本文選題：近代 + 江南絲綢��； 參考：《江南大學(xué)》2010年碩士論文

【摘要】： 近代的江南絲綢,伴隨著近代中國(guó)政治社會(huì)的動(dòng)蕩和東西方文化的碰撞,而產(chǎn)生了一系列的規(guī)律性變化,對(duì)現(xiàn)代絲綢的研究和發(fā)展影響深遠(yuǎn)。多年以來(lái),已有不少專(zhuān)家學(xué)者對(duì)絲綢做過(guò)深入的研究,然而大多集中于絲綢織造、印染,包括絲綢紋樣造型發(fā)展歷史的介紹,其中往往側(cè)重于對(duì)近代之前傳統(tǒng)的描述,用以表現(xiàn)中國(guó)絲綢輝煌燦爛的歷史,而具體的地域性分析并不多,并且對(duì)近代以來(lái)傳統(tǒng)絲綢紋樣由于“西風(fēng)東漸”而產(chǎn)生的影響變化缺乏專(zhuān)業(yè)及深入的研究。而這一變化可以說(shuō)是江南絲綢裝飾紋樣發(fā)展史上的轉(zhuǎn)折,因此對(duì)這一現(xiàn)象的研究具有重要的意義。 本文通過(guò)文獻(xiàn)資料、形象資料以及實(shí)物資料的收集、整理、分析,研究總結(jié)了近代江南絲綢紋樣的流變歷程及發(fā)展規(guī)律。其中對(duì)江南絲綢裝飾紋樣中色彩、紋樣形式及紋樣語(yǔ)義在近代的變化加以具體描述,并結(jié)合相關(guān)歷史資料,對(duì)近代江南絲綢裝飾紋樣流變現(xiàn)象產(chǎn)生的原因進(jìn)行研究。 通過(guò)本次研究以期進(jìn)一步梳理江南絲綢裝飾紋樣演變發(fā)展的特點(diǎn)和脈絡(luò),探索影響其在近代變化的主客觀因素,并將這種變化發(fā)展與當(dāng)代的物質(zhì)文化背景相結(jié)合,借鑒設(shè)計(jì)了具有現(xiàn)代時(shí)尚感的設(shè)計(jì),指出其對(duì)現(xiàn)代服裝設(shè)計(jì)、紡織品設(shè)計(jì)的借鑒啟示,并對(duì)現(xiàn)代服裝設(shè)計(jì)、紡織品設(shè)計(jì)起到一定的啟示和指導(dǎo)作用。
[Abstract]:Modern Jiangnan silk, with the turbulence of modern Chinese political society and the collision of eastern and western cultures, has produced a series of regular changes, which has a profound influence on the research and development of modern silk. Over the years, many experts and scholars have done in-depth research on silk. However, most of them focus on the introduction of the history of silk weaving, printing and dyeing, including the history of silk pattern modeling, often focusing on the description of the tradition before modern times. It is used to express the brilliant history of Chinese silk, but the concrete regional analysis is not much, and lack of professional and in-depth research on the influence of the traditional silk pattern in modern times due to "the westerly wind spreading to the east". This change can be said to be a turning point in the history of decorative patterns of Jiangnan silk, so the study of this phenomenon is of great significance. Based on the collection, collation and analysis of the literature, image and material materials, this paper studies and summarizes the rheological process and development law of the silk patterns in the south of the Yangtze River in modern times. This paper describes the changes of color, pattern form and pattern semantics in the decorative patterns of Jiangnan silk in modern times, and studies the causes of the rheological phenomenon of decorative patterns in modern Jiangnan silk based on the relevant historical data. Through this study, we hope to further comb the evolution and development of silk decorative patterns in Jiangnan, explore the subjective and objective factors that affect the changes in modern times, and combine this change with the contemporary material and cultural background. This paper draws lessons from the design of modern fashion, and points out its inspiration to modern clothing design and textile design, and also plays a certain role in enlightening and guiding modern clothing design and textile design.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J523.5

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本文編號(hào)：2092887