本文選題：李白鳳 + 新詩��； 參考：《河南大學(xué)》2013年碩士論文

【摘要】：李白鳳是我國著名的新詩詩人。他活躍在二十世紀(jì)初的中國新詩詩壇上，其文學(xué)著作頗豐，廣涉小說、劇本、散文、考據(jù)和古文字研究等。他早年如齊白石門學(xué)篆刻數(shù)日，先后同文學(xué)泰斗柳亞子、著名學(xué)者郭沫若、文學(xué)家臧克家、施蟄存、端木蕻良、藝術(shù)家黃永玉、以及后來同唐蘭等人的探討學(xué)術(shù)，他活躍在中國二十至四十年代間的中國新詩詩壇。作詩之余，他還對書法和篆刻的熱愛有加，不輟筆刀。他的文學(xué)和藝術(shù)在那個社會動蕩的年代閃爍著特立獨行異樣的光輝。交友和相互影響，是除此以外，他一生對藝術(shù)的鐘愛和在居無定所的同時，對其不曾舍棄，一直默默地追求。 歷經(jīng)辛亥革命后，中國處在政治動蕩、軍閥混戰(zhàn)的民國時期。動蕩的國內(nèi)局勢，經(jīng)濟(jì)蕭條，文化受西方資本主義的沖擊。許多青年人放棄了幾千年傳承下來的“之乎者也”，迎接新思潮的洗禮。李白鳳身處其中，在受到馬列主義影響的同時，他和萬千文人志士一樣，用篇篇詩歌歌頌浪漫和光明，也以筆作刀地抨擊黑暗的政治與反動派的惡勢力。在抗戰(zhàn)時期，性格的耿直不屈和不合于俗驅(qū)使他像魯迅一樣以筆代刀，，寫下充滿愛國熱情的“戰(zhàn)斗檄文”，身處在革命大后方的桂林，與柳亞子等文人志士交流文學(xué)，評論時事。革命后，輾轉(zhuǎn)南北的他，落腳七朝古都——開封，“十年動亂”的迫害沒有使他那顆向往“光明”的詩人之心枯萎，鉆研考古并寫出價值斐然的雜考等論著。 在他漂泊各地時，其創(chuàng)作的詩和文章發(fā)表于《新詩》、《詩至》、《星島日報》、《大公報》、《文藝復(fù)興》、《文萃》，創(chuàng)作劇本《盧溝橋的烽火》，散文集《圣者的血跡》，短篇小說集《馬和放馬的人》及中篇小說《小鬼》、《洗馬河傳奇》、《小鬼》、《芳鄰》、《孩子們》。 在開封二十余年的時光里，他不再熱衷于新詩，轉(zhuǎn)而搞起考據(jù)學(xué)研究，一邊做學(xué)問，一邊從藝的他在暮年時，寫出《金文駢技》、《東方氏族考》、《周易“爻變”的辯證規(guī)律》、《器銘流變初探》、《石鼓維疑》、《款式學(xué)雜考》、《漚堂說禮》、《東夷雜考》和《古銅韻語》等著作。其中《東夷雜考》和《古銅韻語》出版發(fā)行，對考古學(xué)是有貢獻(xiàn)的。 他幼時開始習(xí)書，精通兩篆、長于鐘鼎、金文創(chuàng)作。以至于其友施蟄存贊賞道：“國內(nèi)的大篆，沒有見到過比他寫的好的。”其篆刻廣博秦漢、涉獵流派，風(fēng)格之多變，尤長于以古代象形文字入印，探索之深遠(yuǎn)。李白鳳在長達(dá)幾十年的漂泊中從不“棄筆滯刀”一直追求著攀登藝術(shù)高峰。他晚年的藝術(shù)作品在當(dāng)時的開封以至于中原文藝界有深遠(yuǎn)的影響。 當(dāng)他一直盼望的“光明”已在破曉之際，百經(jīng)風(fēng)霜的李白鳳在日夜撰寫講稿時患病，不久謝世。李白鳳的一生只能用坎坷來詮釋，也正是在有著坎坷的人生旅途中，他對文學(xué)、對藝術(shù)的熱愛和堅持不懈的精神，不能不讓人在聲聲感嘆中默默地敬佩和贊賞。
[Abstract]:Li Baifeng is a famous poet of new poetry in China. He is active in the early 20th century Chinese new poetry, his literary works are abundant, covering novels, scripts, prose, textual research and ancient writing research. In his early years, such as Qi Baishi's door study of seal cutting, he followed the literature master Liu Yazi, the famous scholar Guo Moruo, the writers Zang Kejia, Shi Zhecun, Duanmu Hongliang, the artist Huang Yongyu, and later Tang Lan and others. He was active in Chinese new poetry from the 20 s to 40 s. In addition to his poems, he also loved calligraphy and seal cutting. His literature and art sparkled with maverick brilliance in that time of social unrest. To make friends and influence each other is in addition to his love for art in his life and in the absence of a place at the same time, it has not given up, has been quietly pursuing. After the Revolution of 1911, China was in the period of political turbulence and warlords fighting. Turbulent domestic situation, economic depression, culture by the impact of Western capitalism. Many young people gave up the thousands of years passed down, and welcomed the baptism of the new trend of thought. Li Baifeng was among them, influenced by Marxism-Leninism at the same time, he, like thousands of literati, chanted romance and light with a poem, and also attacked the dark politics and the evil forces of the reactionaries with a pen. During the Anti-Japanese War, the unyielding and unconventional character drove him, like Lu Xun, to write down the "battle call", which was full of patriotic enthusiasm, and was in Guilin, in the rear of the revolution, to exchange literature with Liu Yazi and other literati. Comment on current events. After the revolution, he settled in Kaifeng, the ancient capital of the seven dynasties. The persecution of "ten years of turmoil" did not wither the heart of his poet who yearned for "light", studied archaeology and wrote valuable essays and so on. While he was wandering around, His poems and articles are published in New Poems, Poems to, Daily Sing Tao, Ta Kung Pao, Renaissance, Wen Zi, script, Beacon of Lugou Bridge, prose collection, Blood of the Holy one, short story collection, Man of Horse and Horse. And novella Imp, Legend of the River Wash, Imp, Fangling, Kids. For more than twenty years in Kaifeng, he was no longer keen on new poetry, but instead engaged in textual research. Writing "Jin Wen Pian technique", "Oriental Clan examination", "Zhou Yi" Yao change Dialectical Law "," preliminary study on the change of Qi Ming "," Shi Du Wei doubt "," style study mixed examination "," retang Tang Shuo Li "," Dongyi Miscellaneous examination "and" Ancient Bronze rhyme language "and so on." Among them, Dongyi miscellaneous textual research and bronze rhyme were published and published, which contributed to archaeology. When he was young, he began to study books, proficient in the two seal characters, longer than Zhong Ding, Jin creation. So much so that his friend Shi Zhecun praised: "domestic big seal, has not seen better than he wrote." Its seal cutting broad Qin and Han dynasties, dabbling school, style, especially long to ancient hieroglyphs into the printing, exploring the far-reaching. Li Baifeng has never "abandoned pen and knife" in decades of wandering to climb the art peak. His later works of art in Kaifeng at that time that the Central Plains literature and art had a profound impact. When the light which he had been looking forward to was at dawn, Li Baifeng fell ill as she wrote his speech day and night, and died soon. Li Baifeng's life can only be interpreted with ups and downs, and it is in the bumpy journey of life that his love for literature, his love for art and perseverance cannot but be admired and appreciated silently in his voice and sigh.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J292.1;J292.41

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 佟培基;;李白鳳教授逝世的時間[J];社會科學(xué)戰(zhàn)線;1981年01期

2 紅杏;;關(guān)于散文詩——李耕訪談[J];散文詩世界;2005年03期

本文編號：1942873