本文選題：隴東面具 + 民間藝術(shù)　； 參考：《西安美術(shù)學(xué)院》2014年碩士論文

【摘要】：甘肅隴東面具是中國古老的面具文化之一，是中華民族民間藝術(shù)的瑰寶，它訴說著民族的故事和傳說，譜寫著民間藝術(shù)的悠久歷史。隴東面具的造型夸張，色彩濃烈，形象題材豐富，主題鮮明，是隴東地區(qū)民族民間藝術(shù)的杰出代表，也是當(dāng)?shù)孛袼椎恼鎸崒懻铡?面具本身就是民族的一種圖騰，在世界很多地方都有著代表地域或民族的面具圖騰，風(fēng)格各異，材質(zhì)多樣，繪畫手法與色彩更是多種多樣各不相同。每個面具都有一個故事，面具佩戴在人的臉上，帶面具的人便成了面具本身的人物，，面具與人合一共同演繹著天下的故事。提到面具人們會冥想，有神圣祭祀的意味也有巫法鬼神的聯(lián)想，隴東面具的工匠們制作面具時又會提起哪段歷史的傳說，這都要讓一個個鮮活的面具來述說。 隨著時間的流逝，這項民間藝術(shù)已開始慢慢的消亡，能傳承下來的手工藝人也寥寥無幾。本文以考察了解現(xiàn)存的手工藝人和目前尚存的隴東面具的樣板為研究依據(jù)，結(jié)合前人的研究成果，通過從歷史、美學(xué)、工藝的角度多層次的分析隴東面具，探究其歷史淵源與藝術(shù)文化根源；通過它不同的造型風(fēng)格特征，分析其美學(xué)蘊(yùn)意，總結(jié)民間藝術(shù)的創(chuàng)造觀念與審美特點(diǎn)。從藝術(shù)設(shè)計的角度對隴東面具的現(xiàn)狀和未來，對這項民間藝術(shù)的傳承和保護(hù)提出了自己的想法，也延伸出相關(guān)的討論和思考。
[Abstract]:The mask of Gansu Longdong is one of the ancient mask culture of China and the treasure of the folk art of the Chinese nation. It tells the story and legend of the nation and writes the long history of the folk art. The mask of Longdong is an outstanding representative of ethnic folk art and a true portrayal of local folklore. Mask itself is a kind of national totem, in many parts of the world there is a representative region or national mask totem, different styles, material diversity, painting techniques and colors are more diverse and different. Each mask has a story. The mask is worn on the face of the human face, and the mask becomes the character of the mask itself. When it comes to masks, people meditate, there is the meaning of sacred sacrifice, there are associations of witchcraft and gods, and the artisans of masks in Longdong bring up historical legends when they make masks, all of which should be told by one fresh masks. As time went on, the folk art began to die out, and few craftsmen could pass on it. Based on the investigation and understanding of the existing handicrafts and the existing models of Longdong masks, combined with the previous research results, this paper analyzes the masks in Longdong at different levels from the perspective of history, aesthetics and technology. This paper probes into its historical origin and artistic and cultural origin, analyzes its aesthetic implication and summarizes the creative ideas and aesthetic characteristics of folk art through its different stylistic features. From the angle of art design, the author puts forward his own ideas for the inheritance and protection of this folk art, and extends the discussion and thinking about the present situation and the future of the mask in Longdong.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J528.3

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相關(guān)期刊論文 前3條

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