本文選題：中國(guó) + 日本�。� 參考：《重慶大學(xué)》2014年碩士論文

【摘要】：作為傳統(tǒng)建筑裝飾構(gòu)件，小小的“懸魚”很少引起專家、學(xué)者或研究人員的注意。我國(guó)從梁思成開始，對(duì)傳統(tǒng)建筑的研究成果如云，出版發(fā)行了大量的專著、文獻(xiàn)，但鮮見將懸魚看在眼里的人。雖然它在傳統(tǒng)建筑中只是一個(gè)小小的裝飾構(gòu)件，起不到左右建筑整體構(gòu)成的作用，但正是有了這些別出心裁、豐富多彩、雕刻精細(xì)和構(gòu)思巧妙的懸魚裝飾，，才使得許多傳統(tǒng)建筑顯得更加親切而不媚俗，精美而不奢靡，純樸而不粗鄙，自然而不做作。傳統(tǒng)建筑中的懸魚裝飾構(gòu)件同風(fēng)火墻、脊飾、雀替和美人靠等傳統(tǒng)建筑符號(hào)一樣，能夠鮮明地體現(xiàn)傳統(tǒng)建筑的文化內(nèi)涵和美學(xué)特征。而今，傳統(tǒng)建筑中的懸魚裝飾作為地域建筑文化的符號(hào)特征之一，已經(jīng)引起了日本專家的關(guān)注并設(shè)有專門的研究機(jī)構(gòu)和網(wǎng)站，而在中國(guó)建筑史上至今仍未引起足夠的重視。 文章以中日兩國(guó)傳統(tǒng)建筑中的懸魚裝飾為研究對(duì)象，首先綜述了傳統(tǒng)建筑中懸魚裝飾藝術(shù)的國(guó)內(nèi)外研究現(xiàn)狀，闡明了本項(xiàng)研究的意義及框架，隨后介紹了懸魚裝飾的起源及基本特征，并對(duì)兩國(guó)懸魚裝飾形成的歷史文化背景做了簡(jiǎn)要闡述。以此為研究基礎(chǔ)，分別針對(duì)中日兩國(guó)傳統(tǒng)建筑中懸魚裝飾的造型藝術(shù)和色彩藝術(shù)特征進(jìn)行了比較和歸納，分析整理了兩國(guó)同源文化背景下傳統(tǒng)建筑相同裝飾構(gòu)件的不同發(fā)展軌跡及現(xiàn)狀，從藝術(shù)學(xué)的視角出發(fā)對(duì)兩國(guó)的懸魚裝飾進(jìn)行了比較研究。從而指出造成兩國(guó)傳統(tǒng)建筑裝飾藝術(shù)各具特色的根本，在于藝術(shù)形式表象下所滲透的文化及審美素養(yǎng)的差異，且此種差異一直伴隨著兩國(guó)建筑史的發(fā)展不斷演進(jìn)，甚至波及當(dāng)代整個(gè)建筑設(shè)計(jì)領(lǐng)域。而后，對(duì)傳統(tǒng)建筑裝飾在中國(guó)的繼承與發(fā)展做了現(xiàn)狀分析，并對(duì)懸魚裝飾運(yùn)用在中國(guó)現(xiàn)代建筑設(shè)計(jì)領(lǐng)域的方法和原則進(jìn)行了初步探討，以期有一定的借鑒意義與價(jià)值。
[Abstract]:As a traditional architectural decoration, the small "suspended fish" rarely attracted the attention of experts, scholars or researchers.Since Liang Sicheng, China has published a large number of monographs and documents on traditional architecture, but few people have seen the hanging fish in their eyes.Although it is only a small decorative component in the traditional architecture, and does not play the role of the building as a whole, but it is with these ingenious, colorful, fine carving and ingenious design of the suspended fish decoration,So that many traditional buildings appear more friendly and not vulgar, exquisite and not extravagant, simple and not vulgar, natural and not pretentious.As the traditional architectural symbols such as wind and fire walls, ridges, sparrows and beauty, the suspended fish decorative components in the traditional architecture can reflect the cultural connotation and aesthetic characteristics of the traditional architecture.Nowadays, as one of the symbolic features of the regional architecture culture, the traditional architecture has attracted the attention of Japanese experts and set up special research institutions and websites, but it has not been paid enough attention to in the history of Chinese architecture.This paper takes the suspended fish decoration in the traditional architecture of China and Japan as the research object. Firstly, the paper summarizes the domestic and international research status of the suspended fish decoration art in the traditional architecture, and expounds the significance and framework of this research.Then the origin and basic characteristics of suspended fish decoration were introduced, and the historical and cultural background of the formation of suspended fish decoration in the two countries were briefly described.On the basis of this research, the characteristics of plastic art and color art of suspended fish decoration in Chinese and Japanese traditional buildings are compared and summarized respectively.This paper analyzes the different development paths and present situation of the same decorative components of traditional buildings under the background of the homologous culture of the two countries, and makes a comparative study of the suspended fish decoration in the two countries from the perspective of art.It is pointed out that the root of the two countries' traditional architectural decorative art is the cultural and aesthetic differences permeated by the artistic form, and this difference has been accompanied by the development and evolution of the architectural history of the two countries.Even spread to contemporary whole architectural design domain.Then, the present situation of inheritance and development of traditional architectural decoration in China is analyzed, and the methods and principles of the application of suspended fish decoration in the field of modern architectural design in China are discussed preliminarily, in order to have certain reference significance and value.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU238

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