本文選題：石門 + 石刻文　； 參考：《中國書法》2017年19期

【摘要】：正刊石勒碑,無疑令生者揚(yáng)名、逝者不朽,契合了人們積極追求死而不朽以延續(xù)生命價(jià)值的心理。將姓名、事跡銘之名山,傳之后世的"托物留名",既是一種時代風(fēng)尚,也是一種文化現(xiàn)象,縱觀歷代石門石刻文本,隨著士人個人意識的逐漸覺醒,留名傾向不斷趨于強(qiáng)烈。亦由于時代文化風(fēng)氣的變遷以及立碑主體各種心理需求的驅(qū)使,呈現(xiàn)出類型各異的特殊表達(dá)形式。本文著重探討石門石刻文本中,有關(guān)"留名"的幾種特殊現(xiàn)象:"一石二主"并列、"一人多刻"重復(fù)、"附會先賢"托名,從而研究不同時代文化背景下,刻石者主體
[Abstract]:The publication of the tablet undoubtedly makes the living famous and the dead immortal, which accords with the psychology that people actively pursue death and immortality in order to continue the value of life. It is not only a fashion of the times but also a cultural phenomenon to leave a name on the name of the name, the inscription of the deeds, and the names of the later generations. Throughout the history of the texts of stone carvings in Shimen, with the gradual awakening of the scholars' personal consciousness, the tendency to leave a name tends to be more and more intense. Also because of the change of the culture of the times and the various psychological demands of the main body of the monument, there are different types of special expressions. This paper focuses on several special phenomena of "leaving a name" in the stone inscription texts of Shimen: "one stone and two masters" juxtaposed, "one person with more than one engraving" repeated, and "attached to the ancestors" to name, thus studying the subject of stone engraving in different cultural backgrounds of different times.
【作者單位】： 清華大學(xué)藝術(shù)史論系;
【基金】：北京市哲學(xué)社會科學(xué)重點(diǎn)項(xiàng)目《中國藝術(shù)史觀與方法研究》,項(xiàng)目號15WYA010
【分類號】：J292.1
，

本文編號：1825467