【摘要】： 本文將對(duì)云南少數(shù)民族服飾中的裝飾語(yǔ)言進(jìn)行深入的研究，其中包括少數(shù)民族身上配戴的各種裝飾品，豐富多彩的服飾裝飾形式，以及裝飾圖案、色彩、造型等，同時(shí)研究由裝飾語(yǔ)言折射出的云南少數(shù)民族傳統(tǒng)的審美情趣、價(jià)值趨向及物質(zhì)、精神、藝術(shù)等文化內(nèi)涵，再通過(guò)對(duì)現(xiàn)代時(shí)尚潮流與云南少數(shù)民族傳統(tǒng)服飾裝飾的比較分析，從中尋找二者的切合點(diǎn)，即從少數(shù)民族裝飾中發(fā)掘符合現(xiàn)代審美觀念的裝飾語(yǔ)言，并通過(guò)具體實(shí)例，探索這些裝飾語(yǔ)言在現(xiàn)代各種商品設(shè)計(jì)領(lǐng)域中的應(yīng)用，將民族藝術(shù)的精華通過(guò)現(xiàn)代的設(shè)計(jì)手段和形式表現(xiàn)出來(lái)，并將其溶入到現(xiàn)代的生活中去，，尋找一條開(kāi)發(fā)利用民族藝術(shù)資源，讓云南民族藝術(shù)走向世界的有效途徑。通過(guò)對(duì)目前現(xiàn)狀的分析發(fā)現(xiàn)：在對(duì)云南少數(shù)民族的服飾研究中，更多是對(duì)其的一種再現(xiàn)，將云南少數(shù)民族的服飾藝術(shù)真實(shí)的展現(xiàn)在人們的面前。雖然目前民族風(fēng)格越來(lái)越受到現(xiàn)代人推崇，但云南少數(shù)民族服飾裝飾在現(xiàn)代商品中的應(yīng)用現(xiàn)狀還十分不盡如人意，仍未得到有效的開(kāi)發(fā)利用。研究結(jié)論認(rèn)為：要想讓民族服飾藝術(shù)真正的具有生命力，真正的走向世界，更需要的是一種開(kāi)發(fā)性和創(chuàng)造性的研究，即在繼承和發(fā)揚(yáng)原有藝術(shù)精髓，把握和保留原有民族特色和神韻基礎(chǔ)上進(jìn)行的一種符合現(xiàn)代審美情趣的再創(chuàng)造，是一種“新民族藝術(shù)”。 云南少數(shù)民族服飾裝飾藝術(shù)具有很高的開(kāi)發(fā)價(jià)值和應(yīng)用潛力，既能滿(mǎn)足現(xiàn)代人追求自然回歸、民族風(fēng)格時(shí)尚潮流的需求，又能以其獨(dú)特的圖案、色彩、造型及裝飾形式構(gòu)成現(xiàn)代商品的“個(gè)性”。在開(kāi)發(fā)利用民族裝飾藝術(shù)的過(guò)程中，最關(guān)鍵的是對(duì)其進(jìn)行符合現(xiàn)代審美觀念和生活方式的再創(chuàng)新，并向更廣泛的現(xiàn)代設(shè)計(jì)領(lǐng)域拓展，設(shè)計(jì)出真正具有民族風(fēng)格的現(xiàn)代時(shí)尚產(chǎn)品，符合現(xiàn)代人的使用需求，在創(chuàng)造巨大的市場(chǎng)價(jià)值同時(shí)，讓少數(shù)民族藝術(shù)與人文精神得以傳承與發(fā)揚(yáng)。
[Abstract]:This article will carry on the thorough research to the Yunnan minority nationality clothing decoration language, including all kinds of adornment which the minority nationality wears, the colorful clothing decoration form, as well as the decoration pattern, the color, the modelling and so on, At the same time, it studies the aesthetic taste, value trend, material, spirit, art and other cultural connotations of Yunnan minority nationality tradition reflected by decorative language, and then through the comparative analysis of modern fashion trend and Yunnan ethnic minority traditional dress decoration. In this paper, we try to find out the fitting points of the two, that is, to explore the application of these decorative languages in the field of modern commodity design through concrete examples, that is, to find out the decorative languages which conform to the modern aesthetic concept from the decoration of ethnic minorities. The essence of national art is expressed through modern design means and forms, and it is integrated into modern life to find an effective way to develop and utilize national art resources and to make Yunnan national art go to the world. Through the analysis of the present situation, it is found that in the study of Yunnan ethnic minorities' clothing, it is more a reproduction of it, and the dress art of Yunnan ethnic minorities is truly displayed in front of people. Although the national style is more and more praised by modern people, the application of Yunnan ethnic dress decoration in modern commodities is still far from satisfactory and has not been effectively developed and utilized. The conclusion of the study is that in order to make the national costume art truly have vitality and go to the world, what is needed is a kind of development and creative research, that is, inheriting and developing the essence of the original art. It is a "new national art" to grasp and retain the original national characteristics and charm on the basis of a new creation which accords with the modern aesthetic taste. The adornment art of ethnic minorities in Yunnan has high development value and application potential. It can not only meet the needs of modern people in their pursuit of natural return, national style and fashion trend, but also use their unique patterns and colors. Modeling and decorative forms constitute the "individuality" of modern commodities. In the process of developing and utilizing the national decorative art, the most important thing is to reinvent it in line with the modern aesthetic concept and life style, and to expand to the broader field of modern design to design modern fashion products with real national style. In line with the needs of modern people, create a huge market value, so that minority arts and humanistic spirit can be passed down and carried forward.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類(lèi)號(hào)】：J523

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 方靜;傳統(tǒng)民居裝飾在現(xiàn)代環(huán)境藝術(shù)設(shè)計(jì)中的應(yīng)用研究[D];昆明理工大學(xué);2006年

本文編號(hào)：2381890