本文選題：苗族家具 + 裝飾圖案�。� 參考：《中南林業(yè)科技大學》2012年碩士論文

【摘要】：湘西苗族民間家具裝飾圖案作為苗族傳統(tǒng)文化的重要組成部分,有其獨特的文化內(nèi)涵和審美價值。將民族裝飾圖案應用于現(xiàn)代設計中,為傳統(tǒng)文化注入新鮮血液,正是當代設計藝術所渴求和需要的。本文從湘西苗族民間家具裝飾圖案形成的原因和背景環(huán)境入手,結合實地考察資料和相關的基礎理論知識,對其裝飾圖案題材、裝飾部位以及圖案題材與裝飾部位之間的關系進行了歸納分析,對典型性的裝飾圖案進行提煉并將其運用到現(xiàn)代設計中,使現(xiàn)代設計更具民族精神和地域文化內(nèi)涵。 本文從農(nóng)林畜牧和衣食住行等方面,解讀了物質環(huán)境為家具裝飾圖案的形成提供基礎保障和設計原型；從戰(zhàn)爭對立到順應同化的歷史過程,見證了政治經(jīng)濟條件為家具裝飾圖案提供發(fā)展方向；從歷史遷徙和民族崇拜等方面,認識到歷史文化和民族特色為裝飾圖案提供靈魂與生命。 采用文獻法和實地考察法獲得圖案樣本316幅。依據(jù)裝飾題材的相似性,分為動物類、植物類、吉祥母題類、吉祥組合類、幾何文字類、山水人物類、博古器皿類,并對其每類的風格特征、文化內(nèi)涵進行歸納分析；依據(jù)裝飾部位的統(tǒng)一性,分為椅背部、牙子部、腿足部、端頭部、板面部、結子部,并對其每類的裝飾手法、裝飾特征、裝飾圖案構成形式進行歸納分析；采用對比分析法,分析了湘西苗族民間家具不同圖案題材在不同家具部位的數(shù)量分布和使用頻率情況,得出了家具裝飾圖案題材與部位之間的偏好關系；從社會文化特征和藝術特征兩方面總結了湘西苗族民間家具裝飾圖案的特征。 最后,結合湘西苗族民間家具裝飾圖案的文化內(nèi)涵與現(xiàn)代人的審美情趣,以及現(xiàn)代設計理念,提出了湘西苗族民間家具裝飾圖案的提煉原則,包括直接引用的原則、簡化提煉的原則、抽象提煉的原則、夸張?zhí)釤挼脑瓌t和分解與重組的提煉原則。以這些提煉原則為依據(jù)比照應用途徑有的放矢地對水波紋、鳳鳥紋、龍紋、卵形紋、蚩尤形象紋等典型性裝飾圖案進行提煉,在保留原圖神韻與精華的基礎上,得到一些時尚又不失傳統(tǒng)的苗族家具裝飾元素并進行設計實踐。
[Abstract]:As an important part of the traditional culture of the Miao nationality, the decorative pattern of folk furniture in Xiangxi has its unique cultural connotation and aesthetic value. Applying ethnic decorative patterns to modern design and injecting fresh blood into traditional culture is exactly what contemporary design art craves and needs. Starting with the reasons and background environment for the formation of the decorative patterns of the Miao folk furniture in western Hunan, combined with the field investigation data and the relevant basic theoretical knowledge, this paper discusses the theme of the decorative patterns. This paper summarizes and analyzes the relationship between the decorative parts and the design themes, and refines the typical decorative patterns and applies them to the modern design, which makes the modern design more national spirit and regional cultural connotation. From the aspects of agriculture, forestry, animal husbandry, food, clothing, housing and transportation, this paper interprets the material environment to provide the basic guarantee and design prototype for the formation of furniture decoration pattern, and the historical process from war opposition to assimilation. It witnessed the political and economic conditions to provide the development direction for the decoration pattern of furniture, and from the aspects of historical migration and national worship, realized that the historical culture and national characteristics provided soul and life for the decorative pattern. 316 pattern samples were obtained by literature method and field investigation. According to the similarity of decorative themes, it is divided into animal, plant, auspicious motif, auspicious combination, geometric characters, landscape characters, Bogu utensils, and their style characteristics and cultural connotations are summarized and analyzed. According to the unity of decorative parts, it can be divided into the back of chair, teeth, legs and feet, end head, plate and face, knot, etc. This paper analyzes the quantity distribution and use frequency of different patterns in different furniture parts of Xiangxi Miao folk furniture, and obtains the preference relationship between furniture decoration patterns and different parts. This paper summarizes the decorative patterns of Miao folk furniture in Xiangxi from the two aspects of social and cultural characteristics and artistic features. Finally, combining with the cultural connotation of Miao folk furniture decoration pattern in western Hunan and the aesthetic taste of modern people, as well as the modern design idea, the paper puts forward the extraction principle of the decoration pattern of Xiangxi Miao folk furniture, including the principle of direct quotation. The principle of simplification, the principle of abstraction, the principle of hyperbole and the principle of decomposition and reorganization. On the basis of these refining principles, the typical decorative patterns, such as water ripple, Phoenix bird, dragon, egg, Chiyou image, etc., were abstracted in accordance with the applied methods, and on the basis of preserving the original image's charm and essence, Get some fashionable and traditional Miao furniture decoration elements and design practice.
【學位授予單位】：中南林業(yè)科技大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：TS664.01;J525.3

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