“十里紅妝”的裝飾藝術—家具類
發(fā)布時間：2018-09-14 14:33
【摘要】：“十里紅妝”作為浙江文化的一大重要研究成果,具有很高的藝術成就。其中紅妝家具是作為“良田千畝,十里紅妝”的民間習俗的“道具”,文章著重對紅妝家具的制作工藝及特征、裝飾手法、裝飾內涵及審美特征等內容的闡述。展現(xiàn)了紅妝家具具有的審美、文化、歷史等內在意義,它不僅起到了裝飾作用,而且也起著一定的表達意思的作用與目的,即承載了人們的美好愿望和意識情感。其中,紅妝家具的審美方面分別從審美的本質、裝飾藝術的視覺藝術形式以及裝飾藝術的形式和秩序等方面深入分析,讓傳統(tǒng)的紅妝家具有了相對理性的闡述。所以十里紅妝家具能作為歷史悠久、內容豐富的傳統(tǒng)工藝藝術的寶貴美術資料。 文章從區(qū)域文化入手,即是浙江地區(qū),比較全面、系統(tǒng)的、有條理的研究。一方面可以利用這個來梳理和弘揚浙江地區(qū)的歷史傳統(tǒng)和文化資源,可以指導現(xiàn)代文化建設活動,有利于規(guī)劃和指導今后文化發(fā)展的藍圖,增強文化的實力,提供了思想保證、智力支持和精神動力,利于建設我們現(xiàn)代化的社會主義國家;另一方面,也是了解中國文化、經(jīng)濟,發(fā)展與創(chuàng)新中國文化的一個重要過程,其研究意義與目的是很深刻的。 浙江文化從新石器時代就有了歷史的源頭,包括著名的跨湖橋、馬家浜、河姆渡和良渚的考古文化,讓中華民族文明的腳印深深的留在了人們的心中。對于“紅妝家具”而言,是“寧式家具”一部分,它的歷史語言更為有利、明確,與中國古代的蘇式、京式、廣式家具一起聞名于世界。紅妝家具在工藝特征上是手工精巧,制作考察,很濃厚的民俗韻味。 其中“十里紅妝”、“朱金木雕”以民間美術和民俗列入國家非物質文化遺產(chǎn)名錄,“泥金彩漆”以民間美術和民俗列入省級非物質文化遺產(chǎn)名錄,從這里就足可以看出紅妝家具的深厚藝術價值和文化內涵�！扒Чご病�、“萬工轎”以及其他的一些紅妝家具在浙江省博物館中成為了鎮(zhèn)館之寶,很受人們的喜愛。同時,紅妝家具體現(xiàn)出了十里紅妝的婚俗以及由婚嫁而延伸出來的傳統(tǒng)女性生活,依稀觸摸到那個時代中國女性的生活和命運,承載了她們的夢想及淚水。
[Abstract]:As an important research achievement of Zhejiang culture, Shili Red makeup has high artistic achievement. The red makeup furniture is the folk custom "props" of "good farmland thousand mu, ten li red makeup". The article emphasizes on the production technology and characteristics, decoration techniques, decorative connotation and aesthetic characteristics of the red makeup furniture. It not only plays a decorative role, but also plays a certain role and purpose of expressing meaning, that is, carrying people's good wishes and conscious feelings. Among them, the aesthetic aspects of red makeup furniture from the aesthetic essence, decorative art form of visual art and decorative art form and order in-depth analysis, so that the traditional red makeup furniture has a relatively rational elaboration. So ten-li red-makeup furniture as a long history, rich in traditional arts and crafts valuable art materials. This article starts with the regional culture, namely Zhejiang area, comparatively comprehensive, systematic, organized research. On the one hand, we can use this to sort out and carry forward the historical traditions and cultural resources in Zhejiang, to guide modern cultural construction activities, to help plan and guide the blueprint for future cultural development, to enhance the strength of culture, and to provide ideological guarantees. On the other hand, it is also an important process of understanding Chinese culture, economy, development and innovation of Chinese culture, and its research significance and purpose is very profound. Zhejiang culture from the Neolithic era has a historical source, including the famous cross-lake bridge, Ma Jia Bang, Hemudu and Liangzhu archaeological culture, so that the footprints of Chinese civilization deeply left in the hearts of people. As for "red makeup furniture", it is a part of "Ning style furniture". Its historical language is more favorable and clear, and it is famous in the world together with the Soviet style, Beijing style and wide type furniture in ancient China. Red-makeup furniture in the craft features are handmade exquisite, production inspection, very strong folk flavor. Among them, "10 li red makeup", "Zhu Jin wood carving" are listed as national intangible cultural heritage list by folk art and folklore, "clay gold color paint" is listed as provincial intangible cultural heritage list by folk art and folklore. From here we can see the deep artistic value and cultural connotation of red-makeup furniture. Qiangong bed, Wan Gong Jiao and some other furniture with red makeup have become the treasure of town hall in Zhejiang Provincial Museum. At the same time, the red makeup furniture embodies the marriage custom of ten li red makeup and the traditional female life extended from the marriage, and vaguely touches the life and destiny of the Chinese women in that era, carrying their dreams and tears.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J525
本文編號：2242987
[Abstract]:As an important research achievement of Zhejiang culture, Shili Red makeup has high artistic achievement. The red makeup furniture is the folk custom "props" of "good farmland thousand mu, ten li red makeup". The article emphasizes on the production technology and characteristics, decoration techniques, decorative connotation and aesthetic characteristics of the red makeup furniture. It not only plays a decorative role, but also plays a certain role and purpose of expressing meaning, that is, carrying people's good wishes and conscious feelings. Among them, the aesthetic aspects of red makeup furniture from the aesthetic essence, decorative art form of visual art and decorative art form and order in-depth analysis, so that the traditional red makeup furniture has a relatively rational elaboration. So ten-li red-makeup furniture as a long history, rich in traditional arts and crafts valuable art materials. This article starts with the regional culture, namely Zhejiang area, comparatively comprehensive, systematic, organized research. On the one hand, we can use this to sort out and carry forward the historical traditions and cultural resources in Zhejiang, to guide modern cultural construction activities, to help plan and guide the blueprint for future cultural development, to enhance the strength of culture, and to provide ideological guarantees. On the other hand, it is also an important process of understanding Chinese culture, economy, development and innovation of Chinese culture, and its research significance and purpose is very profound. Zhejiang culture from the Neolithic era has a historical source, including the famous cross-lake bridge, Ma Jia Bang, Hemudu and Liangzhu archaeological culture, so that the footprints of Chinese civilization deeply left in the hearts of people. As for "red makeup furniture", it is a part of "Ning style furniture". Its historical language is more favorable and clear, and it is famous in the world together with the Soviet style, Beijing style and wide type furniture in ancient China. Red-makeup furniture in the craft features are handmade exquisite, production inspection, very strong folk flavor. Among them, "10 li red makeup", "Zhu Jin wood carving" are listed as national intangible cultural heritage list by folk art and folklore, "clay gold color paint" is listed as provincial intangible cultural heritage list by folk art and folklore. From here we can see the deep artistic value and cultural connotation of red-makeup furniture. Qiangong bed, Wan Gong Jiao and some other furniture with red makeup have become the treasure of town hall in Zhejiang Provincial Museum. At the same time, the red makeup furniture embodies the marriage custom of ten li red makeup and the traditional female life extended from the marriage, and vaguely touches the life and destiny of the Chinese women in that era, carrying their dreams and tears.
【學位授予單位】：湖北工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J525
【參考文獻】
相關期刊論文 前10條
1 曾曉云;中國傳統(tǒng)色彩觀的傳承與發(fā)展[J];包裝工程;2005年04期
2 秦春曉;謝亨淵;;中國傳統(tǒng)符號在產(chǎn)品設計中的運用[J];包裝工程;2008年05期
3 張寒凝;許繼峰;吳智慧;;“十里紅妝”家具色彩文化探析[J];包裝工程;2009年10期
4 何克峰;阮瑩;;十里紅妝的裝飾藝術[J];電影評介;2010年16期
5 陳祖建;中國古代家具審美思想成因的研究[J];福建農(nóng)林大學學報(哲學社會科學版);2004年04期
6 楊先藝;論中國古代家具的設計演變[J];國外建材科技;2002年04期
7 董千;;中國家具藝術 十里紅妝——深深女兒情,悠悠江南夢(中)[J];金融管理與研究;2010年05期
8 蔣綠荷;家具與民族文化之研究[J];家具與室內裝飾;2002年06期
9 葛曉弘;;論浙東紅妝婚俗及其美學意義[J];浙江紡織服裝職業(yè)技術學院學報;2009年01期
10 楊鴻硯;敖運梅;;論寧波地區(qū)“十里紅妝”的設計思想[J];寧波廣播電視大學學報;2009年02期
，本文編號：2242987
本文鏈接：http://sikaile.net/wenyilunwen/shinazhuanghuangshejilunwen/2242987.html
