本文選題：民俗文化　切入點(diǎn)：審美心理　出處：《南京林業(yè)大學(xué)》2008年碩士論文

【摘要】： 民俗文化屬于非物質(zhì)傳統(tǒng)文化的范疇,它是人類在長期的社會生活中形成的,代表著最廣大人民的文化。民俗審美心理包容于人類審美心理之中,但它具有最廣泛的群眾性和普遍性。它不同于文人雅士的對美的精致細(xì)膩的體驗(yàn),也不同于少數(shù)上層統(tǒng)治者對美的認(rèn)識,它帶有強(qiáng)烈的世俗性和集體認(rèn)同性,并且它往往是由實(shí)用的目的轉(zhuǎn)化而成,有明顯的功利色彩。 裝飾藝術(shù)是人類最古老的藝術(shù)形式之一,是人類特有的一種實(shí)踐活動,同時也是人類用審美的方法把握世界的一種方式。裝飾藝術(shù)產(chǎn)生于廣大民眾的日常生活中,實(shí)用的功利主義是裝飾藝術(shù)的重要特征。民俗文化的繁榮導(dǎo)致了大量的實(shí)用裝飾藝術(shù)的產(chǎn)生,日常生活的方方面面都存在豐富的表達(dá)了民俗審美意識的裝飾藝術(shù)。這些裝飾藝術(shù)具有精神的象征,樸素地反映了廣大人民對美好生活的祝愿,含蓄地表達(dá)了我們民族的性格和品德,具有一種內(nèi)在的精神價(jià)值。 本文旨在研究中國民俗文化影響下的裝飾藝術(shù),首先分析了中國民俗文化產(chǎn)生的本源;接著剖析了民俗審美心理特征;然后具體闡述了民俗文化對裝飾藝術(shù)在創(chuàng)造思維、表現(xiàn)形式、色彩表達(dá)等方面的影響;最后通過實(shí)例分析探索民俗裝飾藝術(shù)在現(xiàn)代設(shè)計(jì)中的應(yīng)用方法。
[Abstract]:Folklore culture belongs to the category of immaterial traditional culture, which is formed by human beings in long-term social life and represents the culture of the overwhelming majority of the people. But it has the most extensive mass and universality. It is different from the refined experience of beauty of the literati and the understanding of beauty of a few upper rulers, and it has strong secular and collective identity. And it is often transformed by practical purposes, with a clear utilitarian color. Decorative art is one of the oldest art forms of human beings, it is a special practical activity of human beings, and it is also a way for human beings to grasp the world with aesthetic methods. Decorative art is produced in the daily life of the general public. Practical utilitarianism is an important feature of decorative art. The prosperity of folk culture has led to the emergence of a large number of practical decorative art. All aspects of daily life are rich in decorative arts that express the aesthetic consciousness of folk customs. These decorative arts are spiritual symbols and simply reflect the wishes of the broad masses of people for a better life. Implicit expression of our national character and moral character, with an inherent spiritual value. The purpose of this paper is to study the decorative art under the influence of Chinese folklore culture, first to analyze the origin of Chinese folklore culture, then to analyze the psychological characteristics of folklore aesthetics, and then to elaborate the creative thinking of folklore culture on decorative art. Form of expression, color expression and other aspects of the impact; finally, through the analysis of examples to explore the application of folk decorative art in modern design.
【學(xué)位授予單位】：南京林業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2008
【分類號】：TU238

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 張盛;江西省景德鎮(zhèn)地區(qū)明代民居裝飾藝術(shù)研究[D];河北科技大學(xué);2011年

2 彭娟;濰坊地方文化在室內(nèi)裝飾中的應(yīng)用研究[D];南京林業(yè)大學(xué);2011年

3 崔樂;關(guān)中傳統(tǒng)民居室內(nèi)裝飾與陳設(shè)藝術(shù)研究[D];西安理工大學(xué);2010年

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本文編號：1663078