本文選題：身體 + 具身認(rèn)知　； 參考：《西北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2012年06期

【摘要】：當(dāng)代身體美學(xué)的建立與發(fā)展,為理解書法藝術(shù)和身體的關(guān)系奠定了理論基礎(chǔ)。從身體的角度理解書法包含書法藝術(shù)的具身化認(rèn)知,書法藝術(shù)的身體經(jīng)驗(yàn)和書法藝術(shù)的"修身"功能三個(gè)維度。從身體的角度理解書法,為當(dāng)代的書法藝術(shù)的良性發(fā)展提供保障,更可以促進(jìn)藝術(shù)與生活的整合,達(dá)成生活即審美的社會(huì)理想建構(gòu)。
[Abstract]:The establishment and development of contemporary body aesthetics lay a theoretical foundation for understanding the relationship between calligraphy art and body. Understanding calligraphy from the aspect of body includes three dimensions: the cognition of calligraphy art, the body experience of calligraphy art and the function of "self-cultivation" of calligraphy art. Understanding calligraphy from the perspective of body can provide guarantee for the benign development of contemporary calligraphy art, promote the integration of art and life, and achieve the construction of social ideal of life that is aesthetic.
【作者單位】： 西北大學(xué)文學(xué)院;寶雞文理學(xué)院中文系;
【基金】：教育部人文社會(huì)科學(xué)青年基金資助項(xiàng)目(11YJC751025) 寶雞文理學(xué)院重點(diǎn)項(xiàng)目(ZK096)
【分類號(hào)】：J292.1
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本文編號(hào)：1868488