本文選題：后現(xiàn)代思潮 + 中國書法審美　； 參考：《廣西社會科學》2016年03期

【摘要】：西方后現(xiàn)代思潮對當代中國書法產生著較強的負面影響,主要表現(xiàn)為:在審美觀念方面,弱化經典,從"雅"趨"俗",追逐個性,"審丑"意識泛濫;在審美實踐方面,形式至上,出現(xiàn)偏離中華傳統(tǒng)文化核心思想之傾向;在審美教育方面,書法教育存在著"迷失方向"之隱患。為消解此負面影響,應使"中和為美"審美觀念回歸正位,凸顯書法創(chuàng)作的文化內涵,書法教育須把握住傳承和弘揚中華優(yōu)秀文化這一根本主線。
[Abstract]:The western postmodern trend of thought has a strong negative influence on contemporary Chinese calligraphy, mainly as follows: weakening the classic in the aesthetic concept, pursuing individuality from "elegance" to "vulgarity", overflowing with the consciousness of "judging ugliness"; The form is supreme and deviates from the core thought of Chinese traditional culture. In aesthetic education, calligraphy education has the hidden trouble of "losing its direction". In order to eliminate this negative influence, the aesthetic concept of "neutralizing beauty" should be returned to the correct position, and the cultural connotation of calligraphy creation should be highlighted. Calligraphy education should grasp the basic thread of inheriting and carrying forward the excellent Chinese culture.
【作者單位】： 咸陽師范學院于右任書法學院;
【分類號】：J292.1

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