本文選題：學(xué)科化 + 文學(xué)基礎(chǔ)　； 參考：《中國(guó)書法》2017年09期

【摘要】：正大概是在二○一四年前后,我們就有試辦這個(gè)展覽的初步設(shè)想,當(dāng)時(shí)考慮到,我們應(yīng)該不僅僅把篆刻當(dāng)成刻印這么一件簡(jiǎn)單的事情,而是要用學(xué)科化的眼光來(lái)看待。所謂的學(xué)科化,也就是說(shuō),在進(jìn)行印章創(chuàng)作的時(shí)候,它需要文字基礎(chǔ)、文學(xué)基礎(chǔ)和書法功底等一系列相關(guān)的綜合素養(yǎng),而這一點(diǎn),在本次展覽中也比較充分地體現(xiàn)出來(lái)了——展廳中我們能夠看到當(dāng)代印人的篆刻、
[Abstract]:It was probably around 2014, when we had a tentative idea for this exhibition, considering that we should look not only at seal cutting as a simple matter of engraving, but in terms of discipline. The so-called subjectivization, that is, when it comes to seal creation, it requires a series of related comprehensive qualities such as the basis of writing, the foundation of literature and the foundation of calligraphy, and this, In this exhibition, we can also see the seal cutting of contemporary imprinted people in the exhibition hall.
【分類號(hào)】：J292.4

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