發(fā)布時(shí)間：2018-05-21 05:29

  本文選題：繩結(jié) + 設(shè)計(jì)方法��； 參考：《中央美術(shù)學(xué)院》2016年碩士論文

【摘要】：繩結(jié)作為凝聚中華民族豐富的文化內(nèi)涵及吉祥寓意的符號(hào),其基本形態(tài)及裝飾特征得以較完整的延續(xù)。同時(shí),繩結(jié)從日常生活中是易獲得、有變化性的材料,通過(guò)點(diǎn)與線的咬合、線與線的交織中展現(xiàn)出其經(jīng)濟(jì)實(shí)用卻又不失美感的特點(diǎn),本文以繩結(jié)為研究對(duì)象,對(duì)這種柔性又賦有張力的材料背后傳遞著怎樣的東方傳統(tǒng)設(shè)計(jì)思維,嘗試進(jìn)一步的探討和研究。不同于多數(shù)文章對(duì)于中國(guó)結(jié)從寓意及裝飾美感的研究,本文旨在通過(guò)對(duì)傳統(tǒng)繩結(jié)自身的材料、應(yīng)用及功能等角度的探索,分析研究中國(guó)傳統(tǒng)繩結(jié)的起源、發(fā)展、演變與傳播,這既包括繩結(jié)自身從上古時(shí)期起源到漢代、盛唐等時(shí)代高低起伏的多重演變過(guò)程,也初步介紹了繩結(jié)的工具的發(fā)展過(guò)程。而在第三章中,具體詳細(xì)的研究了中國(guó)傳統(tǒng)繩結(jié)在古代歷史日常生活中的演變規(guī)律。初步劃分為建筑、書籍、武器、貨幣、服飾等類別,并運(yùn)用有限的文獻(xiàn)和圖片資料作為論據(jù),以展現(xiàn)還原傳統(tǒng)繩結(jié)在歷史中與中華文明歷史文化密不可分的重要地位。最后本文立足于客觀研究中國(guó)繩結(jié),了解歷史傳統(tǒng),傳承寶貴的文化遺產(chǎn),從而深入研習(xí)中國(guó)繩結(jié)的珍貴價(jià)值以及問題現(xiàn)狀。分別從傳承、符號(hào)語(yǔ)言和生活應(yīng)用的常與變中探尋出合理、清晰的設(shè)計(jì)方法,將傳統(tǒng)繩結(jié)與當(dāng)代設(shè)計(jì)中東方設(shè)計(jì)造物的思想方法相結(jié)合,并且解決和改善現(xiàn)有的設(shè)計(jì)問題。
[Abstract]:As the symbol of the rich cultural connotation and auspicious meaning of the Chinese nation, the basic form and decorative features of the knot can be extended completely. At the same time, the knot is easy to obtain from the daily life, has the change material, through the point and the line bite, the line and the line interweaves to display its economical practical yet does not lose the esthetic feeling characteristic, this article regards the knot as the research object, What kind of traditional oriental design thinking is transmitted behind this flexible and tensioned material, this paper tries to further explore and study it. Different from the study of the Chinese knot in terms of its moral meaning and decorative aesthetic sense, this paper aims at analyzing the origin, development, evolution and dissemination of the Chinese traditional knot through the exploration of the material, application and function of the traditional knot itself. This includes the evolution of knot itself from ancient times to Han Dynasty, prosperous Tang Dynasty and so on. It also introduces the development process of knot tools. In the third chapter, the evolution of Chinese traditional knots in the daily life of ancient history is studied in detail. It is divided into architecture, books, weapons, currency, clothing and so on, and the use of limited literature and picture materials as arguments to show the restoration of traditional knot in the history of Chinese civilization and culture inseparable important position. Finally, this paper is based on the objective study of Chinese knot, understanding of historical tradition, heritage of valuable cultural heritage, so as to study the valuable value of Chinese knot and the status quo of the problems. The rational and clear design methods are explored from the common and changing aspects of inheritance, symbolic language and life application respectively. The traditional knot is combined with the ideas and methods of oriental design in contemporary design, and the existing design problems are solved and improved.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J505

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相關(guān)碩士學(xué)位論文 前1條

1 劉典;論中國(guó)繩結(jié)的設(shè)計(jì)方法[D];中央美術(shù)學(xué)院;2016年

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本文編號(hào)：1917929