》進行個案研究,初步了解該碑形成的歷史原因及審美價值,以及《曹植碑》破體書法對后世的影響及其歷史地位,闡述其對現當代書法創(chuàng)作風格的啟發(fā),對提高書法創(chuàng)作質量,拓寬書法創(chuàng)作理念等方面都有重要意義!
[Abstract]:When the Sui Dynasty dominates the world, the North-South style of calligraphy naturally merges and gradually tends to be neutralized. It can be said that the ancient elegance of the Wei, Jin, and the Southern and Northern dynasties was inherited, and the rules of the lower Tang Dynasty were strict, and the Sui "Cao Zhi Miao Stele" was a unique look of "broken body" calligraphy, which was a mixture of the seal characters and the block letters. In the history of calligraphy has an important position. In this paper, we discuss the form content of Cao Zhi Temple Stele, the cause of formation of calligraphy, the case study of three types of Za Kai, Li and Zhuan in Caozhi Temple Stele, and combine the professional knowledge with the aesthetic angle of writing, structure, composition and so on. This paper makes a case study of Cao Zhi Stele, and preliminarily understands the historical reasons and aesthetic value of the formation of the monument, the influence and historical position of the broken calligraphy on the later generations, and expounds its inspiration to the modern and contemporary calligraphy creation style. It is of great significance to improve the quality of calligraphy creation and broaden the concept of calligraphy creation.
【學位授予單位】:中國藝術研究院
【學位級別】:碩士
【學位授予年份】:2015
【分類號】:J292.1

【參考文獻】

相關期刊論文 前3條

1 王力春;;十六國北朝碑刻的破體現象及其成因[J];遼東學院學報(社會科學版);2010年01期

2 張弘;靳鶴亭;;曹植墓碑的歷史變遷與價值[J];濟南職業(yè)學院學報;2006年01期

3 王進;;《曹植廟碑》的藝術特點[J];晉城職業(yè)技術學院學報;2013年02期

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