本文選題：文化心理 + 民族風(fēng)格��； 參考：《現(xiàn)代裝飾(理論)》2016年08期

【摘要】：正大理白族建筑彩繪文化既濃縮了白族的民族風(fēng)格和傳統(tǒng)文化,又表現(xiàn)出了其強(qiáng)烈的文化寄寓思想及與建筑相適應(yīng)等特征,成為大理白族藝術(shù)智慧的結(jié)晶。白族建筑彩繪融合了多重文化元素,形式內(nèi)容豐富多彩,借助獨(dú)特的彩繪方式蘊(yùn)含了豐富鮮明的文化內(nèi)涵,主要表現(xiàn)在祈福禳災(zāi),安居樂業(yè);兼收并蓄,多元融合;與時俱進(jìn),開拓創(chuàng)新等方面。建筑是文化的載體,彩繪是構(gòu)成大理白族建筑裝飾藝術(shù)的一個重要部分。白族建筑彩繪廣泛分布于寺廟建筑、民居建筑和公共
[Abstract]:The architectural painting culture of the Bai nationality of Zhengdali not only condenses the national style and traditional culture of the Bai nationality, but also shows its strong cultural thinking and adaption to the architecture, which has become the crystallization of the artistic wisdom of the Bai nationality in Dali. Bai architecture color painting combines many cultural elements, rich and colorful forms, with the help of a unique way of painting contains rich and distinct cultural connotations, mainly in praying for disaster, live and work in peace; eclectic, pluralistic integration; keep pace with the times, Open up and innovate and so on. Architecture is the carrier of culture, and painting is an important part of the decorative art of Bai nationality architecture in Dali. The painting of Bai nationality architecture is widely distributed in temple buildings, residential buildings and public buildings.
【作者單位】： 大理大學(xué)文學(xué)院;
【分類號】：TU253

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