本文選題：北方少數(shù)民族　切入點(diǎn)：傳統(tǒng)服飾　出處：《哈爾濱理工大學(xué)》2011年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：中國(guó)是一個(gè)多民族國(guó)家,絢麗多彩的北方少數(shù)民族傳統(tǒng)服飾文化是中華文明的重要組成部分,是區(qū)別族群的標(biāo)志,與社會(huì)歷史文化的發(fā)展不可分割。服飾是一個(gè)民族一個(gè)地區(qū)在文明發(fā)展史上所形成的特有的勞動(dòng)成果,地域環(huán)境、生產(chǎn)方式、審美情趣,以及風(fēng)俗文化、宗教信仰,都積淀于服飾之中。北方少數(shù)民族大量吸收融合了世界各民族優(yōu)秀文化,以獨(dú)特的智慧、高超的技藝創(chuàng)作出品種齊全、自然純樸的少數(shù)民族服飾文化。 北方少數(shù)民族服飾造型形態(tài)多樣,種類(lèi)豐富,內(nèi)涵深厚,歷史悠久,貯存了可貴的知識(shí)、情感和科學(xué)技術(shù),蘊(yùn)含著我們古老民族創(chuàng)造和審美最本原的精神。各民族服飾的結(jié)構(gòu)類(lèi)型、色彩理念、審美情趣、圖案寓意等內(nèi)容,反映了各民族歷史發(fā)展中形成的蘊(yùn)含其物質(zhì)文化和精神文化的傳統(tǒng)風(fēng)尚。北方少數(shù)民族服飾造型藝術(shù)在漫長(zhǎng)的歷史長(zhǎng)河中發(fā)展演變,有著獨(dú)特審美習(xí)慣和傳統(tǒng)文化內(nèi)涵,在歷史、文化、工藝美術(shù)等方面有著較高的價(jià)值。通過(guò)了解北方少數(shù)民族服飾造型藝術(shù)獨(dú)特的背景、特點(diǎn)、文化內(nèi)涵和審美意識(shí)形態(tài),充分認(rèn)識(shí)到蘊(yùn)藏在少數(shù)民族服飾中的民族歷史、文化傳統(tǒng)、價(jià)值取向、審美情操和精神追求等深層次的寓意。北方少數(shù)民族服飾文化正期盼著理論總結(jié)、理論概括、理論積累,期盼著傳統(tǒng)文化與現(xiàn)代設(shè)計(jì)的融合與創(chuàng)新。 希望通過(guò)本文在現(xiàn)代藝術(shù)和傳統(tǒng)服飾文化相互銜接和共生方面做一些有益的探索。一方面,少數(shù)民族傳統(tǒng)服飾造型元素可以在吸取現(xiàn)代工藝及設(shè)計(jì)方法的基礎(chǔ)上,煥發(fā)出時(shí)代的風(fēng)貌,摸索其創(chuàng)新和發(fā)展的方向;另一方面,現(xiàn)代藝術(shù)設(shè)計(jì)可以拓寬設(shè)計(jì)思路,適度借鑒和應(yīng)用相應(yīng)的傳統(tǒng)服飾造型素材,體現(xiàn)地域性和民族性。通過(guò)對(duì)少數(shù)民族傳統(tǒng)服飾造型在藝術(shù)設(shè)計(jì)中的地位和意義的分析,結(jié)合中國(guó)現(xiàn)代藝術(shù)設(shè)計(jì)發(fā)展概況與存在問(wèn)題的研究,通過(guò)發(fā)掘、提煉傳統(tǒng)藝術(shù)中的精華,運(yùn)用各民族獨(dú)特的藝術(shù)形式、藝術(shù)手法來(lái)反映現(xiàn)實(shí)生活,使之成為中國(guó)現(xiàn)代設(shè)計(jì)的新活力源泉,讓中國(guó)的少數(shù)民族傳統(tǒng)服飾元素在國(guó)際舞臺(tái)上散發(fā)出自己獨(dú)特的魅力。
[Abstract]:China is a multi-ethnic country, and the colorful traditional dress culture of the northern ethnic minorities is an important part of Chinese civilization and a symbol of the difference between ethnic groups. Clothing is the unique labor achievement, regional environment, production mode, aesthetic taste, custom culture, religious belief formed by a nation and a region in the history of civilization development. The minority nationalities in the north absorbed and merged the excellent culture of all nationalities in the world, and created a complete variety and natural simple ethnic dress culture with unique wisdom and superb skill. The costumes of the ethnic minorities in the north have varied shapes, rich varieties, profound connotations, and a long history. They have stored valuable knowledge, emotion, and science and technology. It contains the most original spirit of our ancient nation's creation and aesthetic appreciation. The structure type, color idea, aesthetic taste, pattern implication and so on of each nationality's clothing, It reflects the traditional fashion which contains its material culture and spiritual culture formed in the historical development of various nationalities. The costume and plastic arts of the northern ethnic minorities have developed and evolved in the long history, with unique aesthetic habits and traditional cultural connotations. Through understanding the unique background, characteristics, cultural connotations and aesthetic ideologies of the costume and plastic arts of the northern ethnic minorities, Fully aware of the profound implications of national history, cultural tradition, value orientation, aesthetic sentiment and spiritual pursuit contained in the costumes of ethnic minorities. The northern minority costume culture is looking forward to theoretical summarization, theoretical generalization and theoretical accumulation, Looking forward to the integration of traditional culture and modern design and innovation. It is hoped that through this article we can make some beneficial exploration on the connection and symbiosis between modern art and traditional dress culture. On the one hand, the elements of traditional dress modeling of ethnic minorities can be absorbed on the basis of modern technology and design methods. On the other hand, modern art design can broaden the design ideas, draw lessons from and apply the corresponding traditional dress modeling materials. Through the analysis of the status and significance of traditional costume modeling of ethnic minorities in art design, combined with the research on the development and problems of modern art design in China, Refining the essence of traditional art, using the unique artistic forms and artistic techniques of all nationalities to reflect real life, and making it a new source of vitality for modern Chinese design. Let China's traditional ethnic dress elements on the international stage to emit their own unique charm.
【學(xué)位授予單位】：哈爾濱理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：J523.5

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