【摘要】：《周易》云:"形而上者謂之道,形而下者謂之器。"陶瓷"開光"以其"器"的形態(tài),詮釋對(duì)"道"的感悟和探索,"有形"器物的豐富性與多樣性都根源于其"見象"的裝飾之"道"。"開光"形制的形成過程中,裝飾從屬于適用和造型的規(guī)律之下的,是社會(huì)功能和時(shí)代審美、多元文化等深層因素的影響。開光跨越了從新石器時(shí)代的彩陶至現(xiàn)代陶藝的時(shí)間維度和東西方文化的地域空間,是傳統(tǒng)裝飾之道在當(dāng)代的傳承,可為相關(guān)領(lǐng)域提供典范性的啟發(fā)。
[Abstract]:Cloud:``The path of metamorphological predicate, and down-down predicate. ``Ceramic``Kaiguang'' interprets the sense and exploration of``Taoism'' in the form of its``device'' . In the process of the formation of``light'' , the decoration belongs to the rules of application and modeling, which is the influence of deep factors such as social function, times aesthetic, multi-cultural and so on. Kaiguang has crossed the time dimension from the Neolithic era to the modern ceramic art and the geographical space of the Eastern and Western culture.
【作者單位】： 景德鎮(zhèn)陶瓷學(xué)院;桂林電子科技大學(xué);
【分類號(hào)】：J527

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