本文選題：贛南客家 + 傳統(tǒng)民居��； 參考：《贛南師范學(xué)院》2010年碩士論文

【摘要】： 贛南客家傳統(tǒng)民居指的是分布于江西南部的贛州市及贛州轄區(qū)內(nèi)(古代分屬贛州府、南安府、寧都直隸州)的18個縣市區(qū),建于明清及民國經(jīng)濟(jì)較繁盛時期的民居建筑。豐富多彩的贛南客家傳統(tǒng)民居吉祥裝飾意蘊(yùn)深厚,值得我們?nèi)パ芯?并加以傳承和發(fā)揚(yáng)。它是贛南客家傳統(tǒng)民居的重要組成部分,也是贛南客家傳統(tǒng)民居研究中的一個重要內(nèi)容。本文將從贛南客家傳統(tǒng)民居吉祥裝飾的藝術(shù)概況、文化意義、審美特征和現(xiàn)實意義四個方面進(jìn)行研究和闡述。 引言部分主要闡述贛南客家傳統(tǒng)民居建筑吉祥裝飾藝術(shù)研究的意義所在及研究現(xiàn)狀。正文第一章對贛南客家傳統(tǒng)民居作了一個概括性的介紹,第二章對其吉祥裝飾進(jìn)行分類,以便下文的進(jìn)行。第三章是正文的主要部分。第三章主要探討贛南客家傳統(tǒng)民居建筑吉祥裝飾藝術(shù)的文化意義,通過對民居吉祥裝飾的形式和功能等方面的分析,闡述族群記憶、客家思想、客家精神及風(fēng)水理論在贛南客家傳統(tǒng)民居吉祥裝飾藝術(shù)中的影響和體現(xiàn)。第四章從贛南客家傳統(tǒng)民居吉祥裝飾的審美特征入手進(jìn)行探討,研究出贛南客家傳統(tǒng)民居建筑吉祥裝飾藝術(shù)在呈現(xiàn)出的寫實性、引申性和教化性并存的特征。贛南客家傳統(tǒng)民居建筑吉祥裝飾藝術(shù)不是單純的為了美觀而美觀,更多的是滿足著贛南客家人精神的需要,直觀的表現(xiàn)著建造者,設(shè)計者和使用者的生活狀態(tài)、處世哲學(xué)和審美情趣。著重論述贛南客家傳統(tǒng)民居建筑吉祥裝飾的現(xiàn)實意義,主要體現(xiàn)在對傳統(tǒng)哲學(xué)倫理的承載和傳遞,對現(xiàn)代藝術(shù)設(shè)計的啟示。
[Abstract]:Gannan Hakka traditional residence refers to the 18 counties and urban districts in Ganzhou City and Ganzhou area (belonging to Ganzhou, Nanan, Ningdu, Zhili), which were built in Ming and Qing dynasties and in the prosperous period of the Republic of China.The rich and colorful traditional Hakka houses in Gannan have profound connotations of auspicious decoration, which are worthy of our study, inheritance and development.It is an important part of the traditional Hakka houses in Gannan, and also an important content in the study of the traditional Hakka houses in Gannan.This paper will study and expound the artistic overview, cultural significance, aesthetic characteristics and realistic significance of the auspicious decoration of the traditional Hakka houses in Gannan.The preface mainly expounds the significance and research status of the auspicious decorative art of traditional Hakka houses in Gannan.The first chapter makes a general introduction to the traditional Hakka houses in Gannan, and the second chapter classifies the auspicious decoration in order to carry out the following.The third chapter is the main part of the text.The third chapter mainly discusses the cultural significance of the auspicious decorative art of the Hakka traditional residence architecture in Gannan. Through the analysis of the form and function of the auspicious decoration of the folk residence, it expounds the ethnic group memory and Hakka thought.The influence and embodiment of Hakka Spirit and geomantic Theory in the auspicious Decoration Art of Gannan Hakka traditional residence.The fourth chapter discusses the aesthetic characteristics of the auspicious decoration of the traditional Hakka houses in Gannan, and studies the realistic, extended and civilized characteristics of the auspicious decorative art of the traditional Hakka houses in Gannan.The auspicious decorative art of the traditional Hakka architecture in Gannan is not merely for the sake of beauty and beauty, but more to meet the spiritual needs of the Hakka people in Gannan. It intuitively shows the living conditions of the builders, designers and users.Philosophy and aesthetic taste.The practical significance of auspicious decoration of traditional Hakka houses in Gannan is discussed, which is mainly embodied in the carrying and transmission of traditional philosophy and ethics, and the enlightenment to modern art design.
【學(xué)位授予單位】：贛南師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：TU241.5;TU-86

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本文編號：1763395