本文選題：美術(shù)字 + 宋體��； 參考：《中國藝術(shù)研究院》2012年博士論文

【摘要】：20世紀(jì)30年代,中國已經(jīng)出現(xiàn)了“美術(shù)字”的稱謂。民國時(shí)期美術(shù)字是在傳統(tǒng)漢字藝術(shù)的基礎(chǔ)上,吸收西文字體設(shè)計(jì)理念和技法發(fā)展而來的。民國時(shí)期美術(shù)字設(shè)計(jì)表現(xiàn)出非專業(yè)性、隨意性,甚至帶有一定的盲目性。這一方面與時(shí)代發(fā)展相吻合；另一方面,這也是當(dāng)時(shí)社會環(huán)境的局限性決定的。 漢字字體的演變過程同時(shí)伴隨著漢字書寫方式的發(fā)展。雖然美術(shù)字構(gòu)形的方式源于漢字的結(jié)構(gòu),但是美術(shù)字構(gòu)形的原則不同于漢字的構(gòu)造標(biāo)準(zhǔn)。作為商品宣傳的視覺內(nèi)容,美術(shù)字強(qiáng)調(diào)的是功能性,作為設(shè)計(jì)藝術(shù)的研究對象美術(shù)字表現(xiàn)的是審美性。美術(shù)字對漢字藝術(shù)既有繼承也有發(fā)展。美術(shù)字不同于書法藝術(shù),書法藝術(shù)是漢字書寫的藝術(shù),是把漢字用書寫的形式表現(xiàn)出來。美術(shù)字是漢字的設(shè)計(jì)藝術(shù)形式,是對漢字造型改造、加工、裝飾后的結(jié)果。美術(shù)字是字體設(shè)計(jì)藝術(shù),對漢字不是單純的模仿,是再塑造、再構(gòu)形,這是美術(shù)字本質(zhì)屬性所要求的。從市場發(fā)展角度看,美術(shù)字最初的出現(xiàn)是漢字為了適應(yīng)商品經(jīng)濟(jì)的流通、宣傳,而對漢字進(jìn)行變化。而漢字造型的變化,必須突破了漢字固有的字架結(jié)構(gòu),才能更好的適應(yīng)商品的流通、宣傳的作用；從技術(shù)角度看,西文字體設(shè)計(jì)對美術(shù)字的影響非常大。為了能夠創(chuàng)作出更多形式豐富、造型多變的字體,研究、吸收西文字體的設(shè)計(jì)經(jīng)驗(yàn)是必須的；從漢字自身發(fā)展看,漢字藝術(shù)發(fā)展幾千年,已經(jīng)非常成熟。但時(shí)代在進(jìn)步,文化藝術(shù)也要適應(yīng)社會的發(fā)展,美術(shù)字的出現(xiàn)就是漢字藝術(shù)適應(yīng)人類文明進(jìn)步的具體表現(xiàn)。 民國時(shí)期美術(shù)字設(shè)計(jì)研究有著承前啟后的作用。它不僅表現(xiàn)出特有的時(shí)代特征,同時(shí)是漢字藝術(shù)一種新的藝術(shù)形式。美術(shù)字對漢字傳統(tǒng)藝術(shù)不僅有繼承也有發(fā)展。這個(gè)時(shí)代的美術(shù)字設(shè)計(jì)成為當(dāng)代字體設(shè)計(jì)寶貴的經(jīng)驗(yàn)來源。
[Abstract]:In the 1930 s, the title of "Art word" appeared in China. On the basis of the traditional Chinese character art, the art characters of the Republic of China developed from the western font design concept and techniques. In the period of the Republic of China, the design of fine arts characters showed non-professional, random and even blindness. On the one hand, it coincided with the development of the times; on the other hand, it was determined by the limitations of the social environment at that time. The evolution of Chinese character font is accompanied by the development of Chinese character writing style. Although the form of fine arts characters originates from the structure of Chinese characters, the principles of the formation of fine arts characters are different from the construction standards of Chinese characters. As the visual content of commodity propaganda, the art word emphasizes the function, and as the research object of the design art, the art word expresses the aesthetic. Fine arts characters both inherit and develop the art of Chinese characters. Art character is different from calligraphy art. Calligraphy art is the art of writing Chinese characters. The art character is the design art form of Chinese character, it is the result of the transformation, processing and decoration of Chinese character modeling. Art character is the art of font design. It is not a simple imitation of Chinese characters, but a remolding and reconfiguration, which is required by the essential attribute of fine arts characters. From the perspective of market development, the original appearance of Chinese characters is to adapt to the circulation of commodity economy, propaganda, and change of Chinese characters. The change of Chinese character modeling must break through the inherent structure of Chinese characters in order to better adapt to the circulation of commodities and the role of propaganda. From a technical point of view, the design of Western characters has a great impact on the art characters. In order to create more rich and changeable fonts, it is necessary to study and absorb the design experience of western characters. From the perspective of the development of Chinese characters, the art of Chinese characters has developed for thousands of years and has been very mature. But the times are progressing and the culture and art should adapt to the development of the society. The appearance of the art characters is the concrete manifestation of the Chinese characters' art adapting to the progress of human civilization. In the period of the Republic of China, the study on the design of fine arts characters has the function of connecting the past with the future. It not only shows the unique characteristics of the times, but also is a new art form of Chinese character art. Chinese traditional art is not only inherited but also developed. The art character design of this era becomes the valuable experience source of the contemporary font design.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：博士
【學(xué)位授予年份】：2012
【分類號】：J292.13

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相關(guān)期刊論文 前2條

1 李喻軍;宋體字的中國文化特征[J];裝飾;2005年10期

2 李少波;;構(gòu)成主義在中國——以民國期間的封面設(shè)計(jì)為例[J];裝飾;2011年10期

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本文編號：2085690