河南地區(qū)佛教建筑裝飾色彩研究
發(fā)布時間：2018-11-20 17:00
【摘要】：我國佛教的建筑色彩藝術成果璀璨，在我國建筑的悠久歷史上始終占有一席之地，是華夏文明的重要組成部分之一。河南地區(qū)自古風景宜人，山明水秀，如若仙境，而河南地區(qū)的佛教文化則是源遠流長，經(jīng)年香火不衰，自古被譽為我國一大佛教勝境，長期以來形成了獨具特色的佛教建筑色彩藝術風格。河南地區(qū)佛教建筑用色風格古拙淡雅，樸實無華，空間布局則依山就勢，順應自然之美，可謂是我國一大頗具代表性的佛教建筑集群。 本文旨在通過對河南地區(qū)佛教建筑裝飾色彩藝術的深入研究，使得人們能夠深入了解其內(nèi)涵，在追求卓越的現(xiàn)代化生活的同時，重視傳統(tǒng)文化的審美，關注歷史遺跡的保護，注重人與環(huán)境的和諧融洽。 文章以佛教文化與建筑色彩的關系為切入點，，以藏傳、漢傳、南傳這三大佛教傳播流派作為線索，闡述了佛教建筑的基本特征以及建筑與建筑裝飾色彩構(gòu)成與佛教文化、佛教思想內(nèi)涵之間的內(nèi)在聯(lián)系。經(jīng)過深入的分析與探討，結(jié)合筆者的實地考察，研究剖析佛教建筑及其裝飾的用色方式與其地域特性、文化特性、歷史特性的關系，理清不同風格的佛教建筑用色方式之間的清晰脈絡。 本文圍繞河南地區(qū)的佛教建筑裝飾色彩藝術展開討論，運用民俗學、歷史學、宗教學等人文社會科學與建筑基本理論、裝飾色彩藝術理論相結(jié)合的研究方法，進行了實地考查和測量，在盡可能多地收集、掌握相關資料的基礎上，選取典型案例進行分析，將佛教文化對佛教建筑裝飾色彩藝術的諸多層面的影響和滲透進行梳理，從而透視出東方佛教建筑色彩藝術的演變歷程與審美需求。在文章的后半部分，將建筑學、色彩學等學科與佛教建筑及其裝飾色彩藝術這一話題聯(lián)系在一起，運用色彩學的研究方法對采集到的資料進行了組織與分析。在分析的過程中，總結(jié)了佛教建筑中的色彩關系，以色票的形式歸納出河南地區(qū)佛教建筑的色彩體系，為河南地區(qū)的佛教建筑色彩的進一步深入研究提供了理論依據(jù)。 論文全文將宗教文化與建筑色彩藝術這兩方面內(nèi)容合理的結(jié)合在一起，從宏觀的角度把握佛教建筑色彩的文化內(nèi)涵，從微觀的角度對佛教建筑用色方式進行科學的分析與探索。文章總結(jié)歸納了作者長期以來采集、儲備的大量數(shù)據(jù)，希望在豐富人們的色彩藝術審美情懷，加強人們對宗教文化的認識這個層面上做出一定的貢獻。
[Abstract]:The architectural color art of Buddhism in our country has always occupied a place in the long history of Chinese architecture, which is one of the important parts of Chinese civilization. Since ancient times, Henan has a pleasant scenery, beautiful mountains and rivers, such as fairyland, while the Buddhist culture of Henan has a long history, and has been famous as one of the great Buddhist places of our country since ancient times. For a long time, the unique color art style of Buddhist architecture has been formed. The color style of Buddhist architecture in Henan area is ancient, simple and elegant, and the space layout is in accordance with the trend of the mountain and conforms to the beauty of nature. It can be said that it is a representative group of Buddhist architecture in our country. The purpose of this paper is to deeply study the decorative color art of Buddhist architecture in Henan, so that people can understand its connotation deeply, attach importance to the aesthetics of traditional culture, and pay close attention to the protection of historical relics while pursuing outstanding modern life. Pay attention to harmony between people and environment. Taking the relationship between Buddhist culture and architectural color as the breakthrough point and the three major schools of Buddhist communication as clues, this paper expounds the basic characteristics of Buddhist architecture, the composition of architecture and architectural decoration color and the Buddhist culture. The internal relation between the connotation of Buddhism thought. Through in-depth analysis and discussion, combined with the author's on-the-spot investigation, this paper studies and analyzes the relationship between the color usage of Buddhist architecture and its decoration and its regional characteristics, cultural characteristics, historical characteristics, etc. To clear up the different styles of Buddhist architecture color between the clear context. This paper discusses the decorative color art of Buddhist architecture in Henan, and applies the basic theories of humanities, social sciences and architecture, such as folklore, history and religion, and the theory of decorative color art. On the basis of collecting as much as possible and mastering the relevant data, this paper selects typical cases to analyze the influence and infiltration of Buddhist culture on the decorative color art of Buddhist architecture. Thus perspective the oriental Buddhist architecture color art evolution process and aesthetic needs. In the second half of the article, the subject of architecture, color science and Buddhist architecture and its decorative color art are linked together, and the collected data are organized and analyzed by using the method of color science. In the process of analysis, the color relationship in Buddhist architecture is summarized, and the color system of Buddhist architecture in Henan is summed up in the form of color ticket, which provides a theoretical basis for further research on the color of Buddhist architecture in Henan. The thesis combines religious culture and architectural color art reasonably, grasps the cultural connotation of Buddhist architecture color from the macroscopic angle, and carries on the scientific analysis and the exploration to the Buddhist architecture color way from the microscopic angle. This paper summarizes and summarizes a large number of data collected and stored by the author for a long time, hoping to contribute to enriching people's aesthetic feelings of color art and strengthening people's understanding of religious culture.
【學位授予單位】：西安工程大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：TU252;TU115
本文編號：2345469
[Abstract]:The architectural color art of Buddhism in our country has always occupied a place in the long history of Chinese architecture, which is one of the important parts of Chinese civilization. Since ancient times, Henan has a pleasant scenery, beautiful mountains and rivers, such as fairyland, while the Buddhist culture of Henan has a long history, and has been famous as one of the great Buddhist places of our country since ancient times. For a long time, the unique color art style of Buddhist architecture has been formed. The color style of Buddhist architecture in Henan area is ancient, simple and elegant, and the space layout is in accordance with the trend of the mountain and conforms to the beauty of nature. It can be said that it is a representative group of Buddhist architecture in our country. The purpose of this paper is to deeply study the decorative color art of Buddhist architecture in Henan, so that people can understand its connotation deeply, attach importance to the aesthetics of traditional culture, and pay close attention to the protection of historical relics while pursuing outstanding modern life. Pay attention to harmony between people and environment. Taking the relationship between Buddhist culture and architectural color as the breakthrough point and the three major schools of Buddhist communication as clues, this paper expounds the basic characteristics of Buddhist architecture, the composition of architecture and architectural decoration color and the Buddhist culture. The internal relation between the connotation of Buddhism thought. Through in-depth analysis and discussion, combined with the author's on-the-spot investigation, this paper studies and analyzes the relationship between the color usage of Buddhist architecture and its decoration and its regional characteristics, cultural characteristics, historical characteristics, etc. To clear up the different styles of Buddhist architecture color between the clear context. This paper discusses the decorative color art of Buddhist architecture in Henan, and applies the basic theories of humanities, social sciences and architecture, such as folklore, history and religion, and the theory of decorative color art. On the basis of collecting as much as possible and mastering the relevant data, this paper selects typical cases to analyze the influence and infiltration of Buddhist culture on the decorative color art of Buddhist architecture. Thus perspective the oriental Buddhist architecture color art evolution process and aesthetic needs. In the second half of the article, the subject of architecture, color science and Buddhist architecture and its decorative color art are linked together, and the collected data are organized and analyzed by using the method of color science. In the process of analysis, the color relationship in Buddhist architecture is summarized, and the color system of Buddhist architecture in Henan is summed up in the form of color ticket, which provides a theoretical basis for further research on the color of Buddhist architecture in Henan. The thesis combines religious culture and architectural color art reasonably, grasps the cultural connotation of Buddhist architecture color from the macroscopic angle, and carries on the scientific analysis and the exploration to the Buddhist architecture color way from the microscopic angle. This paper summarizes and summarizes a large number of data collected and stored by the author for a long time, hoping to contribute to enriching people's aesthetic feelings of color art and strengthening people's understanding of religious culture.
【學位授予單位】：西安工程大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：TU252;TU115
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