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文革時期景德鎮(zhèn)日用陶瓷裝飾題材的研究

發(fā)布時間:2018-04-09 02:21

  本文選題:文革時期 切入點:景德鎮(zhèn) 出處:《景德鎮(zhèn)陶瓷學院》2013年碩士論文


【摘要】:日用陶瓷是我們平常生活中不可缺少的必需品,至人類文明起至今,日用陶瓷見證著歷史變遷,見證人與物關系和諧發(fā)展的歷史,見證一個國家發(fā)展的軌跡和文化承載。而器物的工藝、裝飾等等就是直接的物證,現(xiàn)存許多的物件待整理,而日用陶瓷的裝飾題材可以直接看出一個國家的文化追求方向、經(jīng)濟發(fā)展程度以及世局的變遷。“文化大革命”日用陶瓷的裝飾題材代表了中央的意識形態(tài)和審美的取向,充滿了革命性、階級性、斗爭性!拔母铩痹谖覈臍v史長河中有著敏感且特殊的政治歷史性,所以直到二十世紀后對“文革”期間相關美術的研究才逐漸增多,對文革也有了重新的認識,作為中國的特殊歷史事件,其特殊的歷史地位,也決定了那時的日用陶瓷的特殊屬性——政治宣傳。 本文以“文革大革命”時期的藝術政策為背景,總結(jié)了文革時期日用陶瓷企業(yè)的環(huán)境以及在文革時期文藝政策下的陶瓷工作者狀況,整理了文革時期景德鎮(zhèn)的日用陶瓷裝飾題材,最后分析了文革時期景德鎮(zhèn)日用陶瓷裝飾題材的特征和對未來的影響。 本課題的研究目的在于從文革時期的景德鎮(zhèn)日用陶瓷裝飾題材的變化著手,通過對文革時期景德鎮(zhèn)日用陶瓷裝飾題材的整理、歸納和分析,完善我國日用陶瓷發(fā)展的理論體系、拓展日用陶瓷設計的思維、豐富日用陶瓷文化歷史以及在設計日用陶瓷裝飾題材方面應正確認識、使用具有文革時期特征的符號、元素,同時望能為研究相關課題的學者提供一些參考性的理論意見。
[Abstract]:Daily ceramics is an indispensable necessity in our daily life. Up to now, daily ceramics witness the history of historical changes, witness the harmonious development of relations between witnesses and things, witness the track of a country's development and bear the burden of culture.The craft, decoration and so on of the utensils are direct physical evidence, many existing objects need to be sorted out, and the decorative subject matter of daily use ceramics can directly see the direction of a country's cultural pursuit, the degree of economic development and the vicissitude of the world.The decorative theme of the "Cultural Revolution" ceramics represents the central ideology and aesthetic orientation, full of revolutionary, class, fighting.The "Cultural Revolution" has a sensitive and special political history in the long history of our country, so it is not until the 20th century after the "Cultural Revolution" that the study of related fine arts gradually increased, and the Cultural Revolution also has a new understanding.As a special historical event in China, its special historical status also determines the special attribute of daily ceramics at that time-political propaganda.Based on the art policy of the "Cultural Revolution", this paper summarizes the environment of the domestic ceramic enterprises during the Cultural Revolution and the status of the ceramic workers under the literature and art policy during the Cultural Revolution.This paper arranges the daily ceramic decoration theme of Jingdezhen during the Cultural Revolution, and finally analyzes the characteristics and the influence on the future of the decoration theme of Jingdezhen daily ceramics during the Cultural Revolution.The purpose of this research is to improve the theoretical system of the development of domestic ceramics in China through the arrangement, induction and analysis of the decorative themes of domestic ceramics in Jingdezhen during the Cultural Revolution, through the arrangement and analysis of the decorative themes of domestic ceramics in Jingdezhen during the Cultural Revolution.To expand the thinking of daily ceramic design, to enrich the cultural history of daily ceramics and to correctly understand the decorative themes of daily ceramics, to use the symbols and elements with the characteristics of the Cultural Revolution,At the same time, we hope to provide some reference theoretical advice for the scholars who study related topics.
【學位授予單位】:景德鎮(zhèn)陶瓷學院
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:J527

【參考文獻】

相關期刊論文 前2條

1 吳繼金;;“文革”時期的“紅色”浪潮[J];鐘山風雨;2006年03期

2 魯虹;“文革”期間藝術家面臨的問題情境[J];藝術探索;2005年02期

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本文編號:1724426

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