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王國(guó)維多維身份的文藝觀探頤——兼論王國(guó)維治學(xué)思想的書壇啟示

發(fā)布時(shí)間:2018-05-26 16:31

  本文選題:王國(guó)維 + 藝術(shù)成就; 參考:《藝術(shù)百家》2017年05期


【摘要】:王國(guó)維雖書名被學(xué)史所掩,然其有關(guān)闡釋書藝言語(yǔ)卻頗有深意。學(xué)人對(duì)王靜安的研究中聚焦點(diǎn)較多關(guān)注其哲學(xué)、文學(xué)、考古學(xué)等思想,而對(duì)即于王靜安所謂"美術(shù)之一端"的書法藝術(shù)論、書法美學(xué)觀等鮮有研究。筆者試從王國(guó)維對(duì)美術(shù)、書學(xué)及其實(shí)踐的角度,探析其文藝思想的深化歷程。
[Abstract]:Although Wang Guowei's book name is concealed by the history of learning, he has a profound meaning about the interpretation of the language of the book art. The scholars have paid more attention to his philosophy, literature and Archaeology in the study of Wang Jingan. But there are few studies on the calligraphy art theory of Wang Jingan's so-called "one end of fine arts" and the aesthetic view of calligraphy. The author tries from Wang Guowei to art and calligraphy. From the perspective of practice, this paper probes into the deepening process of his literary thought.
【作者單位】: 深圳大學(xué)師范學(xué)院;
【分類號(hào)】:J292.1


本文編號(hào):1938000

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