楊凝式對(duì)二王“古法”的傳承研究
發(fā)布時(shí)間：2018-07-15 14:22
【摘要】：晚唐五代與魏晉時(shí)期情形極其相似,社會(huì)戰(zhàn)亂動(dòng)蕩,政治經(jīng)濟(jì)大變革、大發(fā)展,士人性情消散等等。楊凝式主要生活于混亂不堪五代時(shí)期,楊凝式作為這季世中人,作為上承隋唐下啟宋明的書(shū)家,楊凝式在書(shū)法史中的地位不容忽視。在研究其與二王“古法”的傳承關(guān)系時(shí),大家往往把其書(shū)作外在表現(xiàn)比如技法、章法等作為談?wù)摰慕裹c(diǎn),而忽視五代中的楊凝式書(shū)寫(xiě)習(xí)慣、書(shū)寫(xiě)狀態(tài)與魏晉隋唐時(shí)期的一脈相承。本文獨(dú)特之處在于著重從前賢所忽略的書(shū)寫(xiě)工具、執(zhí)筆方式等方面論述楊凝式書(shū)風(fēng)對(duì)二王“古法”的傳承。書(shū)寫(xiě)工具、執(zhí)筆方式等顯而易見(jiàn),卻成為書(shū)家最容易忽視的地方。從考古出土的毛筆,現(xiàn)存的古代字畫(huà)的用紙及古畫(huà)中所呈現(xiàn)的執(zhí)筆方式等一系列蛛絲馬跡中拼湊出五代時(shí)期書(shū)家的書(shū)寫(xiě)習(xí)慣,從而印證楊凝式吸收二王“古法”的“必然性”。
[Abstract]:The situation of the late Tang and the five dynasties is very similar to that of the Wei and Jin dynasties. Yang Chin lived mainly in the chaotic period of five dynasties. As a member of Ji Shizhong and a calligrapher who inherited Song Ming from Sui and Tang dynasties, Yang's position in the history of calligraphy can not be ignored. In studying the relationship between them and the "ancient methods" of the two kings, people tend to take their books as external expressions such as techniques and rules as the focus of discussion, while ignoring Yang's writing habits in the five dynasties. Writing state and Wei Jin Sui and Tang dynasties of the same lineage. The unique point of this paper is to expound the inheritance of the two kings'"ancient methods" from the writing tools and writing style neglected by the former sages. Writing tools, writing methods and so on are obvious, but they are the easiest places to be ignored by calligraphers. From a series of archeological unearthed brushes, the paper used in ancient calligraphy and painting and the way of execution presented in ancient paintings, the calligraphers' writing habits of the five dynasties period were pieced together, thus confirming the "inevitability" of Yang Chin's absorption of the "ancient methods" of the two kings.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J292.1
本文編號(hào)：2124362
[Abstract]:The situation of the late Tang and the five dynasties is very similar to that of the Wei and Jin dynasties. Yang Chin lived mainly in the chaotic period of five dynasties. As a member of Ji Shizhong and a calligrapher who inherited Song Ming from Sui and Tang dynasties, Yang's position in the history of calligraphy can not be ignored. In studying the relationship between them and the "ancient methods" of the two kings, people tend to take their books as external expressions such as techniques and rules as the focus of discussion, while ignoring Yang's writing habits in the five dynasties. Writing state and Wei Jin Sui and Tang dynasties of the same lineage. The unique point of this paper is to expound the inheritance of the two kings'"ancient methods" from the writing tools and writing style neglected by the former sages. Writing tools, writing methods and so on are obvious, but they are the easiest places to be ignored by calligraphers. From a series of archeological unearthed brushes, the paper used in ancient calligraphy and painting and the way of execution presented in ancient paintings, the calligraphers' writing habits of the five dynasties period were pieced together, thus confirming the "inevitability" of Yang Chin's absorption of the "ancient methods" of the two kings.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J292.1
【參考文獻(xiàn)】
相關(guān)博士學(xué)位論文 前1條
1 朱友舟;中國(guó)古代毛筆研究[D];南京藝術(shù)學(xué)院;2012年
，本文編號(hào)：2124362
本文鏈接：http://sikaile.net/wenyilunwen/shufayishu/2124362.html
最近更新
教材專(zhuān)著
