本文選題：書性 + 男性品格��； 參考：《中國書法》2017年08期

【摘要】：數(shù)千年來,肇乎本性之書法藝術(shù)表現(xiàn)出男女不同之性別品格,即書性。而受男權(quán)社會男尊女卑觀念之長期影響,書法之書性觀又呈顯出以男性書家主導(dǎo)之男性品格傾向。書法品評之間,亦輕女性品格而重男性特色。由是禁錮女性發(fā)展,以致女性書法式微,女性品格不彰。而新時代下,男女平等,女性獨(dú)立。女性書家正須外乘時代之利,內(nèi)秉天成之性,內(nèi)外相副,樹立女性品格之藝術(shù)自覺,以此挖掘自我之潛質(zhì),彰顯女性之精神,促進(jìn)女性書法之時代發(fā)展。
[Abstract]:For thousands of years, the calligraphy art of Zhaohu nature shows the different gender character of men and women, that is, the nature of calligraphy. Influenced by the concept of male superiority over women in the patriarchal society, the book view of calligraphy shows a tendency of male character dominated by male calligraphers. Calligraphy evaluation, but also light female character and male characteristics. Therefore, the development of women is confined, resulting in the decline of female calligraphy, female character is not obvious. And in the new era, equality between men and women, female independence. Female calligraphers should take advantage of the benefits of the times, the nature of nature, internal and external relations, establish the artistic consciousness of female character, so as to explore their own potential, highlight the spirit of women, and promote the development of the era of female calligraphy.
【作者單位】： 天津美術(shù)學(xué)院書法系;
【分類號】：J292.1

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