本文選題：建國(guó)后 + 陶瓷��； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2014年碩士論文

【摘要】：工藝美術(shù)是藝術(shù)的一種，也是與社會(huì)生產(chǎn)有直接關(guān)系的物質(zhì)文化之一，它是美學(xué)與生活的結(jié)合，是藝術(shù)與科學(xué)的產(chǎn)兒，與人民生活緊密聯(lián)系并服務(wù)于人民。陶瓷裝飾繪畫(huà)作為工藝美術(shù)史上陶瓷藝術(shù)的分支，屬陶瓷裝飾藝術(shù)類(lèi)別，本文以建國(guó)后這六十年景德鎮(zhèn)的陶瓷裝飾繪畫(huà)的特征及裝飾繪畫(huà)的演變規(guī)律為主要研究對(duì)象。將全文分為以下幾個(gè)方面：第一部分為引言，其中分為三點(diǎn)概括該課題的研究目的、意義，該課題目前的研究現(xiàn)狀以及與該課題相關(guān)的研究范疇，通過(guò)歷史脈絡(luò)和文章中涉及的文化概念劃分各個(gè)時(shí)期的繪畫(huà)特征；第二部分是陶瓷裝飾繪畫(huà)的概念分析，對(duì)陶瓷裝飾、裝飾繪畫(huà)、陶瓷繪畫(huà)做一概念敘述；第三部分是分析景德鎮(zhèn)陶瓷裝飾繪畫(huà)的特征，按照建國(guó)初期——文革時(shí)期——改革開(kāi)放時(shí)期三個(gè)大的時(shí)間順序逐個(gè)分析建國(guó)后各個(gè)時(shí)期景德鎮(zhèn)陶瓷裝飾繪畫(huà)的風(fēng)格特征，以時(shí)代為研究線(xiàn)索并根據(jù)不同的發(fā)展階段中的陶瓷繪畫(huà)作品圖片資料，通過(guò)其作品的裝飾手法和創(chuàng)作技法歸納總結(jié)建國(guó)后六十年的裝飾特征，以及其發(fā)展的總趨勢(shì)；第四部分歸納建國(guó)后景德鎮(zhèn)陶瓷裝飾繪畫(huà)的演變規(guī)律，從裝飾繪畫(huà)的題材、表現(xiàn)技法、繪畫(huà)內(nèi)容三部分歸納自建國(guó)初期到改革開(kāi)放后近六十年中陶瓷裝飾繪畫(huà)由題材、技法以及內(nèi)容方面的變化，并逐個(gè)分析這種變化規(guī)律的發(fā)展緣由；第五部分簡(jiǎn)述關(guān)于研究建國(guó)后景德鎮(zhèn)陶瓷裝飾繪畫(huà)特征及演變規(guī)律帶給筆者的啟示和其發(fā)展規(guī)律背后的文化價(jià)值及意義；第六部分作為結(jié)論將總結(jié)本文對(duì)建國(guó)后景德鎮(zhèn)陶瓷裝飾繪畫(huà)特征及演變規(guī)律研究方面得出的幾點(diǎn)認(rèn)識(shí)。 陶瓷裝飾繪畫(huà)的價(jià)值不僅在其使用傳統(tǒng)工藝手法，，而是它在運(yùn)用傳統(tǒng)工藝手法的同時(shí)融入了其他藝術(shù)門(mén)類(lèi)的裝飾形式、現(xiàn)代的構(gòu)成因素和造型觀(guān)念，并且在創(chuàng)作模式上增加了較多的自我表現(xiàn)意識(shí)和創(chuàng)作思想。通過(guò)研究本課題，可以讓更多的人發(fā)掘陶瓷裝飾繪畫(huà)的魅力并投入陶瓷裝飾繪畫(huà)的藝術(shù)創(chuàng)作領(lǐng)域。這是具有傳承與創(chuàng)新意義的陶瓷學(xué)科。
[Abstract]:Arts and crafts is a kind of art and one of material culture which has direct relation with social production. It is the combination of aesthetics and life, the infant of art and science, and closely connected with people's life and serving the people.Ceramic decorative painting, as a branch of ceramic art in the history of arts and crafts, belongs to the category of ceramic decorative art. This article focuses on the characteristics of ceramic decorative painting in Jingdezhen after the founding of the people's Republic of China and the evolution law of decorative painting.The paper is divided into the following aspects: the first part is the introduction, which is divided into three parts: the purpose and significance of the research, the current research situation of the subject and the research scope related to the subject.The second part is the concept analysis of ceramic decorative painting, which describes the concept of ceramic decoration, decorative painting, ceramic painting;The third part is to analyze the characteristics of Jingdezhen ceramic decorative painting, according to the early founding of the people's Republic of China-the Cultural Revolution period-the reform and opening up period of the three major time sequence to analyze each period after the founding of Jingdezhen ceramic decorative painting style characteristics,Taking the times as the research clue and according to the picture data of the ceramic painting works in different stages of development, this paper summarizes the decorative characteristics of the 60 years after the founding of the people's Republic of China and the general trend of its development through the decoration techniques and creative techniques of his works.The fourth part summarizes the evolution of Jingdezhen ceramic decorative painting after the founding of the people's Republic of China, from the theme of decorative painting, performance techniques, painting content from the initial period of the founding of the people's Republic of China to nearly 60 years after the reform and opening up.The change of technique and content, and analyze the development reason of this kind of change law one by one;The fifth part briefly describes the characteristics and evolution of Jingdezhen ceramic decorative painting after the founding of the people's Republic of China.The sixth part as a conclusion will sum up this article to Jingdezhen ceramic decorative painting characteristics and the evolution of the law of several points of understanding.The value of ceramic decorative painting is not only in its use of traditional craftsmanship, but also in the use of traditional craftsmanship, as well as in the decorative forms of other art categories, the modern elements and the concept of modeling.And in the creation mode has increased more self-expression consciousness and creation thought.By studying this subject, more people can explore the charm of ceramic decorative painting and put it into the field of art creation.This is a ceramic subject with heritage and innovation significance.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J527;J205

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