本文選題：書法藝術 + 集字石刻作品��； 參考：《藝術百家》2017年05期

【摘要】：南宋年間朱熹在江西饒州、信州、徽州等地區(qū)講學著述,這一地區(qū)多有其書跡刻石留存,其中《紫陽遺墨》是清道光年間上饒知縣曹人杰依據朱熹遺墨集字編成《訓士箴》七章并銘于石,以期"與天下萬世共寶之"。《紫陽遺墨》書法字字雄渾蒼勁,敦厚樸拙,且碑石跋文未見收錄,因此具有極高的書法價值和文獻價值。雖然《紫陽遺墨》是集字石刻作品,但從中依然可以窺探朱熹求古求正,宗法秦漢晉唐筆意;崇尚自然,于有法處求無法的書學主張。將朱熹《紫陽遺墨》與其另一件作品《千字文》相對照,更能揭示出《紫陽遺墨》中所折射出來的書學思想。
[Abstract]:In the Southern Song Dynasty, Zhu Xi was written in Rao Zhou, Xinzhou, Huizhou and other regions of Jiangxi. There were many books and engravings in this area. It has a very high value of calligraphy and literature value. Although it is a collection of stone inscriptions, it is still possible to spy on Zhu Xi's quest for the ancient seeking, the patriarchal Qin and Han Dynasty and the Jin and Tang Dynasty, and the advocation of nature, which can not be found in the law. The comparative study of thousand characters can reveal the calligraphic thoughts reflected in the "Ziyang ink".

【作者單位】： 上饒師范學院;
【基金】：江西省社會科學“十三五”(2016)規(guī)劃項目“南宋饒州、徽州書法家群體研究”(項目編號:16YS05)階段性成果之一
【分類號】：J292.1
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本文編號：1822481