本文選題：黃公望 + 書法題款�。� 參考：《中國(guó)書法》2017年10期

【摘要】：作為"元四家"中最長(zhǎng)者的黃公望,其傳世書法作品多以題款形式出現(xiàn),書體以楷書、行書為主。他在繼承前人書法與繪畫模式的基礎(chǔ)之上,在追求文人"逸氣"的藝術(shù)主張和"詩(shī)書畫印"結(jié)合的審美內(nèi)涵的時(shí)風(fēng)之下,將個(gè)人"古法求變"的藝術(shù)心境通過(guò)"欹側(cè)剛健,古意率真"的書風(fēng)和"源于自然,熟能生巧"的美學(xué)思想表達(dá)出來(lái),展示出新的審美意境和文人情懷。
[Abstract]:Huang Gongwang, as the longest person in the four Yuan Dynasty, his calligraphy works mostly appeared in the form of title, which was mainly in italics and running script. On the basis of inheriting the models of calligraphy and painting of predecessors, and under the trend of pursuing the aesthetic connotation of the combination of "elegant spirit" and "poetry, calligraphy, painting and printing", he made the artistic mood of individual "ancient law change" strong through "interjection." The book style and aesthetic thought of "originated from nature and made perfect by practice" are expressed to show the new aesthetic conception and the feelings of literati.
【作者單位】： 中國(guó)文聯(lián)文藝資源中心;
【分類號(hào)】：J292.1

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本文編號(hào)：1820529