發(fā)布時(shí)間：2018-03-29 20:00

  本文選題：明代家具　切入點(diǎn)：歐洲文藝復(fù)興時(shí)期家具　出處：《齊齊哈爾大學(xué)》2013年碩士論文

【摘要】：中國(guó)明代和歐洲文藝復(fù)興時(shí)期在歷史的時(shí)間軸上處于同一時(shí)期，而且這個(gè)時(shí)期的家具也十分具有代表意義，分別代表了中西方家具發(fā)展的典型特征和家具文化的突出成就。明代家具是中國(guó)古典家具的代表，歐洲文藝復(fù)興時(shí)期家具是西方古典家具的代表。筆者通過(guò)對(duì)中國(guó)明代與歐洲文藝復(fù)興時(shí)期家具的裝飾風(fēng)格及其形成原因的比較研究，試圖找到中國(guó)明代與歐洲文藝復(fù)興時(shí)期在不同的地理位置、不同的社會(huì)環(huán)境、不同的歷史背景、不同的風(fēng)俗習(xí)慣、不同的文化氛圍下所形成的截然不同的家具裝飾風(fēng)格和家具文化。 論文研究主要采用了比較研究的手法，在閱讀相關(guān)書(shū)籍和查找文獻(xiàn)資料的基礎(chǔ)上，以設(shè)計(jì)藝術(shù)學(xué)、美學(xué)、歷史學(xué)等學(xué)科理論為指導(dǎo)。論文的重點(diǎn)是在中國(guó)明代與歐洲文藝復(fù)興時(shí)期家具裝飾風(fēng)格的比較上，從裝飾紋樣、裝飾題材、裝飾手法、裝飾結(jié)構(gòu)和裝飾材料等幾個(gè)方面進(jìn)行比較研究；在中國(guó)明代與歐洲文藝復(fù)興時(shí)期家具的裝飾風(fēng)格形成原因上，政治背景、經(jīng)濟(jì)背景、文化背景等三個(gè)方面對(duì)家具裝飾風(fēng)格的形成產(chǎn)生了巨大影響。政治上的閉塞和經(jīng)濟(jì)上的“封建式繁榮”造就了中國(guó)明代家具裝飾的質(zhì)樸與典雅，而政治上的開(kāi)放和經(jīng)濟(jì)上的“資本主義萌芽式繁榮”造就了歐洲文藝復(fù)興時(shí)期家具裝飾“以人為本”的設(shè)計(jì)理念；“感性文化”和道家、佛家思想造就了中國(guó)明代家具貼近自然的設(shè)計(jì)思想，，而“理性文化”和宗教影響力的不斷衰弱則使歐洲文藝復(fù)興時(shí)期家具開(kāi)始帶有追求科學(xué)的意味；有“文人氣質(zhì)”的審美觀念和“器物載道”的審美理想影響著中國(guó)明代家具走向了追求謙謙君子的道路，而“追求華美”的審美觀念和實(shí)現(xiàn)“人文主義”的審美理想則讓歐洲文藝復(fù)興時(shí)期家具走向了追求以人為本、華麗第一的道路。 家具是一種文化的載體，是一個(gè)時(shí)代的象征。家具裝飾受社會(huì)、經(jīng)濟(jì)、文化等的影響，是不同地域、不同宗教信仰的體現(xiàn)，是家具風(fēng)格特色的重要組成部分。中國(guó)明代家具與歐洲文藝復(fù)興時(shí)期家具是中西方家具的典范，是世界家具文化的重要內(nèi)容。通過(guò)這些內(nèi)容，不僅是對(duì)中國(guó)明代家具與歐洲文藝復(fù)興時(shí)期家具裝飾的深入研究，同時(shí)也會(huì)對(duì)現(xiàn)代家具和家具文化的發(fā)展產(chǎn)生巨大的促進(jìn)和推動(dòng)作用。通過(guò)對(duì)中國(guó)明代與歐洲文藝復(fù)興時(shí)期家具裝飾風(fēng)格的分析和對(duì)比，有利于人們更好地認(rèn)識(shí)家具文化的內(nèi)涵，尋找兩種裝飾風(fēng)格的優(yōu)點(diǎn)，啟示人們找出符合中國(guó)現(xiàn)代家具發(fā)展方向，幫助人們探索中國(guó)現(xiàn)代家具的裝飾風(fēng)格特色和未來(lái)的發(fā)展道路，將中國(guó)傳統(tǒng)家具的精髓發(fā)揚(yáng)光大。
[Abstract]:Ming Dynasty furniture is the representative of Chinese classical furniture, European Renaissance furniture is the representative of western classical furniture.Different historical backgrounds, different customs, different cultural atmosphere of the formation of different furniture decoration style and furniture culture.On the basis of reading relevant books and searching for literature, this paper is guided by the theories of design art, aesthetics, history and so on.The emphasis of this paper is to compare the decorative styles of furniture in Ming Dynasty and Renaissance Europe from the aspects of decorative patterns, themes, techniques, structures and materials.The reasons for the formation of furniture decoration style in Ming Dynasty and European Renaissance period, including political background, economic background and cultural background, had a great influence on the formation of furniture decoration style.The closeness of politics and the prosperity of feudalism in economy created the simplicity and elegance of furniture decoration in Ming Dynasty in China.Political openness and economic "budding prosperity of capitalism" created the design concept of "people-oriented" decoration of European Renaissance furniture, "perceptual culture" and Taoism,Buddhist thought created the design thought of furniture close to nature in Ming Dynasty in China, and the "rational culture" and the declining influence of religion made the furniture of European Renaissance begin to have the meaning of pursuing science.The aesthetic concept of "literati temperament" and the aesthetic ideal of "artifacts carrying Tao" influenced the Chinese furniture in Ming Dynasty to pursue the path of modesty and modesty.The aesthetic concept of "pursuing beauty" and realizing the aesthetic ideal of "humanism" made the furniture of European Renaissance go the road of pursuing people-oriented and gorgeous first.Furniture is a carrier of culture and a symbol of the times.Furniture decoration, influenced by society, economy and culture, is the embodiment of different regions and religions, and an important part of furniture style.Chinese Ming Dynasty furniture and European Renaissance furniture are the models of Chinese and western furniture and the important content of furniture culture in the world.Through these contents, not only the Chinese Ming Dynasty furniture and the European Renaissance furniture decoration in-depth research, but also to the modern furniture and furniture culture development will produce the huge promotion and the promotion function.By analyzing and comparing the decorative styles of furniture in Ming Dynasty and Renaissance in Europe, it is helpful for people to better understand the connotation of furniture culture and find the advantages of the two decorative styles.Enlighten people to find out the development direction of Chinese modern furniture, help people to explore the decorative style characteristics of Chinese modern furniture and the way of future development, and carry forward the essence of Chinese traditional furniture.
【學(xué)位授予單位】：齊齊哈爾大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J525.3;J53

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