本文選題：綜合裝飾　切入點(diǎn)：陶瓷藝術(shù)　出處：《景德鎮(zhèn)陶瓷學(xué)院》2008年碩士論文

【摘要】： 中國(guó)陶瓷藝術(shù)在不同的時(shí)代,有不同的特征和美的典范�，F(xiàn)代陶瓷藝術(shù)是現(xiàn)代社會(huì)和現(xiàn)代文明的產(chǎn)物,與現(xiàn)代科學(xué)技術(shù)的發(fā)展、物質(zhì)生活的提高,以及現(xiàn)代人審美觀和情趣的改變與精神因素的需求等息息相關(guān)。 當(dāng)代陶瓷藝術(shù)呈現(xiàn)“多元互補(bǔ)、異彩紛呈”的基本格局,陶瓷綜合裝飾是在現(xiàn)代藝術(shù)背景下,陶瓷藝術(shù)高度發(fā)展的結(jié)果,它迎合了人們的審美需求。它是集彩繪、雕刻及色釉等多種裝飾手法于一體的綜合形式。它以新穎靈活、藝術(shù)特色明顯、極富變化、感染力強(qiáng)等特點(diǎn)在陶瓷領(lǐng)域得到廣泛運(yùn)用及推廣。 研究綜合裝飾在陶瓷藝術(shù)創(chuàng)作中的審美意義是為了豐富陶瓷藝術(shù)的創(chuàng)作,使陶瓷工作者在創(chuàng)作過(guò)程中得到借鑒,為陶瓷藝術(shù)創(chuàng)作提供理論基礎(chǔ)。 本文從論述陶瓷綜合裝飾的涵義和它的發(fā)展歷史入手,以常見(jiàn)的綜合裝飾的表現(xiàn)形式為例,并結(jié)合文獻(xiàn)典籍和大量的優(yōu)秀的陶瓷作品等文字、圖片資料舉例引證,探索它的藝術(shù)魅力。同時(shí)立足藝術(shù)審美的角度,對(duì)陶瓷綜合裝飾理論知識(shí)的梳理和研究,揭示它對(duì)于陶瓷藝術(shù)創(chuàng)作的美感語(yǔ)言和藝術(shù)表現(xiàn)的重大意義,推動(dòng)現(xiàn)代陶瓷藝術(shù)的發(fā)展。
[Abstract]:Chinese ceramic art in different times, have different characteristics of the U.S. model. The modern ceramic art is a product of modern society and modern civilization, and the development of modern science and technology, the improvement of material life, and change with the spirit of modern aesthetics and taste demand factors are closely related.
The contemporary ceramic art show "multiple complementary, the basic pattern of colorful, ceramic comprehensive decoration in the context of modern art, highly developed ceramic art results, it caters to the aesthetic needs of people. It is a comprehensive form of painting, carving and other decorative glaze in a body. It is a novel flexible. The art of obvious characteristics, great changes, such as infection and strong characteristics of the widely application and promotion in the field of ceramics.
The aesthetic significance of comprehensive decoration in ceramic art creation is to enrich the creation of ceramic art, so that ceramic workers can learn from them in the process of creation, and provide a theoretical basis for ceramic art creation.
This paper expounds the connotation of ceramic comprehensive decoration and its history of the common form of comprehensive decoration as an example, combined with the literature and a large number of excellent ceramic works such as text, pictures for example cited, explore its artistic charm and artistic aesthetic perspective. Based on the analysis and Study on decoration the theoretical knowledge of the significance of comprehensive ceramics, it revealed ceramic art aesthetic language and artistic expression, promote the development of modern ceramic art.

【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J527

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