【摘要】：琉璃也就是俗稱的“三彩”。它作為中國古代陶瓷工藝史上的一個重要種類，是陶瓷藝術繼秦磚漢瓦之后在建筑領域里廣泛應用的典型范例[1]。 本文以琉璃這種建筑材料作為研究課題基于以下幾方面原因：首先是因為其依附于古代建筑，特別是宮殿建筑，并且?guī)в蟹饨ǖ弁�、皇室建筑禮制的文化性。千百年來人們封建制度的影響下，使得琉璃帶有封建等級制度的色彩，在人們思想上和社會認知中已經(jīng)產(chǎn)生一定的、根深蒂固的影響。說明琉璃已經(jīng)成為一種文化的象徵，成為一種文化符號，在人們的心理深深地扎根。其次是因為其自身防腐、抗氧化的耐久性，使得琉璃建材制品能夠成為優(yōu)于陶瓦的一種新型的建筑材料被使用在建筑屋頂上，其良好的防水性和屋面排水的優(yōu)越性確保了建筑屋頂?shù)姆�(wěn)固性，保證了建筑物的安全。最后是其自身華美、獨特的裝飾性。琉璃色彩的華麗與莊重帶來的宏偉與尊嚴感使其能夠作為皇家建筑屋頂唯一的裝飾材料使用。能夠起到烘托和裝飾建筑的效果。給人以視覺美的享受。 正是由于其文化性、耐久性和裝飾性的多重特質(zhì)，引發(fā)人們關于琉璃如何運用于現(xiàn)代建筑中的思考。如何將琉璃更好的運用于現(xiàn)當代建筑裝飾中，，如何更好的為建筑設計的初衷和設計師所要傳達的設計意圖服務，使得琉璃材料成為其中畫龍點睛之筆，就成了我們值得思考和研究的問題。 文章通過，文獻綜述法、調(diào)查分析法、案例研究法綜合的對琉璃的實用性質(zhì)和美學性質(zhì)以及歷史所賦予的文化性進行深入的分析研究。 在深入的分析研究中發(fā)現(xiàn)封建等級制度所帶給琉璃的文化符號性質(zhì)在人們心里產(chǎn)生了非常深刻的影響，從而在某些方面限制了琉璃在現(xiàn)當代建筑環(huán)境中的使用。在現(xiàn)當代建筑上主要集中使用于古建修復、仿古建筑，和一些具有特殊的使用功能和功能定位的大型的國家建筑上面。但琉璃的本身的性質(zhì)也并不完全會妨礙琉璃這種材料本身的創(chuàng)造性，仍然可以帶給人們裝飾美和視覺美感的享受，即使有所限制也仍然可以拓展它更為廣闊的前景。
[Abstract]:Glass is also commonly known as the "three colors". As an important kind in the history of ancient Chinese ceramic technology, it is a typical example of ceramic art widely used in the field of architecture after Qin brick and Han WA. In this paper, glass as a building material as a research topic is based on the following reasons: first of all, it is attached to ancient buildings, especially palace buildings, and has the cultural nature of feudal emperors and royal architecture etiquette. Under the influence of feudal system for thousands of years, glass has had a certain and deep-rooted influence in people's thought and social cognition. It shows that glass has become a symbol of culture and a kind of cultural symbol, which is deeply rooted in people's psychology. Secondly, because of its own anticorrosion and durability of oxidation resistance, glass building materials can become a new type of building materials superior to pottery tiles, which can be used on the roof of buildings. Its good waterproof and roof drainage advantages ensure the stability of the building roof and ensure the safety of the building. Finally, it is its own beauty, unique decoration. The grandeur and dignity of glass color enable it to be used as the only decorative material for the roof of royal architecture. Can play the effect of setting off and decorating the building. Give people the enjoyment of visual beauty. It is precisely because of its multiple characteristics of culture, durability and decoration that people think about how glass is used in modern architecture. How to better use glass in modern and contemporary architectural decoration, how to better serve the original intention of architectural design and the design intention to be conveyed by designers, so that glass materials become the finishing touch. It has become a problem that we deserve to think about and study. Through the method of literature review, investigation and analysis, case study, this paper makes a comprehensive analysis and research on the practical and aesthetic nature of glass and the cultural nature entrusted to it by history. In the in-depth analysis and study, it is found that the cultural symbol nature of glass brought by feudal hierarchy has a very profound impact on people's hearts, which limits the use of glass in modern and contemporary architectural environment in some aspects. In modern and contemporary architecture, it is mainly used in the restoration of ancient buildings, antique buildings, and some large national buildings with special use functions and functional positioning. However, the nature of glass itself will not completely hinder the creativity of glass itself, it can still bring people the enjoyment of decorative beauty and visual beauty, even if there are restrictions, it can still expand its broader prospects.
【學位授予單位】：西安建筑科技大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TU238

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相關期刊論文 前2條

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2 陳健;喬鳳玲;;對建筑裝飾的相關探討[J];現(xiàn)代裝飾(理論);2012年08期

本文編號：2495975