【摘要】：漢代被稱為是漆器的“黃金時(shí)代”，漆耳杯的生產(chǎn)及制作達(dá)到了空前的盛況。漆耳杯作為飲酒時(shí)使用的器具，出現(xiàn)于東周，并沿用至魏晉。漢代漆耳杯傳承了先秦時(shí)期漆器工藝優(yōu)良的特點(diǎn)，在此基礎(chǔ)上漆耳杯又有所創(chuàng)新，工藝更為精致，裝飾方式除了彩繪、針刻，同時(shí)也出現(xiàn)了鎏金銅飾、扣器及銘文裝飾等裝飾工藝，進(jìn)入了日臻完善、流光溢彩的時(shí)期。本文選取漢代漆耳杯為研究對(duì)象，結(jié)合相關(guān)時(shí)代背景分析其裝飾藝術(shù)產(chǎn)生的原因，并對(duì)其發(fā)展歷程進(jìn)行總結(jié)和闡述，針對(duì)典型性耳杯進(jìn)行個(gè)案分析，最后得出其對(duì)漢代漆耳杯裝飾藝術(shù)的作用與價(jià)值。全文縱觀漢代漆耳杯的發(fā)展歷程，從造型、紋樣及工藝等方面展開個(gè)案化及類型化的分析和研究，并對(duì)其在漢代漆器發(fā)展中的地位做出可靠的定位。
[Abstract]:Han Dynasty was called "golden age" of lacquer ware, the production and manufacture of lacquer cup reached unprecedented prosperity. Lacquer cup as a drinking utensils, appeared in the Eastern Zhou Dynasty, and continued to Wei and Jin dynasties. The lacquer cup of the Han Dynasty inherited the fine characteristics of lacquer ware technology in the pre-Qin period. On this basis, the lacquer ear cup was innovated, and the process was more exquisite. In addition to the painting, the engraving of the needle and the appearance of gilded copper ornaments, Fastener and inscription decoration and other decorative technology, has entered a period of improvement, overflow. This article selects the Han Dynasty lacquer cup as the research object, unifies the correlation time background to analyze its decorative art causes, and carries on the summary and the elaboration to its development history, carries on the case analysis to the typical ear cup. Finally, the function and value of the decorative art of lacquer ear cup in Han Dynasty are obtained. This paper reviews the development process of lacquer cup in Han Dynasty, analyzes and studies the case and type from the aspects of modeling, pattern and technology, and makes a reliable position on its position in the development of lacquer ware in Han Dynasty.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J509.2

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本文編號(hào)：2149000