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中國傳統(tǒng)蓮花紋在現(xiàn)代陶瓷裝飾中的應(yīng)用

發(fā)布時(shí)間:2018-11-14 09:09
【摘要】:蓮花對(duì)于中華民族來說已經(jīng)很熟悉,隨著佛教傳入中國,在佛教與本土文化相融合的歷史進(jìn)程中,蓮花被賦予了各種各樣的文化含義。蓮花紋樣被運(yùn)用在雕刻、陶瓷、建筑、剪紙、服飾、家具、建筑等社會(huì)生活的各個(gè)領(lǐng)域,在社會(huì)多方面的需求之下,蓮花紋樣深入到人們的日常生活。經(jīng)過幾千年的演變過程,蓮花紋樣以其吉祥美好的寓意成為陶瓷裝飾中不可或缺的一部分,對(duì)中國陶瓷裝飾藝術(shù)的發(fā)展產(chǎn)生了深遠(yuǎn)影響。對(duì)美好寓意的追求帶動(dòng)了蓮花紋樣裝飾形象和表現(xiàn)手法的多樣化發(fā)展。蓮花紋樣在現(xiàn)代陶瓷裝飾中的應(yīng)用也十分廣泛,不管是日用陶瓷還是陶瓷藝術(shù)品都將藝術(shù)性和實(shí)用性融合在一起。蓮花紋樣在陶瓷裝飾中經(jīng)歷了幾千年的演繹,在與中國社會(huì)發(fā)展相融合的過程中,不斷的適應(yīng)中華民族的審美需求,將傳統(tǒng)蓮花紋高潔的精神特質(zhì)與現(xiàn)代審美相結(jié)合,將傳統(tǒng)蓮花紋樣與現(xiàn)代裝飾手法相結(jié)合,賦予蓮花紋樣新的時(shí)代內(nèi)涵,為現(xiàn)代陶瓷裝飾注入活力。進(jìn)一步開拓了蓮花紋樣裝飾的發(fā)展空間,傳統(tǒng)的再創(chuàng)造,對(duì)現(xiàn)代裝飾手法的不斷創(chuàng)新將更進(jìn)一步提高蓮花紋裝飾的藝術(shù)魅力。
[Abstract]:Lotus has been very familiar to the Chinese people. With the introduction of Buddhism into China, Lotus has been endowed with various cultural meanings in the historical process of the integration of Buddhism and local culture. Lotus patterns are used in carving, ceramics, architecture, paper-cutting, clothing, furniture, architecture and other fields of social life. After thousands of years of evolution, lotus pattern with its auspicious and beautiful moral has become an indispensable part of ceramic decoration, and has had a profound impact on the development of Chinese ceramic decorative art. The pursuit of beautiful implication has led to the diversified development of lotus pattern decoration image and expression technique. Lotus patterns are also widely used in modern ceramic decoration, both daily ceramic and ceramic art will be combined with artistry and practicality. Lotus patterns in ceramic decoration experienced for thousands of years of deduction, in the process of integration with the development of Chinese society, constantly adapt to the aesthetic needs of the Chinese nation, the traditional lotus patterns of the spirit of high purity and modern aesthetic combination, By combining the traditional lotus pattern with the modern decoration technique, the new era connotation of the lotus pattern is given, and the vitality is injected into the modern ceramic decoration. Further open up the development space of lotus pattern decoration, the traditional re-creation, the continuous innovation of modern decoration techniques will further improve the artistic charm of lotus pattern decoration.
【學(xué)位授予單位】:青島大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J527

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1 王瑋t,

本文編號(hào):2330742


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