本文選題：章草 + 筆墨��； 參考：《山東藝術(shù)學(xué)院》2017年碩士論文

【摘要】：章草發(fā)端于兩漢之際,是與隸書、今草有著密切聯(lián)系,同時又是獨(dú)立于二者之外的重要書體形式。圍繞章草所進(jìn)行的探討與論著古已有之,但囿于章草并非實(shí)用層面上的主流式樣,因此章草相對與其他書體而言,略顯小眾。本文首先研究章草名稱的由來,總結(jié)了四種章草名稱的定義。又簡單介紹了章草從起源到鼎盛期又到衰落再到后來章草復(fù)興的四個階段。因?yàn)楸疚闹饕芯空虏莸墓P墨空間的創(chuàng)新,所以第三小節(jié)是今草與章草的關(guān)系,讓今草的章法融合到章草書中。第二章以古代名家為例。選擇章草名家的代表作品進(jìn)行空間和筆墨的分析,并且分析其不同之處,探索章草創(chuàng)作的新路,從而革古出新,達(dá)到筆墨對比和空間美的結(jié)合。本論文一方面將借鑒今草章法的字形變化,并系統(tǒng)運(yùn)用到章法創(chuàng)作中,形成結(jié)字參差;另一方面加入墨色的濃淡枯濕,造成濃墨與飛白的強(qiáng)烈對比。最重要的是融入篆書的用筆,使章草具有一種“金石氣”,打破飄逸疏朗之常規(guī),最終呈現(xiàn)出一種強(qiáng)烈的視覺效果。隨著研究章草的不斷深入,雖然許多著作對章草演變與發(fā)展有系統(tǒng)的闡釋,但是在空間章法的研究上則比較少見。因此,著重章法筆墨、字形大小加以創(chuàng)新形成空間美有較強(qiáng)的理論意義。本論文在章法用筆中中側(cè)兼用,枯潤相生的用墨給人帶來極強(qiáng)的審美體驗(yàn),并豐富和完善章草的雄渾氣勢。靈動與端莊并行,形成空間、時間與平面的三維立體效果。
[Abstract]:Zhancao originated in the Han Dynasty and is closely related to the official script. It is also an important form of calligraphy independent of the two. The discussion and argumentation around the cursive has existed in ancient times, but it is not the mainstream style on the practical level, so the cursive is a little small compared with other books. In this paper, the origin of the name of chapter grass is studied, and the definitions of four kinds of the name of chapter grass are summarized. It also briefly introduces the four stages from the origin to the heyday, to the decline, and to the later revival of the zhancao. Because this paper mainly studies the innovation of the pen and ink space of Zhang Cao, the third section is the relationship between the present grass and the chapter grass, so that the composition of this text can be merged into the book of chapter grass. The second chapter takes ancient famous writers as an example. This paper chooses the representative works of Zhang Cao famous writers to analyze the space and ink, and analyzes their differences, and explores the new way of Zhang Cao's creation, so as to achieve the combination of the contrast of pen and ink and the beauty of space. On the one hand, this paper will draw lessons from the change of the zigzag of the present herbaceous method, and systematically apply it to the creation of the Zhang method to form the heterogeneity of the conclusion; on the other hand, add the thick and thin dry and wet ink, resulting in a strong contrast between the thick ink and the flying white. The most important thing is to incorporate the pen of seal script, so that the seal grass has a kind of "golden stone gas", which breaks the elegant convention, and finally presents a strong visual effect. With the deepening of the research on the chapter, although many works on the evolution and development of the chapter has a systematic interpretation, but in the space of the study is relatively rare. Therefore, it is of great theoretical significance to focus on the style of calligraphy and ink, and to innovate the size of the font to form the beauty of space. This paper is used in the middle and side of the pen in the method of Zhang. The dry ink brings people a strong aesthetic experience, and enriches and perfects the vigorous momentum of Zhancao. Smart and dignified parallel, forming space, time and plane three-dimensional effect.
【學(xué)位授予單位】：山東藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J292.1

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 陳曉;王蘧常章草筆法研究[D];華東師范大學(xué);2016年

2 趙彥國;章草書法歷史流變研究[D];南京藝術(shù)學(xué)院;2006年

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本文編號：1948194