本文選題：隆昌寺　切入點：佛教建筑　出處：《南京藝術(shù)學院》2011年碩士論文

【摘要】：隨著全球化時代的持續(xù)影響以及中國經(jīng)濟的繁榮,人們開始重新找回自己民族特色的的傳統(tǒng)文化。佛教建筑及佛教文化作為中國傳統(tǒng)文化的一個重要分支,無疑成為人們找回自身傳統(tǒng)文化一個重要的關(guān)注的目標。 本文通過對寶華山隆昌寺佛寺建筑的文獻查閱與建筑空間和裝飾的實地調(diào)研,掌握了較為詳實的資料。通過理論調(diào)研和資料歸納、分析其建筑空間特征和規(guī)律;分析建筑及其室內(nèi)裝飾題材、紋樣、色彩,從理論上探究影響該建筑空間的特征及裝飾藝術(shù)上的特點。 隆昌寺建筑作為中國佛寺建筑空間及裝飾的形成與演變的一個重要組成部分的個案,可以說體現(xiàn)了中國佛寺建筑空間與裝飾在一定時期中的發(fā)展特征,從印度佛教文化傳入中國并且與傳統(tǒng)文化相融合,在此歷史過程中,佛寺建筑在不同的歷史時期具有不同的空間特征。因此,隆昌寺建筑在一定的歷史時期保留了當時的空間形態(tài)特征。筆者通過分析隆昌寺建筑的整體布局、院落組合方式以及殿堂的空間類型,分析這些空間之間的組織關(guān)系及營造手法的特征;通過對建筑及其室內(nèi)裝飾題材、紋樣、色彩,探討隆昌寺建筑裝飾上特點,反映出在中國佛教思想背景下,隆昌寺建筑空間形態(tài)相對應(yīng)的空間特色與裝飾藝術(shù)特征。也正是這些歷史佛寺古剎遺產(chǎn)的有力證據(jù),證明了佛教建筑在本土化的中國佛教建筑思想下,在中國的傳播與發(fā)展所經(jīng)歷的一個時期歷史過程。
[Abstract]:With the continuous influence of globalization era and the prosperity of Chinese economy, people begin to rediscover their traditional culture with national characteristics.As an important branch of Chinese traditional culture, Buddhist architecture and culture have undoubtedly become an important concern for people to find their own traditional culture.Based on the literature review and field investigation of the architectural space and decoration of the Buddhist Temple of Longchang Temple in Baohua Mountain, this paper has grasped the more detailed data.Through theoretical investigation and data induction, this paper analyzes the characteristics and laws of architectural space, analyzes the theme, pattern and color of architecture and its interior decoration, and theoretically probes into the characteristics that affect the architectural space and the characteristics of decorative art.As an important part of the formation and evolution of Chinese Buddhist temple architectural space and decoration, Longchang Temple architecture can be said to reflect the development characteristics of Chinese Buddhist temple architectural space and decoration in a certain period of time.The Buddhist culture was introduced into China from India and merged with the traditional culture. In this historical process, Buddhist temple architecture has different spatial characteristics in different historical periods.Therefore, Longchang Temple in a certain historical period retained the spatial characteristics of the form.Through the analysis of the overall layout of Longchang Temple architecture, the way of courtyard combination and the space type of the temple, the author analyzes the organizational relationship between these spaces and the characteristics of the building and its interior decoration subject matter, pattern, color, etc.This paper probes into the features of architectural decoration of Longchang Temple, which reflects the corresponding spatial characteristics and decorative art characteristics of the architectural space form of Longchang Temple under the background of Chinese Buddhist thought.It is also the strong evidence of these historical Buddhist temples heritage that the Buddhist architecture has experienced a historical process of spreading and developing in China under the localization of Chinese Buddhist architecture thought.
【學位授予單位】：南京藝術(shù)學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：TU252;TU-86

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本文編號：1720804