【摘要】：21世紀(jì)是個(gè)信息化的時(shí)代,科學(xué)技術(shù)和工業(yè)生產(chǎn)高速發(fā)展,社會(huì)面貌日新月異。在這種情況下,地方文化往往被人們忽視,于是,就陸陸續(xù)續(xù)的出現(xiàn)了地方文化技藝力量青黃不接的現(xiàn)象。人們頭腦中認(rèn)識(shí)的時(shí)代,只有“機(jī)械”、“自動(dòng)”這些字眼,卻無(wú)視地方文化的蹤影。 濰坊的地方文化經(jīng)過(guò)歷史的演變和傳播,其地方特色濃重。本人作為土生土長(zhǎng)的濰坊人,當(dāng)看到自己家鄉(xiāng)珍貴濃郁的地方文化,正面臨著藝絕人亡,瀕臨失傳的發(fā)展瓶頸時(shí),本人認(rèn)為僅僅靠地方保護(hù)和維持是遠(yuǎn)遠(yuǎn)不夠的,還應(yīng)該在繼承傳承的基礎(chǔ)上對(duì)其作進(jìn)一步的塑造和升華,讓它可以以嶄新的面貌和生存形式面對(duì)時(shí)代的競(jìng)爭(zhēng)和沖擊。 本文通過(guò)作者親身實(shí)地的走訪考察和對(duì)大量書(shū)籍等資料的分析,收集了目前濰坊地方文化發(fā)展的諸多要素。從中總結(jié)概括出濰坊地方文化的與眾不同之處,著重研究了為飛而生的濰坊風(fēng)箏,謎一樣的濰坊楊家埠木版年畫(huà)和粗中有細(xì)的濰坊高密剪紙。認(rèn)為在日新月異的今天,只有附有濰坊地方文化新的詮釋語(yǔ)言、新的發(fā)展方向,突破傳統(tǒng)制約,超越時(shí)代局限,并且將這種最純粹的地方文化轉(zhuǎn)化為一種切合時(shí)代發(fā)展的產(chǎn)物,這才是我們研究發(fā)展的方向。 與此同時(shí),隨著時(shí)代發(fā)展,室內(nèi)裝飾設(shè)計(jì)的發(fā)展與社會(huì)文化的發(fā)展也緊密相連,有著雙重性,既是物質(zhì)財(cái)富的承載者,又是精神財(cái)富的傳承者。掌握室內(nèi)裝飾設(shè)計(jì)的涵義及其發(fā)展動(dòng)向,將它與當(dāng)?shù)禺?dāng)時(shí)的文化緊密聯(lián)系在一起,通過(guò)不同的設(shè)計(jì)形式進(jìn)行表達(dá)。因此導(dǎo)出了本文的主題即如何將濰坊地方文化的特色之處貫穿于現(xiàn)代室內(nèi)裝飾設(shè)計(jì)的領(lǐng)域中,從室內(nèi)裝飾設(shè)計(jì)實(shí)踐中詮釋和弘揚(yáng)濰坊地方文化。用傳統(tǒng)又時(shí)尚的手法,使兩者結(jié)合,共同發(fā)展,創(chuàng)造出及與時(shí)俱進(jìn),又富有地方文化氣息的室內(nèi)環(huán)境。 最后,本人還將總結(jié)全文并結(jié)合濰坊當(dāng)?shù)叵嚓P(guān)的設(shè)計(jì)實(shí)例,做出詳細(xì)的說(shuō)明。
[Abstract]:The 21st century is an information age, with the rapid development of science and technology and industrial production. In this case, the local culture is often ignored, so local cultural skills on the emergence of the power of the phenomenon. In people's minds, only the words "machinery" and "automatic" are known, but the local culture is ignored. Weifang's local culture through the historical evolution and dissemination, its local characteristics are strong. As a native of Weifang, I think it is far from enough to rely on local protection and maintenance when I see the precious and rich local culture in my hometown, which is facing the bottleneck of the lost development. It should also be further shaped and sublimated on the basis of inheritance so that it can face the competition and impact of the times with a new face and form of existence. Through the author's on-the-spot visits and analysis of a large number of books, this paper collects many elements of Weifang's local cultural development. From the summary of Weifang local culture of the distinctive place, focused on the study of Weifang kite for flying, Weifang Yangjiabu woodblock enigma and thick fine Weifang high-density paper-cut. It is believed that in today's rapid change, only Weifang local culture has a new annotated language, a new direction of development, a breakthrough of traditional constraints, a surpassing of the limitations of the times, and the transformation of this purest local culture into a product suited to the development of the times. This is the direction of our research and development. At the same time, with the development of the times, the development of interior decoration design and the development of social culture are closely linked, with a dual nature, is not only the bearer of material wealth, but also the inheritor of spiritual wealth. Grasp the meaning of interior decoration design and its development trend, it is closely linked with the local culture at that time, through different design forms to express. Therefore, the theme of this paper is how to carry forward Weifang local culture from the practice of interior decoration design by penetrating the characteristics of Weifang local culture into the field of modern interior decoration design. With the traditional and fashionable techniques, the two can be combined to develop together, create and keep pace with the times, and be rich in local culture. Finally, I will sum up the full text and combined with Weifang local design examples, to make a detailed explanation.
【學(xué)位授予單位】：南京林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：TU238.2

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本文編號(hào)：2331390