本文選題：皖南民居 + 裝飾理念��； 參考：《青島大學(xué)》2017年碩士論文

【摘要】：皖南民居經(jīng)過歷史的演繹逐漸形成獨(dú)具特色的室內(nèi)裝飾風(fēng)格,它是我們傳統(tǒng)文化遺產(chǎn)中的重要組成部分。皖南民居室內(nèi)裝飾有其獨(dú)特的設(shè)計(jì)理念和豐富多樣的裝飾形式,蘊(yùn)含著深厚的文化內(nèi)涵。深入了解皖南民居的裝飾藝術(shù),并掌握其中的設(shè)計(jì)理念和精神內(nèi)涵,對發(fā)展有中國風(fēng)格的室內(nèi)設(shè)計(jì)具有重要意義,有利于我國現(xiàn)代室內(nèi)設(shè)計(jì)朝著民族性和文化性方向發(fā)展。本文主要內(nèi)容分兩部分:第一部分是從皖南民居室內(nèi)裝飾中的陳設(shè)布局、裝飾樣式、室內(nèi)意境營造、裝飾圖形等四個(gè)方面分析了皖南民居室內(nèi)裝飾的總體特征以及形成原因;通過皖南民居室內(nèi)裝飾設(shè)計(jì)理念的文化內(nèi)涵分析,總結(jié)出其裝飾理念主要體現(xiàn)在五個(gè)方面,即言不盡意,言外之意、虛實(shí)相生的空間意象、對稱靈活的陳設(shè)格局、崇尚自然的裝飾審美、實(shí)用為本與文質(zhì)彬彬;通過對皖南民居室內(nèi)裝飾理念的研究,進(jìn)而引發(fā)對當(dāng)代中式室內(nèi)設(shè)計(jì)的思考,即藝術(shù)文脈的傳承和“中而新”的設(shè)計(jì)思路。第二部分是對皖南民居室內(nèi)裝飾理念在當(dāng)代中式室內(nèi)設(shè)計(jì)中的應(yīng)用做了深入的分析。認(rèn)為每個(gè)時(shí)代對傳統(tǒng)的繼承都應(yīng)該有當(dāng)下的時(shí)代特色,當(dāng)代中式室內(nèi)設(shè)計(jì)既要繼承傳統(tǒng)民居室內(nèi)裝飾設(shè)計(jì)的精髓,又要考慮新的審美觀念、原則以及方法的融入。具體來說就是借鑒民居室內(nèi)裝飾手法;繼承和發(fā)展優(yōu)秀的裝飾理念;注重室內(nèi)空間意境的營造;室內(nèi)裝飾要把握度的原則;裝飾形式上要講究內(nèi)斂含蓄。使中式風(fēng)格的室內(nèi)設(shè)計(jì)從最初“形似”的模仿上升到高層次的追求,最終使皖南民居室內(nèi)裝飾的精神品質(zhì)可以在當(dāng)代得以展現(xiàn)。
[Abstract]:Through the historical deduction, the folk houses in southern Anhui gradually form unique interior decoration style, which is an important part of our traditional cultural heritage. Interior decoration of residential houses in southern Anhui has its unique design idea and rich and diverse decoration forms, which contains profound cultural connotations. It is of great significance for the development of interior design with Chinese style to deeply understand the decorative art of the folk houses in southern Anhui, and to master the design concept and spiritual connotation, which is beneficial to the development of modern interior design in China towards the direction of nationality and culture. The main contents of this paper are divided into two parts: the first part is to analyze the overall characteristics and causes of interior decoration in southern Anhui from the following four aspects: the layout of interior decoration, decoration style, indoor artistic conception construction and decorative graphics; Based on the analysis of the cultural connotation of interior decoration design concept in southern Anhui, the author concludes that the decoration concept is mainly embodied in five aspects, namely, the meaning of words is not enough, the meaning of words is implicit, the space image of virtual reality is born together, and the pattern of symmetrical and flexible display is summarized. Advocating the natural decorative aesthetic, practical and polite, through the study of the interior decoration concept of the folk houses in the south of Anhui, it leads to the thinking of the contemporary Chinese interior design, that is, the inheritance of the artistic context and the design idea of "from the middle to the new". The second part makes a deep analysis on the application of the interior decoration concept in the contemporary Chinese interior design. It is believed that each era should have its own characteristics of the times, and contemporary Chinese interior design should not only inherit the essence of traditional interior decoration design, but also consider the integration of new aesthetic concepts, principles and methods. Specifically speaking is to draw lessons from residential interior decoration techniques; inheritance and development of excellent decorative concepts; focus on indoor space artistic conception building; interior decoration to grasp the principle of degree; decorative form should be introverted and implicit. The interior design of Chinese style has been raised from the original imitation of "resemblance" to the pursuit of high level, and the spiritual quality of interior decoration in southern Anhui can be displayed in contemporary times.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU238.2

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本文編號(hào)：1812523