【摘要】： 本文旨在結(jié)合云南白族居住區(qū)的地域特點(diǎn)和人文環(huán)境，對(duì)歷史和現(xiàn)存的白族傳統(tǒng)民居的裝飾文化進(jìn)行全面深入的分析和歸納，從中分析、歸納、總結(jié)出云南白族傳統(tǒng)民居裝飾文化的地域特征以及在當(dāng)代中國(guó)室內(nèi)設(shè)計(jì)中傳承白族傳統(tǒng)民居裝飾文化的方式與手法。 云南白族傳統(tǒng)民居建筑是白族先民們經(jīng)過上千年創(chuàng)造并汲取各族優(yōu)秀建筑文化智慧的結(jié)晶�！按宕辶魉瑧魬麴B(yǎng)花”是白族村莊的特色，它以其獨(dú)特的院落布局、庭院綠化、照壁門樓、白墻灰瓦、坡頂屋面、流檐飛閣、淡墨彩畫、精美木雕和石雕、大理石屏、泥塑等豐富的建筑文化，體現(xiàn)了鮮明的民族風(fēng)格和地方特色。白族民居是白族傳統(tǒng)文化的物質(zhì)形態(tài)，是白族人民為適應(yīng)自然環(huán)境和白族生活方式、民俗習(xí)慣所創(chuàng)造的獨(dú)具風(fēng)格的建筑形式，它從選址到營(yíng)造，從室內(nèi)到室外，從整體空間到細(xì)部裝飾無一不凝聚著白族傳統(tǒng)文化的精髓。 本文研究表明，白族傳統(tǒng)民居裝飾文化的形成是諸多因素共同作用的結(jié)果：獨(dú)特的地理位置與氣候是白族傳統(tǒng)民居生存的土壤，，漢文化的影響為白族傳統(tǒng)民居的建造與裝飾提供了依據(jù)，發(fā)達(dá)的經(jīng)濟(jì)促進(jìn)了民居裝飾的發(fā)展，精湛卓越的手工藝提高了白族傳統(tǒng)民居裝飾的水平，宗教信仰、禮制等級(jí)、風(fēng)水意識(shí)和祈福迎祥等的觀念精神孕育了白族傳統(tǒng)民居豐富的文化內(nèi)涵；白族傳統(tǒng)民居的裝飾特點(diǎn)與藝術(shù)風(fēng)格通過裝飾手法和重點(diǎn)部位的裝飾及其它裝飾等三部分來進(jìn)行論述。白族傳統(tǒng)民居的裝飾手法包括木雕、石雕、彩繪、泥塑、扎染蠟染等，重點(diǎn)部位裝飾體現(xiàn)在門樓、照壁、山墻、圍屏、地坪等方面，其它裝飾有庭院景觀、材料及色彩應(yīng)用等。通過論文的分析、歸納與總結(jié)，指出白族傳統(tǒng)民居裝飾在當(dāng)代室內(nèi)設(shè)計(jì)中的傳承的方式與手法，包括白族傳統(tǒng)民居圖案的當(dāng)代借用、天然材料的當(dāng)代借用、色彩的當(dāng)代借用以及思想意境的當(dāng)代借用與傳達(dá)。
[Abstract]:The purpose of this paper is to analyze and summarize the history and the existing decoration culture of the Bai nationality traditional residence in the light of the regional characteristics and the humanistic environment of Yunnan Bai nationality residential area, from which to analyze and conclude. This paper summarizes the regional characteristics of Yunnan Bai traditional residence decoration culture and the ways and means of inheriting the Bai nationality traditional residence decoration culture in contemporary Chinese interior design. Yunnan Bai traditional residence architecture is the crystallization of Bai ancestors who created and absorbed the wisdom of excellent architectural culture after thousands of years. "running water in villages and villages, keeping flowers in households" is the characteristic of Bai nationality villages. It is characterized by its unique courtyard layout, yard greening, gate building, grey tile with white wall, roof with sloping roof, fluffy eaves flying pavilion, light ink painting, exquisite wood carving and stone carving, marble screen, etc. Clay sculptures and other rich architectural culture, reflecting the distinctive national style and local characteristics. Bai folk residence is the material form of Bai traditional culture, it is the unique architectural form created by Bai nationality people to adapt to the natural environment and the Bai people's way of life, it is from site selection to construction, from indoor to outdoor. From the overall space to the details of decoration all condensed the essence of the Bai traditional culture. This paper shows that the formation of decoration culture of Bai traditional residence is the result of many factors: unique geographical location and climate are the soil for the survival of Bai traditional residence. The influence of Han culture provided the basis for the construction and decoration of the traditional houses of the Bai nationality. The developed economy promoted the development of the decoration of the houses, and the exquisite handicrafts improved the level of decoration of the traditional houses of the Bai nationality. The spirit of Feng Shui consciousness and blessing Yingxiang gave birth to the rich cultural connotations of Bai nationality traditional houses. The decorative characteristics and artistic style of Bai traditional houses are discussed in three parts: decoration technique, decoration of key parts and other decoration. The decoration techniques of traditional Bai folk houses include wood carving, stone carving, color painting, clay sculpture, tie-printing batik and so on. The key parts of the decoration are the gatehouse, the lighting wall, the gable wall, the screen, the floor and so on. The other decorations include the courtyard landscape, the material and the color application and so on. Through the analysis, induction and summary of the paper, the paper points out the ways and means of inheriting the decoration of the traditional Bai folk residence in the contemporary interior design, including the contemporary borrowing of the Bai traditional folk residence pattern, the contemporary borrowing of the natural materials, The contemporary borrowing of color and the contemporary borrowing and conveying of ideological and artistic conception.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J525.1

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張永寧;馬楠;;大理白族石雕藝術(shù)風(fēng)格初探[J];湖北美術(shù)學(xué)院學(xué)報(bào);2013年02期

相關(guān)碩士學(xué)位論文 前3條

1 張毅;建筑環(huán)境中的影壁文化研究[D];景德鎮(zhèn)陶瓷學(xué)院;2009年

2 楊小嵐;石榴紋藝術(shù)符號(hào)研究[D];湖南工業(yè)大學(xué);2012年

3 馮永榮;山西民居木雕裝飾圖案研究[D];山西師范大學(xué);2013年

本文編號(hào)：2345974