本文選題：陜北 + 漢畫像石　； 參考：《西北大學(xué)》2009年碩士論文

【摘要】： 漢畫像石是融合繪畫與雕刻為一體的造型藝術(shù),其作為我國(guó)古代一種主要服務(wù)于喪葬禮俗的獨(dú)特的藝術(shù)形式,具有濃郁的民族色彩和時(shí)代特征。畫像石大多嵌飾于墓室及其附屬的地面上的祠堂、墓闕等建筑之上,它們既是組成這些墓葬建筑物的構(gòu)建,又是配飾其表面上的刻畫裝飾。因此,除了成型技術(shù)和整體藝術(shù)形態(tài)上有自身的特點(diǎn)外,漢畫像石的裝飾性是其最為顯著特點(diǎn)之一。 近年來,國(guó)內(nèi)對(duì)漢畫像石的研究方興未艾,碩果累累。但較之山東、河南等地的其他漢畫像石的主要出土地而言,對(duì)陜北的漢畫像石的研究就顯得相當(dāng)薄弱。目前可見的一些研究成果,往往多側(cè)重于考古學(xué)的角度,對(duì)陜北漢畫像石的藝術(shù)價(jià)值和美學(xué)特征涉及較少,更缺乏系統(tǒng)性和全面性。本論文試圖運(yùn)用藝術(shù)學(xué)、人類文化學(xué)、文獻(xiàn)考釋與美術(shù)考古等跨學(xué)科相結(jié)合的研究方法,運(yùn)用圖文兼顧的形式,通過對(duì)陜北地區(qū)漢畫像石的造型、構(gòu)圖等視覺文化內(nèi)容進(jìn)行綜合考察與研究,試圖較為全面地展示陜北漢畫像石的裝飾風(fēng)格和藝術(shù)價(jià)值。在風(fēng)格研究中得出了:講究對(duì)稱與規(guī)整以突出畫面的均衡性、注重畫面塑造的塊面感與邊飾的搭配以突出畫面的視覺沖擊效果、注重多種肌理效果組合成飽滿充實(shí)的畫面以突出其表現(xiàn)力、兼顧寫實(shí)和夸張以突出畫面的生活情調(diào)等結(jié)論。 論文還嘗試發(fā)掘陜北漢畫像石所蘊(yùn)含的文化內(nèi)涵,把握漢畫像石藝術(shù)與人的信念、理想之間的關(guān)系,并厘清這種漢代特有的藝術(shù)形式與漢代文化的關(guān)系。探究陜北漢畫像石在內(nèi)容上對(duì)傳統(tǒng)人文精神與人格理想的追尋,在表現(xiàn)手法上不拘一格的創(chuàng)新,在審美品格與意蘊(yùn)的凝練上對(duì)單純質(zhì)樸的追求等藝術(shù)特征,闡釋了其對(duì)此后中國(guó)的繪畫、雕刻藝術(shù)發(fā)展提供的有益的啟示,以及對(duì)中國(guó)古代文明的傳承和民間美術(shù)發(fā)展的價(jià)值所在。
[Abstract]:The figure stone of Han painting is a plastic art which integrates painting and sculpture. It is a unique art form in ancient China which mainly serves funeral customs and funeral customs. It has a strong national color and characteristics of the times. Most of the portraits are embedded in the tomb and its ancillary ancestral ancestral ancestral ancestral temples, such as the tombs and so on. They are composed of these tombs. The construction of a building is a portrayal and decoration on its surface. Therefore, in addition to its own characteristics in the forming technology and the whole art form, the ornament of the stone in Han painting is one of its most notable features.
In recent years, the study of Chinese portrait stone is in the ascendant and fruitful in China. But compared with other Han paintings in Shandong, Henan and other places, the study of the Han painting stone is very weak. Some of the research results now visible are often focused on the archaeological point of view and the artistic price of the Han painting stone in Northern Shaanxi. This paper tries to use art science, human culture, literature interpretation and art archaeology and other interdisciplinary research methods. This paper makes a comprehensive investigation and Research on the visual culture content of the Han painting stone in the north of Shaanxi Province. In the study of style, it tries to show the decorative style and artistic value of the Han painting stone in Northern Shaanxi. In the study of style, it is concluded that symmetry and regulation are paid attention to the balance of the picture, and the collocation of block surface and edge is emphasized to highlight the visual impact of the picture, and the effect of multiple texture is combined into full and full picture. The conclusion is that we should express its expressive power and give consideration to realism and exaggeration to highlight the emotional life of the picture.
The thesis also tries to explore the cultural connotation of the Han Dynasty portrait stone in Northern Shaanxi, grasp the relationship between Chinese portrait stone art and human belief and ideal, and clarify the relationship between the unique artistic form of the Han Dynasty and the culture of the Han Dynasty. The innovation, in the aesthetic character and connotation of the simple and simple pursuit of artistic features, explains the useful enlightenment to the future of Chinese painting, the development of sculpture art, as well as the heritage of Chinese ancient civilization and the value of the development of folk art.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：K879.4

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 高慶會(huì);;芻議陜北漢畫像石的造型藝術(shù)[J];大眾文藝;2013年02期

2 高瑩;;淺析陜北漢畫像石的地域特色[J];美術(shù)教育研究;2013年01期

相關(guān)碩士學(xué)位論文 前1條

1 高瑩;陜北漢畫像石造型藝術(shù)研究[D];西安美術(shù)學(xué)院;2010年

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本文編號(hào)：1937725