本文選題：裝飾繪畫(huà)　切入點(diǎn)：形式　出處：《遼寧師范大學(xué)》2012年碩士論文

【摘要】：從20世紀(jì)下半葉開(kāi)始，隨著社會(huì)生產(chǎn)力的發(fā)展，工業(yè)的進(jìn)步和人民生活水平的日益提高，人們對(duì)藝術(shù)品美化生活和環(huán)境的需求空前高漲。各種各樣的藝術(shù)品開(kāi)始走進(jìn)人們的生活，走進(jìn)千家萬(wàn)戶。 裝飾藝術(shù)因其優(yōu)美的形式、飽滿濃郁的色彩和雅俗共賞的題材更是得到了人們的青睞。有位評(píng)論家的話雖然說(shuō)的很直白，但在一定程度上也反映了真實(shí)的狀況，那就是：人們對(duì)藝術(shù)品的需求和觀賞有層次高低之別。魚(yú)龍混雜，高低不一的作品充斥了藝術(shù)領(lǐng)域，越是具有時(shí)代潮流的流行要素的作品，就代表越有藝術(shù)性和藝術(shù)價(jià)值嗎？其實(shí)不然，真正具有藝術(shù)性的作品往往是超越時(shí)代的。 真正有恒久藝術(shù)價(jià)值的作品，一定不是現(xiàn)如今大量復(fù)制和充斥于市場(chǎng)的所謂商業(yè)畫(huà)。真正的裝飾藝術(shù)也不是只具有膚淺的觀賞和美化的功能性價(jià)值。裝飾繪畫(huà)作為一個(gè)新興不久的概念，美術(shù)界對(duì)它的界定和定義是有爭(zhēng)議甚至是偏頗的，認(rèn)為裝飾藝術(shù)不具備深遠(yuǎn)的藝術(shù)價(jià)值。但是主流觀點(diǎn)認(rèn)為：裝飾藝術(shù)在藝術(shù)價(jià)值上、在審美的表現(xiàn)上同所謂的“純藝術(shù)”是不相上下的，裝飾繪畫(huà)不僅僅是器具或建筑上的附屬品，裝飾藝術(shù)與油畫(huà)藝術(shù)、國(guó)畫(huà)藝術(shù)或是雕塑藝術(shù)甚至建筑藝術(shù)一樣具有永恒的價(jià)值。綜合繪畫(huà)藝術(shù)包含裝飾繪畫(huà)、材料性繪畫(huà)、多媒體藝術(shù)、聲像藝術(shù)和行為藝術(shù)等。裝飾繪畫(huà)是裝飾藝術(shù)領(lǐng)域研究的分支。在這里我們主要討論的是裝飾繪畫(huà)這個(gè)層面，它有著獨(dú)特的藝術(shù)風(fēng)格和特點(diǎn)。其中最重要的特征便是：鮮明的形式感、平面化的處理和濃郁的裝飾風(fēng)格。裝飾性繪畫(huà)中極強(qiáng)的裝飾感便是來(lái)自這些構(gòu)成畫(huà)面的形式化要素的作用，這些形式化藝術(shù)語(yǔ)言對(duì)畫(huà)面情感的表達(dá)有至關(guān)重要的作用。 在裝飾意味濃郁的作品中，無(wú)論是哪種形式哪種風(fēng)格都離不開(kāi)藝術(shù)創(chuàng)作統(tǒng)一的規(guī)律，即：變化和統(tǒng)一的協(xié)調(diào)、鮮明的主題、特征突出同時(shí)又有耐人尋味的內(nèi)涵。對(duì)于裝飾繪畫(huà)來(lái)講，作品中的形式美是畫(huà)家對(duì)其藝術(shù)品進(jìn)行創(chuàng)作時(shí)采取的表現(xiàn)方法和審美方式。這種方式方法就是我們要探討和研究的畫(huà)面形式感與畫(huà)面情感表達(dá)的關(guān)系。 在當(dāng)今西方繪畫(huà)與中國(guó)繪畫(huà)正在相互融合、相互碰撞和相互吸收的大環(huán)境下，裝飾繪畫(huà)也不停地從中汲取著營(yíng)養(yǎng)，，不斷地呈現(xiàn)出更加多元化的局面。我們要從藝術(shù)本質(zhì)的角度來(lái)理解藝術(shù)的形式本身和藝術(shù)品情感表達(dá)的關(guān)系。在形式與情感表達(dá)的方面開(kāi)拓更寬廣的道路，創(chuàng)作更多的藝術(shù)佳作。
[Abstract]:Since the second half of the 20th century, with the development of social productivity, the progress of industry and the improvement of people's living standard, the demand for art to beautify life and environment has never been higher.Various works of art began to enter people's lives, into thousands of households.Decorative art is favored by people because of its beautiful form, full of rich colors and popular themes.One critic, though bluntly speaking, partly reflects the real situation: people's need for art varies from the level of appreciation.The more popular elements of the times, the more artistic and artistic value?In fact, the real artistic works are often beyond the times.A work of real enduring artistic value must not be the so-called commercial painting that is reproduced and flooded with the market today.Real decorative art is not only superficial ornamental and beautification of the functional value.Decorative painting as a new concept, the definition and definition of it is controversial and even biased, that decorative art does not have far-reaching artistic value.But the mainstream point of view is that decorative art is equal to the so-called "pure art" in terms of artistic value and aesthetic performance. Decorative painting is not only a piece of utensils or architectural accessories, but also an art of decoration and oil painting.Chinese painting art, sculpture art or even architectural art has eternal value.Integrated painting art includes decorative painting, material painting, multimedia art, audio-visual art and performance art.Decorative painting is a branch of the field of decorative art.Here we mainly discuss the decorative painting level, it has a unique artistic style and characteristics.Among them the most important characteristic is: the vivid form sense, the plane processing and the rich decoration style.The strong sense of decoration in decorative painting is the function of these formalized elements that constitute the picture. These formal artistic languages play an important role in the expression of emotion of the picture.In the rich decorative works, no matter which form or style is inseparable from the law of unity of artistic creation, that is, the coordination of change and unity, the distinct theme, the outstanding features and the intriguing connotation at the same time.For decorative painting, formal beauty in works is the expression and aesthetic method adopted by painters when they create their works of art.This method is to explore and study the relationship between the sense of form and the emotional expression of the picture.Nowadays, Western painting and Chinese painting are merging, colliding with each other and absorbing each other, decorative painting is constantly drawing nutrition from it, showing a more diversified situation.We should understand the relationship between art form itself and art emotional expression from the angle of artistic essence.In form and emotional expression to open up a wider road, create more fine works of art.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J525

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 翟勇;;“意象油畫(huà)”之我見(jiàn)[J];美術(shù);2006年02期

2 趙希崗;現(xiàn)代圖形設(shè)計(jì)與傳統(tǒng)圖案[J];裝飾;2003年04期

本文編號(hào)：1721980