本文選題：秦漢 + 建筑裝飾��； 參考：《東北林業(yè)大學(xué)》2011年碩士論文

【摘要】：本文從中國(guó)古典建筑的美學(xué)特征要素之一的建筑裝飾出發(fā),以現(xiàn)有的考古發(fā)掘遺存、地面遺址遺跡、建筑復(fù)原研究成果及有關(guān)歷史文獻(xiàn)資料記載為依據(jù),比較系統(tǒng)地對(duì)秦漢時(shí)期中國(guó)古典建筑裝飾符號(hào)的象征意義進(jìn)行了分析和研究,得出了有關(guān)秦漢時(shí)期中國(guó)古典建筑裝飾符號(hào)的象征意義的結(jié)論。 主要研究?jī)?nèi)容包括單體建筑裝飾符號(hào)和部分建筑儀式裝飾符號(hào)的象征意義。 單體建筑裝飾符號(hào)以侯幼彬先生在《中國(guó)建筑美學(xué)》中的部位分類為脈絡(luò),分三部分進(jìn)行闡述：?jiǎn)误w建筑的“下分”——臺(tái)基；單體建筑的“中分”——屋身和單體建筑的“上分”——屋頂。分別對(duì)這三部分的裝飾符號(hào)的象征意義進(jìn)行了系統(tǒng)的研究。建筑儀式的裝飾符號(hào)主要根據(jù)日本建筑史學(xué)家伊東忠太在《中國(guó)古典建筑裝飾》一書中所列及的門獸、寶鼎、日晷嘉量和人、獸造像等建筑裝飾符號(hào)的種類和象征意義進(jìn)行了歸納和引證論述。 由于秦漢時(shí)期的地面建筑現(xiàn)今沒有發(fā)現(xiàn)一例較為完整的遺存,因此在研究過程中主要采用墓葬發(fā)掘和當(dāng)時(shí)的瓦當(dāng)、器皿、磚石刻像、壁畫等圖像信息和歷史文獻(xiàn)記載等間接進(jìn)行證明,同時(shí)結(jié)合近年新的建筑復(fù)原研究成果和相關(guān)的文化習(xí)俗資料進(jìn)行推理判斷,得出結(jié)論。 研究結(jié)論：首先,秦漢時(shí)期進(jìn)一步明確、統(tǒng)一了中國(guó)古典建筑裝飾符號(hào)系統(tǒng)中所廣泛使用的圖騰體系及建筑裝飾紋樣。其建筑裝飾符號(hào)的象征意義主要涵蓋以下幾方面的內(nèi)容：惡以戒世、善以示后的象征意義,一般選擇歷史故事題材的內(nèi)容,在適當(dāng)?shù)奈恢脤?duì)建筑進(jìn)行裝飾；祈福求祥的象征意義,多用祥瑞靈獸或紋樣題材內(nèi)容來表達(dá)人們對(duì)美好生活和吉祥平安的期盼和向往；厭勝規(guī)避的象征意義,即用與之相克和對(duì)立的裝飾符號(hào)紋樣求得規(guī)避災(zāi)禍的理想結(jié)果；“倫理”理性寓意的象征表達(dá),使用不同的紋樣內(nèi)容、不同的色彩和不同的建筑儀飾類型等手段,區(qū)分建筑的不同等級(jí)制度。 研究秦漢時(shí)期建筑裝飾符號(hào)的象征意義的意義在于：通過對(duì)秦漢時(shí)期建筑裝飾符號(hào)的研究,能夠使我們進(jìn)一步了解中華民族博大精深的文化傳統(tǒng),加深對(duì)中國(guó)古代哲學(xué)思想的認(rèn)識(shí)和理解,并對(duì)今天的建筑裝飾設(shè)計(jì)領(lǐng)域正確運(yùn)用中國(guó)古典建筑裝飾符號(hào)表達(dá)設(shè)計(jì)意圖具有啟發(fā)和指導(dǎo)意義。
[Abstract]:Based on the architectural decoration, which is one of the aesthetic characteristics of Chinese classical architecture, this paper bases on the existing archaeological excavations, the remains of the ground sites, the research results of the restoration of the buildings and the records of the relevant historical documents. This paper systematically analyzes and studies the symbolic significance of Chinese classical architectural decorative symbols in Qin and Han dynasties, and draws a conclusion about the symbolic significance of Chinese classical architectural decorative symbols in Qin and Han dynasties. The main research contents include the symbol meaning of individual architectural decoration symbol and some architectural ritual decoration symbol. The single architectural decoration symbol is divided into three parts according to the classification of the parts of Mr. Hou Youbin in "Chinese Architectural Aesthetics". The "middle" of a single building and the "upper"-roof of a single building. The symbolic significance of the decorative symbols in these three parts is studied systematically. The decorative symbols of the architectural ceremony are mainly based on the number of animals, Baoding, sundial, and people listed in the book "Chinese Classical Architectural Decoration" by Japanese architectural historian Yi Dongzhong. The classification and symbolic significance of architectural decorative symbols such as animal statues are summarized and discussed. Since no more complete remains have been found in the ground buildings of the Qin and Han dynasties, tombs were mainly used in the research, and Wadang, utensils, brick and stone carvings at that time were mainly used in the research process. The image information such as mural paintings and historical documents are indirectly proved and combined with the new research results of architectural restoration in recent years and the relevant cultural customs data to infer and judge the conclusion. First of all, the Qin and Han dynasties further clarified, unified the Chinese classical architectural decoration symbol system widely used totem system and architectural decoration patterns. The symbolic meaning of the architectural decoration symbol mainly covers the following aspects: evil to the precepts of the world, good to show the symbolic significance of the following, generally choose the content of the historical story theme, in the appropriate position to decorate the architecture; The symbolic meaning of praying for good luck and seeking for good luck is often expressed in the content of auspicious animals or patterns to express people's expectation and yearning for a better life and good luck and peace, and the symbolic significance of being tired of winning and evading. That is to say, the ideal result of avoiding disaster is obtained by the pattern of the opposite decorative symbol, the symbolic expression of the rational meaning of "ethics", the use of different patterns, different colors and different types of architectural ornaments, etc. The different hierarchy of buildings. The significance of studying architectural decorative symbols in Qin and Han dynasties lies in: through the study of architectural decorative symbols in Qin and Han dynasties, we can further understand the profound cultural traditions of the Chinese nation. To deepen the understanding and understanding of the ancient Chinese philosophy, and to correctly use Chinese classical architectural decorative symbols to express the design intention in the field of architectural decoration design today has enlightening and guiding significance.
【學(xué)位授予單位】：東北林業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：TU-0

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本文編號(hào)：1890755