【摘要】：本文將從研究生期間的的創(chuàng)作實(shí)踐講起,再通過此次創(chuàng)作過程加以說明,談一談裝飾繪畫的藝術(shù)語言。 裝飾繪畫是人類歷史上最早的藝術(shù)形式。無論是古希臘瓶畫和壁畫、埃及壁畫、敦煌壁畫和中國(guó)的帛畫、漢代畫像磚和畫像石,還是后來的日本浮世繪版畫、中國(guó)的年畫,野獸派代表畫家馬蒂斯的繪畫、分離派畫家克里姆特的繪畫以及米羅等大師的繪畫中,無一不體現(xiàn)著裝飾性在繪畫中的重要作用�？茨呛�(jiǎn)潔且富有力量的線條,勾勒出來的精美形象；色彩對(duì)比給觀者帶來的視覺沖擊；平面元素——點(diǎn)、線、面,在畫面中的應(yīng)用,都說明了裝飾繪畫是極其富有表現(xiàn)力一種藝術(shù)語言。
[Abstract]:This article will talk about the artistic language of decorative painting through the creative process. Decorative painting is the earliest art form in human history. Whether it is ancient Greek bottle paintings and murals, Egyptian murals, Dunhuang murals and Chinese silk paintings, Han Dynasty portraits and stone portraits, or later Japanese pictorial prints, Chinese New year paintings, and paintings by the Beast School on behalf of the painter Matisse. In the paintings of the separatist painters Klimt and Milo, all of them embody the important role of decoration in painting. Look at the simple and powerful lines, sketch out the beautiful image, color contrast to the viewer's visual impact; The application of plane elements-points, lines, surfaces, in pictures shows that decorative painting is an artistic language with great expressive power.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J205

【共引文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王錦霞;當(dāng)傳統(tǒng)遭遇時(shí)尚[D];四川大學(xué);2007年

2 程沁心;傅抱石人物畫“古意”研究[D];杭州師范大學(xué);2012年

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本文編號(hào)：2322411