發(fā)布時間：2018-05-04 17:34

  本文選題：書法批評 + 要素��； 參考：《中國書法》2017年22期

【摘要】：書法批評是批評主體對于書法的線條、結(jié)構(gòu)、章法、意象、形式、風(fēng)格、價值(或意義),包括它們產(chǎn)生所需要的主體、環(huán)境、技法、材料等條件和因素,以及書法與個人、社會、文化、歷史所形成的多重關(guān)系,通過觀看、感受、參與等方式加以理解、判斷、闡釋和評價。其要素有四,即理解、判斷、闡釋和評價。當(dāng)代書法批評范式可整列為審美批評、文化批評等,筆者提出了新審美批評和文化歷史批評。書法批評的維度可以從技法、審美、文化和創(chuàng)新四個方面來確立。
[Abstract]:Calligraphy criticism is the subject's criticism of the line, structure, constitution, image, form, style, value (or meaning) of calligraphy, including the conditions and factors needed to produce them, such as subject, environment, technique, material, etc., as well as calligraphy and individual. The multiple relationships formed by society, culture and history are understood, judged, interpreted and evaluated by watching, feeling and participating. There are four elements, namely, understanding, judgment, interpretation and evaluation. The paradigm of contemporary calligraphy criticism can be classified as aesthetic criticism, cultural criticism and so on. The author puts forward new aesthetic criticism and cultural and historical criticism. The dimension of calligraphy criticism can be established from four aspects: technique, aesthetics, culture and innovation.
【作者單位】： 蘇州大學(xué)出版社;
【分類號】：J292.1
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本文編號：1843938