本文選題：拼布藝術(shù) + 裝飾畫��； 參考：《中南林業(yè)科技大學(xué)》2017年碩士論文

【摘要】：拼布藝術(shù)由來已久,發(fā)展至今,經(jīng)過藝術(shù)家和設(shè)計師的不斷創(chuàng)造與改進(jìn),在功能性上較以往發(fā)生了很大的變化,從傳統(tǒng)的以實用為主到現(xiàn)在的集實用與裝飾于一體并廣受青睞,越來越多不同的群體參與到拼布這種手工活動中來。文章拼布藝術(shù)和裝飾畫入手,通過對拼布藝術(shù)的分析和歸納,將拼布藝術(shù)與現(xiàn)代裝飾畫設(shè)計融在一起,設(shè)計出更有特色更藝術(shù)的裝飾畫。力圖為現(xiàn)代拼布藝術(shù)提升一個更廣闊的發(fā)展渠道和應(yīng)用范疇,為現(xiàn)代裝飾畫設(shè)計增添一種更多元化發(fā)展,為現(xiàn)代裝飾畫提高精神上的審美和附加價值。文章歸納總結(jié)了“拼布藝術(shù)”、“裝飾畫”的概念,并就這些概念展開對論文主題的分析和研究。通過資料收集、實地調(diào)研與案例分析等方法對相應(yīng)的理論研究做出了整理,對拼布藝術(shù)在裝飾畫中應(yīng)用的可行性及原因作出分析;從藝術(shù)領(lǐng)域著手,歸納拼布在藝術(shù)作品中的表現(xiàn)特征;對拼布藝術(shù)在裝飾畫中的特征進(jìn)行深入剖析,并結(jié)合和實例加以解析,指出拼布藝術(shù)在裝飾畫中的四大特征,即拼布材料在裝飾畫中的豐富性,拼布工藝在裝飾畫中的多樣性,拼布單元形在裝飾畫中的靈活性和拼布色彩在裝飾畫中的藝術(shù)性;同時,以現(xiàn)代裝飾設(shè)計理念為出發(fā)點,從拼布藝術(shù)的面料材質(zhì),色彩,風(fēng)格及工藝分析歸納出四大原則,即綠色設(shè)計原則,審美性原則,協(xié)調(diào)性原則和工藝性原則;進(jìn)而從以上的設(shè)計原則著手,總結(jié)出相應(yīng)的具體設(shè)計方法,有材質(zhì)搭配法,色彩搭配法和圖案搭配法等方法。在設(shè)計實踐過程中,根據(jù)前文中的理論基礎(chǔ)進(jìn)行了拼布裝飾畫方案設(shè)計和實物制作,在一定程度上佐證了拼布藝術(shù)在現(xiàn)代裝飾畫中的應(yīng)用方法的可行,也是現(xiàn)代裝飾畫設(shè)計中的一種新的藝術(shù)形式。
[Abstract]:The patchwork art has a long history, has been developed, through the artist and the designer's unceasing creation and the improvement, in the function has taken place the very big change, from the traditional to the practical mainly to the present collection practical and the decoration in one body, has been widely favored. More and more different groups are involved in the craftsmanship. Based on the analysis and induction of the patchwork art and the decorative painting, the paper combines the tangle art and the modern decorative painting design, and designs the decorative painting with more characteristic and more artistic features. This paper tries to promote a broader development channel and application category for modern fabric art, to add a more diversified development to modern decorative painting design, and to improve spiritual aesthetic and additional value for modern decorative painting. This paper sums up the concepts of "the art of combing cloth" and "decorative painting", and analyzes and studies the theme of the thesis. Through the methods of data collection, field investigation and case analysis, this paper collates the corresponding theoretical research, analyzes the feasibility and reasons of the application of the patchwork art in decorative painting, and proceeds from the art field. The paper summarizes the performance characteristics of patchwork in art works, deeply analyzes the characteristics of patchwork art in decorative painting, and points out the four characteristics of patchwork art in decorative painting by combining with examples. That is, the richness of the material in the decorative painting, the diversity of the craftsmanship in the decorative painting, the flexibility of the patchwork unit in the decorative painting and the artistry of the color in the decorative painting, and at the same time, taking the modern decorative design concept as the starting point, From the fabric material, color, style and process analysis of the fabric art, four principles are summarized, namely, green design principle, aesthetic principle, coordination principle and craft principle. The specific design methods are summarized, such as material collocation, color collocation and pattern collocation. In the process of design practice, according to the theoretical basis of the previous article, the paper designs the scheme of cloth decorative painting and makes it in kind, which to some extent proves the feasibility of the application method of the patchwork art in the modern decorative painting. It is also a new art form in the design of modern decorative paintings.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205

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