本文選題：王楷 + 結(jié)體��； 參考：《中國書法》2017年07期

【摘要】：正從書法發(fā)展的軌跡來說,在楷書正式成為"正體書法"之前,不同時(shí)代有不同的正體書法,秦為小篆、漢興則為隸書。而早在漢魏之際,楷書早已形成,著名書家有鍾王等人,"鍾王楷書脫胎于行書,作為碑刻上的正體來用,結(jié)體和筆法都有不夠莊嚴(yán)穩(wěn)重的地方",這句話從另一方面道出了楷書作為"正體書"之外的身份,那就是"短箋長卷,意態(tài)揮灑,則帖擅其長。界格方嚴(yán)、法書深刻,則碑據(jù)其勝"中的"短箋長卷"。作為日常的書寫,楷書有著多重身份的可能,以魏晉時(shí)期
[Abstract]:From the perspective of the development of calligraphy, before italics became "orthotypic calligraphy", there were different orthodox calligraphy in different times, Qin as Xiaozhuan and Hanxing as official script. As early as the Han and Wei dynasties, regular script had already formed. Famous calligraphers such as Wang Zhong and others, "Chung Wang's script was born out of running script and used as an orthodox inscription on the inscription." The conclusion and writing method have not enough solemn and stable place ", this sentence from another side of the character as" the original book "identity, that is," short scroll, the meaning of the spread, it is good at its long. " A strict court, profound law, the tablet according to its victory, "short long volume." As a daily writing, regular script has the possibility of multiple identities, in the Wei and Jin dynasties
【作者單位】： 集美大學(xué)美術(shù)學(xué)院;
【分類號】：J292.1
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本文編號：1874967