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裕固族與維吾爾族裝飾藝術(shù)比較研究

發(fā)布時(shí)間:2018-03-29 03:17

  本文選題:裕固族 切入點(diǎn):維吾爾族 出處:《新疆師范大學(xué)》2011年碩士論文


【摘要】:裕固族與維吾爾族均屬隋唐時(shí)期強(qiáng)大的回紇汗國(guó)的后裔,于公元840年回紇汗國(guó)瓦解后遷徙至各自的聚居地而后形成了不同的民族。由于迥異的生活環(huán)境和周邊不同文化的影響,使得遷徙后各分支的生產(chǎn)生活方式也發(fā)生了變化,這樣,與其生產(chǎn)生活密切相關(guān)的民族風(fēng)俗和精神文化也就逐步產(chǎn)生了差異。但相同的族源,雖經(jīng)過一千多年歷史的變遷與整合,仍有相通和相同的氣息,表現(xiàn)在語言、音樂、風(fēng)俗文化等方方面面。 論文以比較的方式研究作為同源民族的裕固族與維吾爾族在服飾、居室等裝飾藝術(shù)上的異同。試圖通過兩個(gè)民族體現(xiàn)在裝飾藝術(shù)上的外在表現(xiàn)方式的差異與聯(lián)系,探究其內(nèi)在因素的深層文化內(nèi)涵。 全文分四個(gè)部分。第一部分為綜述,對(duì)論文研究背景、研究目的和意義、比較研究的可行性、研究方法、中心內(nèi)容和論文結(jié)構(gòu)做了概括性的介紹。第二部分闡述裕固族和維吾爾族發(fā)展的歷史、分布情況,以及它當(dāng)下的社會(huì)生活、政治經(jīng)濟(jì)、宗教信仰和文化風(fēng)俗等特點(diǎn),追溯歷史,分析現(xiàn)狀,為深層文化內(nèi)涵的探尋提供史料和現(xiàn)實(shí)依據(jù)。第三部分重點(diǎn)對(duì)裕固族和維吾爾族的服飾藝術(shù)進(jìn)行研究,對(duì)裕固族與東疆、南疆、北疆維吾爾族服飾的裝飾題材、手法、風(fēng)格、色彩搭配、文化內(nèi)涵等方面進(jìn)行比較,分析它們?cè)诜椛系穆?lián)系與差異。第四部分對(duì)裕固族和維吾爾族居室的裝飾藝術(shù)進(jìn)行研究,從居室的造型結(jié)構(gòu)、裝飾技巧等方面進(jìn)行比較,進(jìn)而分析它們?cè)诰邮已b飾上的聯(lián)系與差異。最后對(duì)裕固族與維吾爾族裝飾藝術(shù)在社會(huì)變遷中的影響因素進(jìn)行了宏觀的推論。 通過比對(duì)發(fā)現(xiàn),兩個(gè)同源民族在經(jīng)歷史變遷后,在服飾文化和居住文化的外在表現(xiàn)形式上產(chǎn)生了很大的不同。尤其在居室的裝飾上,幾乎無法相提并論。而在服飾的裝飾藝術(shù)上既有聯(lián)系又有差異,且其差異性大于聯(lián)系性。 所以,裕固族文化系由多元民族文化層級(jí)疊加而成,既蘊(yùn)涵著豐富的古代突厥、回鶻的文化底蘊(yùn),又頗具古代蒙古的遺風(fēng),另外還深受鄰近兄弟民族——主要是藏族和漢族的影響,未能實(shí)現(xiàn)整體融合。維吾爾族的文化保留了回鶻的文化遺存,融合了當(dāng)?shù)赝林幕?又經(jīng)歷了突厥化和伊斯蘭化的過程,其整合程度較裕固族徹底。
[Abstract]:Both Yugur and Uygur are descendants of Huihe khanate, who was powerful in Sui and Tang dynasties. After the collapse of Huihe Khan in 840 AD, they migrated to their respective settlements and formed different nationalities. After the migration, the production and life styles of the various branches have also changed, so that the ethnic customs and spiritual cultures closely related to their production and life gradually become different. But the same ethnic origin, In spite of the vicissitudes and integration of more than one thousand years of history, it still has the same breath, such as language, music, custom and culture. This paper makes a comparative study of the similarities and differences between Yugur and Uygur in the decorative arts such as costumes and rooms. Explore the deep cultural connotation of its internal factors. This paper is divided into four parts. The first part is a summary of the research background, purpose and significance of the paper, the feasibility of comparative research, research methods, The second part describes the history and distribution of the development of Yugur and Uygur, as well as its current characteristics of social life, political economy, religious belief and cultural customs. The third part focuses on the study of the dress art of Yugur and Uygur, and the decoration theme of Yugur and the eastern, southern and northern Uygur. Methods, style, color collocation, cultural connotation and other aspects of comparison, analysis of their clothing on the relationship and differences. The fourth part of the Yugur and Uygur bedroom decoration art, from the room modeling structure, The paper compares the decorative skills and analyzes their relationship and difference in the decoration of the house. Finally, the paper makes a macro inference on the influencing factors of the decoration art of Yugur and Uygur in the social changes. Through comparison, it was found that the two homologous nations had great differences in the external forms of dress culture and residential culture after the historical changes, especially in the decoration of the house. It is almost impossible to compare with each other. But in the adornment art, there is not only connection but also difference, and the difference is greater than the connection. Therefore, the Yugur culture is overlaid by the multi-ethnic cultural hierarchy, which not only contains rich ancient Turkic and Uighur cultural details, but also has the heritage of ancient Mongolia. In addition, the Uyghur culture has been deeply influenced by the neighboring brotherly ethnic groups, mainly the Tibetan and the Han nationalities, and has not been integrated as a whole. The Uygur culture retains the cultural relics of the Uighur, integrates the local indigenous culture, and has gone through the process of Turkization and Islamization. Its integration degree is more thorough than Yugur nationality.
【學(xué)位授予單位】:新疆師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2011
【分類號(hào)】:J525

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