本文選題：當(dāng)代釉下五彩瓷裝飾 + 后印象主義��； 參考：《湖南工業(yè)大學(xué)》2014年碩士論文

【摘要】：當(dāng)代釉下五彩瓷裝飾表現(xiàn)形式多種多樣，傳統(tǒng)與當(dāng)代并存。其中，傳統(tǒng)釉下五彩瓷工藝與裝飾表現(xiàn)形式的藝術(shù)魅力恒久而經(jīng)典，被一代又一代的陶藝家們不斷地繼承與拓展。而隨著工藝水平的不斷發(fā)展與創(chuàng)新，當(dāng)代釉下五彩瓷裝飾可承載的表現(xiàn)形式也相應(yīng)增多，加上一批兼具“使命感與新觀念”的藝術(shù)家們不懈的努力，使之裝飾表現(xiàn)形式呈現(xiàn)出“新老兼容”、“中西結(jié)合”的多元化發(fā)展趨勢(shì)。正確了解當(dāng)代釉下五彩瓷裝飾的本體語(yǔ)言及表現(xiàn)形式，對(duì)于豐富和升華當(dāng)代人的精神世界，使之融入當(dāng)代人們的文化生活中具有十分重要的作用，這也是我們當(dāng)代陶藝人應(yīng)當(dāng)肩負(fù)的責(zé)任。后印象主義藝術(shù)特征的滲透，為當(dāng)代釉下五彩瓷裝飾拓展了新的表現(xiàn)方式，促進(jìn)了當(dāng)代釉下五彩瓷裝飾在藝術(shù)語(yǔ)言表達(dá)上自身更大的潛力，具有相當(dāng)?shù)膶?shí)用與審美價(jià)值。 該研究?jī)?nèi)容不僅僅停留于當(dāng)代釉下五彩瓷和后印象主義兩個(gè)概念本身，，而是將二者結(jié)合起來(lái)進(jìn)行研究，深入挖掘其理論價(jià)值與實(shí)踐意義。首先，分別對(duì)后印象主義、當(dāng)代釉下五彩瓷裝飾的基本概念、特征及發(fā)展現(xiàn)狀進(jìn)行梳理闡述；接下來(lái)，分析后印象主義繪畫在瓷面裝飾表現(xiàn)方法與運(yùn)用中的可行性，并深入研究后印象主義藝術(shù)風(fēng)格在瓷器裝飾中的表現(xiàn)形式與審美內(nèi)涵；再接下來(lái)，總結(jié)出后印象主義繪畫對(duì)當(dāng)代釉下五彩瓷裝飾的再啟示作用，并從大眾審美心理的角度分析釉下五彩瓷裝飾對(duì)后印象主義藝術(shù)特征的需求；最后對(duì)二者結(jié)合后的未來(lái)發(fā)展趨勢(shì)進(jìn)行展望性論述。
[Abstract]:The contemporary underglaze multicolored porcelain displays various forms, the tradition and the contemporary coexistence. Among them, the traditional underglaze multicolored porcelain craft and decorative expression form of art charm lasting and classic, by generation after generation of ceramic artists continue to inherit and expand. With the continuous development and innovation of the technology level, the expression forms of contemporary multicolored porcelain decoration under the glaze also increased correspondingly, and a group of artists with "sense of mission and new concept" made unremitting efforts. So that the decorative expression of "new and old compatible", "the combination of China and the West" diversified development trend. A correct understanding of the Noumenon language and forms of expression of contemporary subglazed multicolored porcelain decoration plays a very important role in enriching and sublimating the spiritual world of contemporary people and integrating it into the cultural life of contemporary people. This is also our contemporary ceramic artists should shoulder the responsibility. The permeation of the artistic characteristics of post-impressionism has developed a new way of expression for the contemporary subglazed multicolored porcelain decoration, and promoted its own greater potential in artistic language expression, which has considerable practical and aesthetic value. The content of this research not only lies in the two concepts of contemporary subglazed multicolored porcelain and post-impressionism, but also combines the two concepts to study and dig into its theoretical value and practical significance. First of all, the basic concepts, characteristics and development status of post-impressionism and contemporary multicolored porcelain decoration under glaze are discussed respectively. Then, the feasibility of post-impressionism painting in the expression and application of porcelain decoration is analyzed. And deeply study the expression form and aesthetic connotation of post-impressionism art style in porcelain decoration, and then sum up the enlightenment function of post-impressionism painting to contemporary five-color porcelain decoration under glaze. And from the point of view of the popular aesthetic psychology, this paper analyzes the demand for the post-Impressionist art characteristics of the multicolored porcelain decoration under the glaze, and finally discusses the future development trend after the combination of the two.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J527;J205

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