克里姆特繪畫裝飾語言研究
發(fā)布時(shí)間:2018-04-08 15:00
本文選題:克里姆特 切入點(diǎn):繪畫 出處:《江南大學(xué)》2014年碩士論文
【摘要】:古斯塔夫·克里姆特是歐洲19世紀(jì)末20世紀(jì)初奧地利的繪畫藝術(shù)大師。他一生都沒有離開過維也納,但他的繪畫影響了歐洲甚至整個(gè)世界的美術(shù)界。他用他那富有裝飾性的藝術(shù)語言詮釋著他短暫的一生。今天我們只有通過他絢麗輝煌的作品來體味他的繪畫世界,他以其獨(dú)特的裝飾性和藝術(shù)構(gòu)思為裝飾繪畫藝術(shù)開啟了新的篇章。他筆下那華美的色彩和獨(dú)特而抽象的造型是其最擅長的裝飾語言。 本文旨在研究克里姆特繪畫中的裝飾語言的運(yùn)用和特征的具體體現(xiàn)。主要通過對(duì)克里姆特的作品進(jìn)行深入分析,完成對(duì)其裝飾語言的研究,,研究包括克里姆特繪畫作品的構(gòu)圖、造型、色彩和工藝性語言,從而使其繪畫的形式、對(duì)符號(hào)的以及東方元素的應(yīng)用等特征得以體現(xiàn)。 本文共分為五個(gè)部分。第一部分為緒論部分,主要是闡明研究本課題的目的和意義,明確研究的內(nèi)容,了解目前國內(nèi)外的研究現(xiàn)狀;第二部分是從裝飾繪畫的特性和類型來簡單的闡述裝飾繪畫的藝術(shù)特征和形成因素;第三部分則是通過對(duì)構(gòu)圖、造型、色彩和工藝性語言的詳細(xì)分析來闡述克里姆特對(duì)裝飾表現(xiàn)語言的運(yùn)用;第四部分是從作品的基本元素著手,分析其作品中的繪畫形式、人物形象特點(diǎn)、符號(hào)紋樣和東方元素,使其繪畫裝飾特征得以體現(xiàn);第五部分則是從克里姆特獨(dú)特的裝飾語言對(duì)現(xiàn)代繪畫、設(shè)計(jì)、工業(yè)以及自我繪畫創(chuàng)作的影響論述對(duì)其裝飾語言研究的現(xiàn)實(shí)意義。 在裝飾性繪畫藝術(shù)迅速發(fā)展的今天,本文對(duì)克里姆特作品的裝飾語言進(jìn)行深度的剖析,是對(duì)克里姆特的理論研究的有力的補(bǔ)充,同時(shí)也對(duì)裝飾藝術(shù)的研究提供了新的視角。
[Abstract]:Gustav Klimt is a master of painting art in Austria in the late 19th century and early 20 th century in Europe.He never left Vienna in his life, but his paintings influenced the art world in Europe and the whole world.He interpreted his short life with his decorative artistic language.Today we can only taste his painting world through his brilliant works. He opened a new chapter in decorative painting art with his unique decorative and artistic conception.His beautiful colors and unique and abstract shapes are his best decorative language.The purpose of this paper is to study the use and features of decorative language in Klimt's paintings.Mainly through in-depth analysis of Klimt's works, finish the research on its decorative language, including the composition, modeling, color and craftsmanship of Klimt's paintings, so as to make the form of his paintings.The characteristics of symbols and the application of Eastern elements can be reflected.This paper is divided into five parts.The first part is the introduction, mainly to clarify the purpose and significance of the study, clear the content of the study, and understand the current research situation at home and abroad;The second part is to simply expound the artistic characteristics and forming factors of decorative painting from the characteristics and types of decorative painting; the third part is through the composition, modeling,The fourth part is to start with the basic elements of the works, and analyze the painting form, the character character, the symbol pattern and the eastern element in his works.The fifth part discusses the practical significance of Klimt's unique decorative language on modern painting, design, industry and self-painting.With the rapid development of decorative painting today, this paper analyzes the depth of the decorative language of Klimt's works, which is a powerful supplement to the theoretical research of Klimt, and also provides a new perspective for the study of decorative art.
【學(xué)位授予單位】:江南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J205
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