發(fā)布時(shí)間：2018-05-11 06:43

  本文選題：伊秉綬 + 成因��； 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：伊秉綬是乾嘉時(shí)期最重要的碑派代表書家,作為清代碑派書法的開(kāi)山祖師,他不僅是這一變革時(shí)期的重要人物,還是整個(gè)書壇革新運(yùn)動(dòng)的開(kāi)創(chuàng)者,對(duì)于中國(guó)書壇有著承上啟下的推動(dòng)作用,促進(jìn)書法創(chuàng)作方向的發(fā)展,促使碑派書法成為這一時(shí)期新的取法對(duì)象,從而帶動(dòng)以碑學(xué)為主流的書法風(fēng)氣。金石文字學(xué)的興起和發(fā)展對(duì)伊秉綬個(gè)人書風(fēng)的轉(zhuǎn)變起到積極性的作用。由于伊秉綬具有一定的理學(xué)思想背景,雖說(shuō)并不是一名理學(xué)家,但他的理學(xué)思想深刻地體現(xiàn)在書法藝術(shù)上和空間章法上,所以本論文主要通過(guò)伊秉綬的理學(xué)思想在書法藝術(shù)和空間章法上的體現(xiàn)來(lái)進(jìn)行探究,并在書法藝術(shù)風(fēng)格上表現(xiàn)出傳統(tǒng)的氣息,使伊秉綬筆下的書法藝術(shù)更加的氣勢(shì)恢宏和正氣浩然。第一章首先對(duì)伊秉綬的書風(fēng)概說(shuō)進(jìn)行簡(jiǎn)要的論述,通過(guò)從其他書家的品評(píng)和論著當(dāng)中,了解前人對(duì)伊秉綬書風(fēng)的認(rèn)識(shí),并提出個(gè)人對(duì)其書風(fēng)的觀點(diǎn)與見(jiàn)解,為下文論述伊秉綬書法藝術(shù)風(fēng)格的成因奠定了基礎(chǔ)。第二章對(duì)伊秉綬書法藝術(shù)風(fēng)格的成因進(jìn)行深入分析:第一從時(shí)代背景角度,研究的是康雍乾三朝帝王對(duì)理學(xué)思想的態(tài)度,漢學(xué)及金石文字學(xué)的興起促使好古書風(fēng)的發(fā)展,并逐漸由帖學(xué)向碑學(xué)轉(zhuǎn)變,對(duì)碑學(xué)的發(fā)展起到推動(dòng)作用;第二從伊秉綬的家世及師承關(guān)系進(jìn)行分析,探討理學(xué)思想的傳承脈絡(luò)和廣益多師的精神,對(duì)伊秉綬書法藝術(shù)風(fēng)格具有一定的繼承和發(fā)揚(yáng);第三論述伊秉綬理學(xué)的根源及思想。第三章對(duì)伊秉綬的書體研究,從取法用筆、單字和字組分析、空間章法布局及理學(xué)思想的體現(xiàn)等進(jìn)行逐一分析。第四章論述了伊秉綬書法藝術(shù)風(fēng)格對(duì)后世的影響及啟示,讓更多的“學(xué)伊”者繼承傳統(tǒng),開(kāi)拓創(chuàng)新。本論文存在欠缺之處,還請(qǐng)老師和同學(xué)們多提寶貴的意見(jiàn),并能指出其中存在的問(wèn)題或缺點(diǎn),以便筆者進(jìn)行修改。
[Abstract]:Ibingshou is the most important representative calligrapher of the Qianjia period. As the founder of calligraphy in the Qing Dynasty, he is not only an important figure in this period of change, but also the pioneer of the whole reform movement of the calligraphy world. It plays an important role in promoting Chinese calligraphy, promoting the development of calligraphy creation direction, and promoting the calligraphy of tablet school to become a new object of study in this period, thus driving the mainstream calligraphy atmosphere of tablet study. The rise and development of Jinshi philology played a positive role in the transformation of the style of personal calligraphy. Because Yi Bingshou has a certain background of Neo-Confucianism thought, although he is not a Neo-Confucianism, his Neo-Confucianism thought is deeply embodied in calligraphy art and space rules. Therefore, this paper mainly through the Yi Bingshou's Neo-Confucianism thought in calligraphy art and space rules to explore the embodiment, and in the calligraphy art style shows the traditional breath, Yipingshou calligraphy art more magnificent and vigorous. The first chapter gives a brief discussion on the book style of Yipingshou, from the comments and works of other calligraphers, to understand the previous understanding of the book style of Ibingshou, and to put forward personal views and opinions on the style of books. For the following discussion of the formation of Yibingshou calligraphy style laid the foundation. The second chapter makes an in-depth analysis of the causes of the artistic style of Yipingshou calligraphy: first, from the angle of the background of the times, it studies the attitude of the emperors of Kang, Yong and Qian dynasties to the thought of Neo-Confucianism, the rise of Sinology and the philology of Jinshi, which promotes the development of the style of good ancient books. And gradually from the post school to the tablet study change, to promote the development of tablet science; second, from the family background of Ibingshou and the relationship between teachers, to explore the inheritance of Neo-Confucianism ideas and the spirit of Guang Yi-duo, Yipingshou calligraphy art style has a certain inheritance and development; third discusses the origin and thought of Ibengshou Neo-Confucianism. In the third chapter, the author analyzes the calligraphy style of Yipingshou from the point of drawing pen, single word and word group, space layout and the embodiment of Neo-Confucianism thought. The fourth chapter discusses the influence and enlightenment of Yipingshou calligraphy style on later generations, so that more "Yi" students inherit the tradition and blaze new trails. There are some shortcomings in this paper. Teachers and students are also requested to give valuable advice and to point out the problems or shortcomings in the paper so that the author can modify it.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J292.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 林小云;;伊秉綬及其書法藝術(shù)[J];福建藝術(shù);2008年03期

2 傅新生;;伊秉綬與金石學(xué)[J];新美術(shù);2007年06期

相關(guān)碩士學(xué)位論文 前1條

1 況林;伊秉綬書風(fēng)之形成研究[D];西南大學(xué);2011年

，

本文編號(hào)：1872846