【摘要】：清華大學(xué)美術(shù)學(xué)院教授張守智在《美在民間——中國(guó)民間陶瓷》一文中說(shuō)：“民間陶瓷是中國(guó)陶瓷發(fā)展的根,文人陶、官窯瓷都是根植在民間陶瓷豐厚土壤中成長(zhǎng)發(fā)展的。歷史上名窯的形成或官窯的出現(xiàn),都離不開(kāi)民窯窯火旺盛的依托�！币圆┥綖榇淼淖筒└G是磁州窯系的一個(gè)重要組成部分,在中國(guó)制瓷史上燒造了大量民用陶瓷器皿,是一個(gè)重要的北方民間窯口。囿于泥料和釉料,博山陶瓷的整體風(fēng)格就是“粗大笨重”,但勤勞的博山窯工卻充分發(fā)揮自己的聰明才智,自由大膽的進(jìn)行創(chuàng)作,在實(shí)用的基礎(chǔ)之上采用各種裝飾技法,甚至大量引用其他民間藝術(shù)形式的元素來(lái)進(jìn)行創(chuàng)作,從而形成了具有鮮明地域特色和獨(dú)特審美趣味的陶瓷藝術(shù)風(fēng)格。尤其是近代博山陶瓷更是以“講究實(shí)用、注重裝飾”為宗旨,極盡陶瓷裝飾之能事。品類(lèi)繁多、豐富絢爛的博山近代陶瓷裝飾藝術(shù),由于其泥質(zhì)的制約以及北方粗狂、豪放的地域文化的影響,致使其藝術(shù)風(fēng)格與景德鎮(zhèn)的婉約、雅致迥然不同,而呈現(xiàn)出粗野、率真的審美趣味,博山傳統(tǒng)陶瓷藝術(shù)的這種審美情趣雖然有些粗俗,難登大雅之堂,但仍是博山傳統(tǒng)民間文化的重要組成部分,通過(guò)對(duì)博山傳統(tǒng)陶瓷裝飾藝術(shù)的研究,不僅為研究當(dāng)時(shí)的社會(huì)人文風(fēng)貌提供了大量資料,而且在現(xiàn)代藝術(shù)多元化發(fā)展的大背景下,對(duì)現(xiàn)代藝術(shù)的發(fā)展有一定的啟示。故本文將結(jié)合作品,系統(tǒng)詳細(xì)的對(duì)近代博山陶瓷裝飾藝術(shù)進(jìn)行研究。
[Abstract]:Zhang Shouzhi, a professor at the Academy of Fine Arts of Tsinghua University, said in "Beauty in the Folk-Chinese Folk Ceramics": "Folk ceramics are the root of the development of Chinese ceramics. In history, the formation of famous kilns or the appearance of official kilns can not be separated from the strong fire of civilian kilns. " Zibo kiln, represented by Boshan, is an important part of Cizhou kiln system. It has burned a large number of civil ceramic utensils in the history of porcelain making in China, and is an important folk kiln mouth in the north. Confined to the clay and glaze, the overall style of Boshan ceramics is "big and heavy", but the industrious Boshan Kiln workers give full play to their intelligence, free and bold to create, on the basis of practical use of various decorative techniques, Even a large number of other elements of folk art form to create, thus forming a distinct regional characteristics and unique aesthetic taste of ceramic art style. Especially in modern Boshan ceramics, the aim is to pay attention to practicality and decoration. Because of the restriction of its muddy quality and the influence of the wild and unrestrained regional culture in the north, the artistic style of Boshan is very different from Jingdezhen's politeness and elegance, but it appears to be rough and wild. The frank aesthetic taste, the aesthetic taste of the traditional ceramic art of Boshan, though somewhat vulgar and difficult to enter the hall of great elegance, is still an important part of the traditional folk culture of Boshan. Through the research on the decorative art of traditional ceramics in Boshan, It not only provides a lot of information for the study of the social and humanistic features at that time, but also has some enlightenment to the development of modern art under the background of the diversified development of modern art. Therefore, this article will be combined with works, systematic and detailed research on the modern Boshan ceramic decorative art.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J527

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相關(guān)期刊論文 前1條

1 費(fèi)利君;中國(guó)古代陶瓷紋樣中的象征意味[J];美與時(shí)代;2005年06期

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本文編號(hào)：2317018