【摘要】：平遙推光漆器是我國四大名漆器之一,以手掌推光和描金彩髹飾的精湛技藝而備受推崇。是用大漆髹飾木器家具和精致器皿,經(jīng)過漆后細磨,磨后再漆,反復(fù)數(shù)遍,然后用手掌推擦出光澤,再經(jīng)多種工藝,繪飾出山水花鳥或人物圖案,工序細致復(fù)雜。外觀古樸雅致、構(gòu)造精細、漆面光潔,繪飾金碧輝煌,手感細膩滑潤,耐熱防潮,經(jīng)久耐用,為漆器中之精品。 平遙推光漆盒是平遙漆藝中漆柜、屏風(fēng)、家具等眾多品種的一個,具有平遙漆器的各種特點,其表面的裝飾圖案制作是重要的漆藝表現(xiàn)手法之一。與中國傳統(tǒng)工藝品-樣,平遙推光漆盒的裝飾圖案式樣一直深受中國傳統(tǒng)文化的熏陶和影響,其寓意充滿了人們趨吉避兇、平安求財?shù)乃枷胍庾R,其裝飾圖案將功能美和形態(tài)美做到了完美的結(jié)合。 平遙漆盒的裝飾圖案的形態(tài)、裝飾圖案的色彩等進行了分類研究,尤其是對漆盒表面裝飾圖案的藝術(shù)形態(tài)及其構(gòu)成進行了深入分析總結(jié)。以期分析研究的結(jié)果可以對繼承和發(fā)展平遙漆盒裝飾圖案及其設(shè)計有很好的參考價值,使平遙漆器作為民族傳統(tǒng)藝術(shù)的瑰寶繼續(xù)弘揚與發(fā)展。 山西平遙推光漆盒裝飾圖案藝術(shù)研究,對平遙漆盒表面裝飾圖案的形態(tài)進行分類研究,通過對植物、人物、動物、風(fēng)景及文字等圖案形態(tài)的研究歸納出各類的藝術(shù)形態(tài)特征。并適時的采用調(diào)查法和比較法,對平遙漆盒裝飾圖案的構(gòu)成規(guī)律進行研究,進行挖掘其表面裝飾圖案的構(gòu)成規(guī)律。 平遙漆盒表面裝飾圖案非常豐富,有平面或立體,側(cè)視或平視、靜態(tài)或動態(tài)、單體或組群、寫實或?qū)懸獾雀鞣N手法的運用。而大多數(shù)的漆盒都蘊含著追求圓滿、求財、趨吉、除惡等的民俗觀念。
[Abstract]:Pingyao lacquerware is one of the four famous lacquerware in China. It is to use big paint to paint wood furniture and exquisite vessel, after lacquer finely grind, grind again after lacquer, repeat several times, then with palms push to rub gloss, pass a variety of craft again, decorate landscape flower bird or figure pattern, the procedure is detailed and complex. The appearance is simple and elegant, the structure is fine, the lacquer surface is bright, the hand feeling is delicate and smooth, the heat resistance is moisture-proof, durable, is the lacquer ware in the fine product. Pingyao pusher lacquer box is one of many kinds of lacquer cabinets, screens, furniture and so on in Pingyao lacquer art, which has various characteristics of Pingyao lacquer ware. As with Chinese traditional handicrafts, the decorative patterns of Pingyao Push-light lacquer box have been deeply influenced by Chinese traditional culture, and the moral is full of people's ideological consciousness of seeking good fortune and avoiding evil and seeking wealth safely. Its decorative pattern will function beauty and form beauty to achieve the perfect combination. The form of decorative pattern and color of decorative pattern of Pingyao lacquer box were classified, especially the artistic form and composition of decorative pattern on the surface of lacquer box were analyzed and summarized in depth. It is expected that the results of the analysis and research can be of great reference value for inheriting and developing the decorative pattern and design of Pingyao lacquer box, so that Pingyao lacquer ware as a treasure of traditional national art can continue to be carried forward and developed. This paper studies the decorative design art of Pingyao Push-lacquer Box in Shanxi Province, classifies the decorative patterns on the surface of Pingyao lacquer Box, and sums up all kinds of artistic form characteristics through the research of plant, character, animal, scenery and character. And timely using the method of investigation and comparison, the composition of the decorative pattern of Pingyao lacquer box is studied, and the composition of the decorative pattern on the surface is excavated. Pingyao lacquer box surface decoration patterns are very rich, there are plane or three-dimensional, side or side view, static or dynamic, monomer or group, realistic or freehand, and other techniques. And most lacquer boxes contain the folklore idea of seeking perfection, money, fortune and evil.
【學(xué)位授予單位】：廣東工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J527;J522

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本文編號：2316950